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MayaCatherine's profile

MayaCatherine avatar
AGE: 20
LOC: NY, NY
GEN: Female
LAST LOGIN: September 15

One of “RED: The first book of essays by America’s next generation of writers” writers. See YouTube for readings/amazon.com

I only like things that contradict, though I also enjoy things that are similar…therefore I like things that contradict.

I think rain is beautiful. I like eccentrics, Byron keeping a crane in his Oxford bedroom – that kind of brilliance.

I think my life is the unwritten work of Verdi. How pretentious is that.

~m

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Poetry / Sinaia
Version 1
6 Reviews   2 Comments
In the murmur of hills my grandfather lives, a medicine ball of disputed leather. Knuckles bolted, sore hands of a man who’s never loved the plush of palms or a child’s head of soft moon. The chickens run the hillside. My grandfather elects himself minister of a plan to abolish the sun. He fights his wane, meanwhile, the hills grow wilder. All his life he has been this one idea, a motorcycle circling reproach and blame, chilling the breaths of his two daughters who left notes, don’t find us ...
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Poetry / Icarus, Is This
Version 1
8 Reviews   3 Comments
the best your wings will do? Don’t explain reason. Don’t explain this falsity of knowing what you need. Define density, the sea foam form. The forceps of desire flatly on the table. My glass leans towards them, makes a toast to infinite do-overs and retries. Even you are just a first stab at brilliance. Even you have more than the floor in store.
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Poetry / Atonement
Version 1
3 Reviews   1 Comment
An example of light is the moon that will not dissolve what’s in front of it. In my room, two postcards and a doll with a face so still she is a port of steel. The glass of her eyes is your cold burn and perfect crescent of expression. The afternoons I made crickets perform to them. You said cruel Briony, but I couldn’t see how the bow of its instrument could be its own. Now when the night is Mars and nothing else, men and none whole, I call for you. I want to take needles to the blades of ev...
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Version 1
3 Reviews   0 Comments
You make for a juicy story, friend. A specimen, if you will, unjustified effect. Much of what is said need be said twice, the way a lamp doesn’t cast but repeats light. In this way we come to believe that love isn’t momentary lapse, fields passed by car and stopped to feel the golden stock, each ear of corn more focused than the next. Meaning is measured by initial intent but you are tragic, accidental. Love is a loose hem on your trousers. See how well you fit amongst the unreturned waves, ...
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Poetry / Loose Sonnet
Version 1
2 Reviews   0 Comments
I couldn’t promise fourteen lines or any sort of written excellence, much less of twelve to suit the sort of penitence poets seek in these sonnet forms. Shakespeare’s pockets could have well adorned these last nine lives like nine lives that jump the hedge of modern modesty, spilling out the heart in its entirety; though still no Wyatt and no monarchy to proof the all collapsing roof of these last lines four. But let’s forget the trying binds of gifted rhyme and measure, forego the form for s...
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Reviews
"misting like oil on a coveted, well cured, cast iron skillet" is gorgeous. Great alliterative properties and subtle language twists that are satisfying. My only criticism is that it gets wordy at times, which is to say, the poem could benefit from being sparser. The opening line is fantastic, but is followed by a wordy "ripples lazily" which makes it loose it's appealing opening beat. The ending is nice. Overall, the piece shows great potential.
Short Story / Six - Word Memoir
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Poetry / The Consequence
It's certainly a poignant piece. The rhyme works well, but it might benefit from putting it into form--maybe couplets or quatrains, unless you prefer to keep it as a block. The opening line is wonderful and grabs the reader's attention. However, some of the other lines like "cry me a river" the piece could do without.
Poetry / Full House
GREAT REVISIONS. Much tighter and rich.
This is beautiful, overall. It needs to be tightened around the middle section--perhaps a little less description, a little more movement towards the girl's desire to escape. That's my only criticism of the piece, that it rests in the middle section, that it doesn't move forward. THAT SAID, the imagery is superbly rich and quite lovely. You integrate the locations well and the vivid textures and color, the weather, everything is rich. Favorite lines include " lavender breezes carry ghost trai...
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Poetry / Babel
Poetry / One Afternoon

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