Sci Fi & Fantasy / Synopsis (Analysis)

 

Secile Shuriek is asked to find her friend’s daughter who was sent to an eastern valley shortly after birth. Secile accepts, even though she was about to start her graduation quest to become a Master; to find the artifact called Vaulinque-litaya and bring it to Nimbdell. Vaulinque-litaya is a sentient dagger. When Vaulinque-litaya pierces a living creature through the heart, it instantly drains the blood from them and replaces the blood with its seed, which rebirths the victim as a powerful creature.
In the eastern valley, sixteen year old Kaia-mei earns a day of exploring the dangerous caves on the valley’s northern slope. Gurandi, the man who raised her, promises to get an early start in the morning, but is not there when she awakens. She decides to start the adventure without him. She finds a map of the caves in his room and gathers her best friend, eighteen year old Caize, to help her. Kaia-mei ends up going in alone. She gets too afraid and decides to leave, but instead discovers a pit and falls into the lower tunnels.
Gurandi returns, learns of Kaia-mei’s impatience, and goes in after her. After reuniting, they are surprised by a band of goblins and Gurandi hides Kaia-mei, and then searches for his own hiding spot. Kaia-mei knows her “father” will die and tries to find him. A fairy, who’s clan lives near the valley and occasionally checks up on the humans, uses magic to get her out of the caves to safety. Caize and his eight year old sister, Brinney, find Kaia-mei unconscious out on the mountain slope. They head toward the village, but the fairy purposely tricks them into arriving at the western cliffs so they can see the army approaching from the south.
The army is sent from the southern kingdom Chea’Laern. Their king sent them to search the caves for an ancient underground library and any other treasures left behind by the valley’s founders. Secile enters the village in search of Kaia-mei, the long lost daughter of her friend. Secile sneaks Kaia-mei and Caize out of the village. Following an instinctual hunch, Secile uses magic to search the area from a bird’s eye view. She spots Vaulinque-litaya in possession of two riders heading for Chea’Laern. She contacts Headmistress Simyna of Nimbdell and reports the find. The Headmistress orders Secile to begin her graduation quest. Simyna sends a prized student named Amberley to escort the children the rest of the way to Nimbdell, and a mercenary to aid Secile in her quest. Along the way Secile explains that Kaia-mei inherited her mother’s power and talent. Not understanding what she could do or how, Kaia-mei feels frustrated and awkward instead of proud.
In Chea’Laern, Vaulinque-litaya’s power is unwittingly released and destroys the Kingdom’s hierarchy.
Vaulinque-litaya’s new general takes the artifact to the valley caves to begin building its army. After searching the castle, Secile warns Headmistress Simyna that the trail they would follow might be a decoy, and that Vaulinque-litaya’s leaders might be setting up base anywhere. Headmistress Simyna deems the mountains around Nimbdell unsafe and sends Amberley’s group back toward Tuntiload to wait until the danger passes, and sends some mages to Chea’Laern for crowd control and to lead refugees to Nimbdell. The mages arrive in Chea’Laern. They search the castle, find the king’s journal and discover the king meant to hand his kingdom over to the southerners if he didn’t find an heir. They find a letter from the south saying the southerners were on there way to take Chea’Laern. The mages evacuate the kingdom.
When a villager’s body is found, Secile explains that Vaulinque-litaya’s leader stole the villager’s soul. Secile’s group decides to search for the spirit. Recognizing Brinney’s special abilities, she suggests the girl joins their search to help. They find the villager’s spirit and Secile frees her, returning it back to its body. They plan to get Brinney out to safety but are routed by Vaulinque-litaya’s undead minions.
Caize, Kaia-mei and Amberley head to the valley instead of Tuntiload. After Amberley confirms the library’s existence, Kaia-mei and Amberley assume Secile’s group would be at the library. They try to locate the library with magic. But the spell leads them somewhere else instead, and Kaia-mei falls into a chasm and into the underground river. A fairy creates a bubble around Kaia-mei to keep her safe but loses track of her. Kaia-mei drifts out to sea and becomes lost.
Secile’s group is routed to Vaulinque-litaya’s leader. They fail, but Brinney sees the leader is about to kill Secile and the song within her transforms her to her true form. As a being of pure magical energy, she destroys the leader. She reverts to her human form again and collapses from exhaustion. Secile collects Vaulinque-litaya, Creole his daughter, and they return to the village. Secile returns to Nimbdell to report and deliver Vaulinque-litaya.
When Caize and his father check on Brinney in the next room, she is gone.

