when you were a bird i choked down chunks of fruit to quiet you or you squawked all night in a ribcage that hardly contained you (then called you beautiful in your desperation! those mesmerizing clipped wings!) when you were a fish and flopped from kidney to kidney limply and frantically i rushed to gut you with nervous hands that left you empty and still and when you were a lap dog i let you come begging at metaphorical feet and turned you away with no new tricks you’d be too old to learn an...
me in my car like the mind in a bull’s skull and the stupid road like one big china shop it can’t charge without harming i’ve left things behind in my wake before, sure, but nothing like you, black eyes in a broken head still filled with indecision and i guess regret – your body wet and heavy nothing like a stuffed rabbit’s and mine wet and heavy like nothing human, we could have clung to one another in that street but we would have been attached to nothing and both hit again by other reckles...
the last place i saw you was a corpse-still building without a heart, just a million empty seats and windows tinted to turn the departing into ghosts and no room for holding onto love you forgot your wallet but took my vital organs, i swear i’m not speaking figuratively – my blood cells were as secure in your veins as you, strapped into a plane without a parachute i wanted to search the sky for your tiny face, hovering above streets we had driven where i never meant to say goodbye to you but ...
it is constantly painful to live inside skin pocked with air-holes who are always begging, unclog me, just like the stuck drains and stuck people who are all equally helpless. there is not enough soap in the world to annul the damage they demand freedom from, and no amount of steam will divorce our pores from their impurities.
my stomach is sick with guilt, my head is a butterfly trap begging to release. when it snapped i said if you were so desperate to pull beauty from outside yourself you’d have done the same thing too. now i pull disembodied wings from my spine and cry i never had a need for destruction. every wave of my vocal chords crushes another of you, every crack of my synapses sends earthquakes through your cores. one day my forehead will burst open and you’ll all come pouring out. you’ll leave behind yo...
hey! i really love the tone and style of this a lot, it is pretty distinctive and very captivating. there are a few enhancements i can suggest and comments to make but overall i just want to say that the piece is polished and lovely. P1 - the tone you set in this introduction is absolutely perfect P2 - first time i got confused about transitions. i really hope this isn't a formatting issue since i'm not too familiar with prose poetry but i feel like although being disjointed isn't a huge detr...
very little about this "poem" redeems it from its overwhelming lack of distinctiveness, originality, and significance to the reader. the first major problem with this poem is that it is really not a poem. it is just prose minus punctuation. the fundamental differences between poetry and prose are form and language. as far as form, poetry should be arranged in lines and stanzas, prose in sentences and paragraphs. yours is arranged neither way, but in the form of a single run-on sentence. the d...
hey, you have set up a pretty interesting metaphor here but there are some flaws inherent from your style that i think keep the poem from being ultimately a success. first off you need a much better understanding of meter if you're going to attempt rhyme. here you've written a poem whose line ends rhyme in a simple ABCB pattern but there is no sense of meter or rhythm which renders the rhyme virtually ineffectual. if you do want to attempt incorporating rhyme into your poetry you should try s...
hey! i think this piece is really great and provides a distinctive, jarring writing style that complements your storyline and subject matter. the relationship between the characters is nicely developed, although i would like to see a little more development of the characters themselves, particularly the narrator as the cause for his coldness is unclear and could serve to make the story more relatable and purposeful. the beginning of your story operates on the concept of shocking the reader in...