Poetry / Mandarin (Analysis)

From where I stand it is obvious
like plastic chopsticks, like you
and me laughing, wonton soup
up our noses. I say,
I am going to China, and you say,
That’s fantastic, now I will know someone
who has gone to China.

Write me, I say. No computer? Not in China.
A lie. But I want you to crinkle and uncrinkle
the first letter I send you,
wherein I will fall in love with a man named Wan-xu

and you will imagine me whispering
Wonshu, wonshu
which is just wrong, which is frankly insulting.
You know, in China
we are careful of our names.

No: we will write of other things.
I hear an old man playing the erhu
and scribble, This melody is like me.
We share certain silences
and violent arpeggios.

You return: I wish I had heard it. My sister
plays the violin and hates it,

and launch into a story I already know.
These are the conversations. But when I write
of night markets, pipao, fried duck,
your wonderful Orient,
in another language I am saying: Forgive me.
I have forgiven you.

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jbaker avatar General Stranger

July 09, 2008

jbaker

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DennisP1 avatar General Stranger

June 21, 2008

DennisP1

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June 21, 2008

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Earl_Daniels avatar General Stranger

June 09, 2008

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May 17, 2008

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Fhilidh avatar General Stranger

April 29, 2008

Fhilidh

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HarryVann avatar General Stranger

April 28, 2008

HarryVann

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HarryVann reviewed Version 3 - Read 100% of the Item

Punctuation:  Your use of punctuation accentuates this poem nicely.  I like the manner that you break it up into various sections, cause hesitation, and at the end of the poem seemingly drift off into some Chinese background.

Word Choice:  I think it is okay in a very serene kind of way.  You take a somewhat up and down, in and out manner to say things and it seems to work well with the imagery your words portray.  You have a very creative way of setting the scene for this poem and it captures the reader’s imagination.

Composition:  This poem reads a lot like a well worn path or roadway.  It has twists and turns and you better be careful not to go off the side of the road or else you might tumble into a ditch.  It has that kind of effect.  You want to carefully grasp each and every facet this poem presents and soak in its meaning.  

Thanks for creating a very nice piece of poetry that captures the imagination in a truly unique and singular manner.  I do appreciate the manner in which your poem ends and find it captivating.

Kathleen avatar General Stranger

April 28, 2008

Kathleen

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princesssudi avatar General Stranger

April 28, 2008

princesssudi

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princesssudi reviewed Version 2 - Read 100% of the Item

Well I think the conversation can be worked out a little more.  Maybe more like hhow you would hear on the telephone more than a letter?  And maybe worry less about metaphors in some places as well.

Lena avatar General Stranger

April 28, 2008

Lena

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
Lena reviewed Version 2 - Read 100% of the Item

Conversational: I loved the subtle message and agree it was conversational.

Challenging: You maintained a consistant theme throughout from title to musical instruments. I appreciated the way you defined the more obscure terms to the western reader with the erhu and violin and Wonshu for Wan-xu and even the arppegios was contrasted with silence to help explain its meaning reducing some of the challanges in understanding your writing.

Fluent: The fluency was aided with these definitions, although somewhat obscure to a western reader, I found it spicy :) and educational.

Cliche or redundant: I didn’t find this to be either cliche or redundant.

The ending was touching and personal.

overall: I enjoyed reading it.

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laflaneur

Age: 19
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Last Login: July 11
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