 

 

 

 

 

 

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dcyuelling avatar General Stranger

May 23, 2009

dcyuelling Prolific-icon-medium

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
dcyuelling reviewed Version 5 - Read 100% of the Item

After reuniting, they are surprised by a band of goblins and Gurandi hides Kaia-mei, and then searches for his own hiding spot – This could be made into two sentences – Example: After reuniting, they are surprised by a band of goblins. Gurandi hides Kaia-mei then searches for his own hiding spot. – This makes it flow better as well as not make the sentence seem run on with the ‘and’ in two spots.

You have a lot of run on sentences. Try shorting some of them by separating or rephrasing them. This is a little confusing. I know it’s just a preview of what you’re writing about but I think there’s too much information. A synopsis isn’t usually this long.

Cilasliag avatar General Stranger

May 20, 2009

Cilasliag

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Cilasliag reviewed Version 5 - Read 100% of the Item

Hi there, I read your synopsis, and although it sounds like you got a good story.  It’s written in a rather still and flat line 1 line 2.  Ect.  Ect.  You need convey your passion and thrill the one reading the synopsis.  It’s supposed to be like a teaser to the main event.  It’s an advertisement for your story.  Write it like your trying to sell your car.  You loved the car, you need to tell me why I should love it too and want to buy it.  Don’t just tell me about the mileage and the engine and the make and the model.  Let me sit in the seat and feel the leather upholstery.  Let me hear the engine purr.  Then let me test drive it.  That’s what you synopsis should be a tease, a sample, then a test drive.  Then I can’t wait to buy it.   Your story might be the best anyone ever wrote but if all I have is the synopsis I’ll think the story is written the same way.  So if you rewite this in the same and make me feel the story as I read it, it’ll be really great.

TerJa avatar General Friend

May 17, 2009

TerJa Prolific-icon-medium

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TerJa reviewed Version 4 - Read 100% of the Item

Unclear antecedent in the last sentence of paragraph one.  

“—falls INTO the lower tunnels.

“The army is sent from Chea’Laern, the southern kingdom, led by General Rahmina.”  Unclear, does the general lead the kingdom or the army?

“Caize and Kaia-mei head home instead of Tuntiload.”  ???

All in all a good summary.  I would at least give the such a book a start.  How it plays out would determine if I finished it.

SwordMistress avatar General Friend

May 16, 2009

SwordMistress Prolific-icon-medium

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SwordMistress reviewed Version 4 - Read 100% of the Item

I’ve thought about this all morning and I have figured out what has been bothering me about your opening. I checked a few sources to verify my ideas. I know you want to be done with this and probably don’t want to hear it. Not that I’m always right, because I’m not, but I can’t in good conscience not mention a few points. A synopsis should start in the middle of the action, with conflict, the circumstances that plunge your main character(s) into the story. The first few paragraphs here are backstory. The synopsis should start with Secile. Start with action and continue with a natural story progression. You have a great story and that’s what will hook an editor or agent.
“Vaulinque-litaya is a sentient dagger.” All you need is one to two sentences about the dagger, but wait to include when Secile is called to retrieve the dagger.

“Winlaurdik’s” We don’t need to know the wizard’s name or that his daggers are stolen. All we really need to know is that there are fairies in the valley and what their purpose is. Wait to include until it becomes relevant.

“Master Phane Prieza asks his friend, Secile Shuriek,” Secile Shuriek is asked by a friend… Since Prieza is a minor barely mentioned character at least in this first book, we don’t need to know his name. Mention the main character first.

“In the valley, the parents protect” most this part after you introduce Kaia-mei, that’s when it become relevant.

“Their parents insist the travelers have lost their minds.” You don’t need this line. It’s obvious if the parents go through the trouble of hiding the truth of course they’re going denounce what travelers say.

“Alishiscina uses” Just a fairy or whatever type of fairy she is. Synopses should be limited to naming the main characters.

“Sholee gives Kaia-mei her silver dagger for protection.” Why do we need to know this? Also, I don’t remember you mentioning Sholee before, if you did it was brief.

“Burkae is challeneged” challenged (Actually this section explains quite well the danger of the dagger. You don’t need to explain it earlier.)

“tries to rescue them from Winlaurdik’s generals.” This would be where you could add a sentence or two about Winlaurdik.

