I was hesitant to open such a lengthy review but I’m glad I did. Thanks.
Poetry / Torch Run
She runs through San Francisco,
past the drummers in the plaza,
flanked by swat teams,
and TV crews,
and all this talk of snipers.
She bears a torch that fuels contention,
in the eyes of an unjust world.
People look,
but just see red,
and she wants to join their fight.
Passions boil,
worlds collide;
but there are handlers who
divert her.
Despite her best intentions,
she can’t bring herself to speak;
because dreams can get derailed
when you’re veering left or right;
and there’s no future in hindsight,
and no cause worth this fight.
So she smiles
like she’s supposed to,
but it’s harder than she thought;
because blinders limit what you see
and her torch doesn’t shed much light.
And the weight of what’s uncertain,
and the weight of all that’s wrong,
is making her torch heavy,
and she can’t wait to pass it on.
She didn’t ask for this insanity;
let someone else be strong.
Because all she’s ever wanted
was to run.
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i like what this poem expresses about the issues involved(especially at the end). my only criticism is that if you’re going for the free-verse, not-rhyming thing, you might want to restructure it so that you don’t have three lines in a row that rhyme(“right/hindsight/fight”); it’s like the poem slipped back into conventional structure before you caught it and went back to free verse.
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I like this poem. But as it is free verse, I’m not certain that you’ve explored the physical dimensions of your piece. The breaks don’t seem to follow any real logic, and I wanted to see some running.
For example (just for illustration):
Despite her best intentions,
she can’t bring herself to speak;
because dreams can get derailed
when you’re veering
left
or right;
and there’s no future in hindsight,
and no cause worth this fight.
Do you follow me? I believe this poem cries out for a clearer path and structure. How you do it is up to you, but that’s my biggest suggestion for you to consider. Since your title is telling us plainly what this poem is about, I’d suggest that you consider, as an exercise in economy, leaving out all references to what is happening globally and focus entirely on what you state so clearly in the last line: “Because all she’s ever wanted was to run.”
Lines like ”...fuels contention, in the eyes of an unjust world…” are not really necessary and actually distract the reader. The subtext is clear enough without you as the poet interceding on our behalf.
There’s absolutely nothing that I’d suggest you add. It’s clear and thought-provoking as it is, but I think an edit or two and some experimentation with the poem’s line structure would make this a great poem.
Best of luck,
Byron
The imagery and language use is simply lovely. This is a piece that draws me in and makes me want to read more. Bravo!
The first stanza is fantastic, but then the poet goes into a narratively judgmental voice. Given the beautiful structure of the first stanza, why not allow the rest of the poem not to explicate the speaker’s stance, but instead, structurally have the poem replicate the argument? Let the poem talk to itself, question itself.
i liked the way the narrative flows and takes the protagonist smiles at the crowd from a sense of duty despite her own apprehensions about the torch. well written, I liked the first verse a lot, there is some very vivid images contained in it.
Great Poem, reads very well and is very clear. Very Good Stuff.
I really enjoyed this poem and am sorry to say that I have no improvements except for you to keep writing and simply improve yourself. I loved the last four lines they were, in my opinion, by far the best in the whole poem.
“She didn’t ask for this insanity;
let someone else be strong.
Because all she’s ever wanted
was to run.”
It really wraps everything up and adds a heartbreaking ring to it. Good Work.
I like the premise quite a bit. All in all I like the poem. I do have a few problems with it though. You are in a way creating a narrative here. The way I see such endeavors, it is best to have ‘hard points’ of very strong language (not cursing, but emotion charged) and those points need to be set in a rhythm that cause them to explode into the consciousness.
S1, I think I would rather see the third and fourth lines made into the first and second lines. Build suspense. Then, perhaps, have the last line delivered with question-like ambiguity/consternation.
S2, ‘ fuels contention’ and ‘unjust world’ aren’t separated enough. ‘Feeds’ would be more clear, but less dynamic. Making ‘fuels’ feel like feeds though would help. Contention in an unjust world isn’t surprising. Introspection in an unjust world though is.
S3, “but just see red” is too direct. ‘Through eyes red with hate’ or something indirect, more able to make the reader the runner, would work better.
S4, “Worlds collide” I like, but ‘passion boils’ isn’t enough. It is like you are jumping from one box to another of the same height. Make it more thrilling, make one box dangerously distant.
S5, I want to know more about her than her ‘best intentions’. Not a whole page, just a few words that draw me into her world, show me her heart.
You may try switching the last line up. You are going to have to change ‘fight’ as the end of that line no matter what. How about, “No fight worth this cause.” or something to that effect. Artistically speaking, ‘fighting’ is the word to work into the first part of the line though.
S6, I would like something better than, “like she is supposed to.”
S7, need better language than, “what you can see’.
Need better language than, “shed much light.”
In both cases, more drama.
S8 (and 9) three sentences in a row begin with ‘and’.
In the last stanza I would like to see some effect of the weight of the torch on her. Make her legs unsteady, the strength of her arm failing, the ardor of her heart sinking.
You have something good to work with here, I hope a little of what I observed helps you in some way. My apologies if I was over thorough. I assumed that by requesting a review you were wanting an in-depth, well thought out review. Forgive me if I was mistaken.
Joel.
“Don’t shoot the messenger!’ You have covered that point very well. The torch relay is really only about calling competitors to meet for the Olympics. Instead of being a proud opportunity for the young runner it has become an insane grind. It is a terrible shame that people with issues push their agenda & spoil what should be a wonderful event.
I enjoyed this poem very much, thank you for posting it. I like the topical subject matter, as it’s something I’ve been reading in the paper and seen in the news, and it just makes me angry. It’s the freakin Olympics, it’s supposed to represent equality of nationality under the banner of an unbiased competition, pushing our species to the physical limits of excellence. Leave the politics at the door.
All that aside, this poem sums up my feelings pretty well. The ninth paragraph, stanza, whatever you want to call it, is wonderful. The pride and joy that the torch represents is tarnished, and it’s getting too heavy to hold, let alone carry across the world.
Good stuff.
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