EricDaleEubanks's profile

EricDaleEubanks avatar
AGE: 46
LOC: Hixson, TN
GEN: Male
LAST LOGIN: May 28

I’ve worked professionally as a “theatre generalist”, to wit: {actor/director/playwright/teacher/etc.} since 1980.

I also read like a fiend [very eclectic interests].

Favorite acting roles over the years have included Merrick in THE ELEPHANT MAN, Che in EVITA, Rich in AS IS, Dodge in BURIED CHILD, the title role in DRACULA {multiple productions}, Pirelli and Judge Turpin in multiple productions of SWEENEY TODD, THE DEMON BARBER OF FLEET STREET, Erik in THE PHANTOM OF THE OPERA;{non-musical, original script}, and Sister Mary Amnesia in [the all-male-cast version] NUNSENSE, AMEN. Favorite directing credits have included A STREETCAR NAMED DESIRE, THE TRIP TO BOUNTIFUL, THE NORMAL HEART, DADDY’S DYIN’, WHO’S GOT THE WILL?, and EXTREMIT

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Novel Treatments / PLACE OF SECRETS chapters 1-2.
Version 1
47 Reviews   5 Comments
a novel Eric Dale Eubanks ©2005, Eric Dale Eubanks 1802 Hamill Road, Apartment #17 Hixson, TN 37343 Messages: (423) 400-8931 ericeubanks@comcast.net For my parents, for Eric Charles, for Rebecca, and in memory of Sarah Elizabeth Burkett, Libba Moore Gray, and the real Aunt Lou. “More than in the Devil, I am interested in the indications of Grace.” Flannery O’Conner CHAPTER ONE In a corner of Dogwood Cove, there is a jagged opening from the pastured valleys onto a tangled slash of ravines. La...
Ratings & Rankings
Version 1
19 Reviews   5 Comments
The Phantom of the Opera by Eric Dale Eubanks based on the novel by Gaston Leroux © 2005 by Eric Dale Eubanks 1802 Hamill Road, #17 Hixson TN 37343 Messages: (423) 400-8931 ericdeubanks@aol.com EricDaleEubanks@Netscape.net commissioned by Encore Theatrical Productions, Inc. CAST OF CHARACTERS Meg Giry Clémènce Mme. Giry Christine Daäe Carlotta de Fiorenza La Sorelli Raoul, le Vicomte de Chagny Erik, le fantôme de l’Opérà Father Jean-Baptiste Surin Also: members of le corps de ballet, opera s...
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Locked
Non-fiction / Thanksgiving Memories
Splendidly written. Now I want to read more of your story -- this has a ring of unsentimentalized truth about it [coming from a long line of Flannery O'Connor characters on my mom's side, I don't find these folks exaggerated at all!] and the storytelling is appropriate to the age of 'yourself' at the time of the story. You don't give away too many facts too soon -- because your narrator's not in possession of them.... One thing that's really strong about this is that it has the feel of oral n...
Short Story / The Pomegranate
Locked
Poetry / The Waltz
This wants to be sung {high praise coming from this "old theatre hound" who keeps an altar to Stephen Sondheim!!!!}. Such delicate clean phrases, such well-chosen words -- which are not serving metre and rhyme-scheme, they are serving what you want to convey. The fact that the metre and the rhyme-scheme are also served is just gravy. I don't read a lot of poetry -- after a lifetime of working in Shakespeare, Euripides, and-of-course Mr. Sondheim, I'm a little spoiled and find a lot of it want...
A great beginning, a "jumping-in" point that makes me want to read the rest. Very disturbing, keenly observed, well-realized. A couple of points to ponder: A) My background's theatre, as actor and director [better director]. So I'm really keen on dialogue -- on what falls naturally out of the mouth and thus on the ear of the audience; in the case of fiction, the same natural quality is desired. The dialogue here could be re-examined -- see how you can make it more natural in flow, more sponta...
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