“Creole his” Creole, his

What happened to Kaia-mei? Is she still on the sea drifting around?  
This is still going to be too long for some editors or agents. Some insist on one page. Also if the synopsis is more than one page it should be double spaced. So this is more than two pages. I still think there’s too many subplots and names, it’s overwhelming in such a short space. You’re goal here is not too relate all characters and subplots, it’s to give a brief overview and entice the editor or agent to read the sample chapters. Taking in account the ending – it sounds like the major plot is the capture of the artifact by Secile. From what I’ve read, that seems to be the conflict that is resolved in the first book. It’s really only the start of Kaia-mei’s journey of finding out who she really is.

SwordMistress avatar General Friend

May 05, 2009

SwordMistress Prolific-icon-medium

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SwordMistress reviewed Version 2 - Read 100% of the Item

Overall, this is coming right along. One thing you might want to do is to go through each sentence and ask yourself is every single word is necessary. I’ve given some examples below. I think you could pare down a few words if eliminated all unnecessary words, as most of can. Those extra words just slip in there sometimes;)
I know you didn’t want any comments about the forward, but I have a few more to make. I hope you don’t mind;) I’ve been thinking about it, and more and more I think it’s not necessary because it’s all backstory. I can understand you wanting the reader to understand, but your job here is to provide the basic story plot. I think I would shorten it to: “Vaulinquelitaya is a sentient dagger created by an evil wizard. When the weapon pierces a living creature through the heart, it instantly drains the blood from them and replaces the blood with its seed, which rebirths the victim as a powerful creature.
I think that’s all the reader needs to know. It tell how dangerous the sentient dagger can be. Then add it into the synopsis. If you stray from the standard format, they may think you don’t what it is.

“in the northwest, cleverly” location not important at this point. Try to avoid adverbs in queries and synopsizes.

The first sentence of the synopsis needs work. It’s too long and hard to read.

“passes a test of her father’s” If your looking to conserve space, it’s not that important to know why Kaia-mei earns the day of exploring, so much as that she does go there.

“Caize’s eight year old … danger.” This doesn’t make sense here. Add it the point where Brinney doesn’t something significant in the synopsis. My first thought was, so what? Because the surrounding sentences have nothing to do with her.

“Alishiscina uses” Unless I missed it, the reader doesn’t know who this is.

“He discovers their king” just say Their king

“After passing through the woods without conflict” Not needed.

“Some stay with their …caravan to Nimbdell.” I don’t think we need to know this.

“Secile discovers she is not dead.” Not needed. It becomes clear with the next two lines.

“Reakel leads” Who’s this? Is it important we know this person’s name?

“So they” Delete ‘so.’

“When they go to check on Brinney, she is gone.” Where does she disappear from?

SwordMistress avatar General Friend

May 01, 2009

SwordMistress Prolific-icon-medium

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SwordMistress reviewed Version 1 - Read 100% of the Item

First thing I noticed was the odd length. Although, different agents and/or editors require different lengths the most common length send with a query is one page single spaced, and five pages when sent with a manuscript.
The explanation of Vaulinguelitaya (how long did it take you to get this spelling down, anyway?) is too long. I would make the explanation as short as possible. All the details are not needed. Just give the agent/editor enough so the understand it’s significance.
I’ve never seen a synopsis with a forward before. Why did you chose to do that?

Overall, as a synopsis I think this is confusing. There are too many subplots listed. What or who is the main plot about? Vaulinquelitaya Kaia-mei, Secile, Brinney, Rahmina? Make the main focus of the synopsis the main plot point. Then pick only a few subplots to list. An agent or editor is going to read this before they read the whole manuscript. They need a brief clear description what the story is about. I know it’s hard. I struggle with it to. We love all our subplots and it’s hard to leave any of them out, let alone decide which if any should be included in a synopsis. It can be madden at times, but there just isn’t the page space to include very many of them.

“daggers named Amethyx,” not sure you need the name of the daggers here. You have a lot of difficult names to remember. Keep the synopsis as simple as possible.
“return with Mia’traline” You haven’t told who this is – but probably all the reader needs to know at this point is that the body and dagger gone.

“She loses her dagger” Not sure this is important enough to list here.

“Gurandi returns and learns of Kaia-mei’s …of battle and death cries, and runs out of hiding to find her father.” This can be shortened a bit. This isn’t clear that father dies. You say death cries, but you don’t say who, and you don’t indicate that she sees her father’s body.

“She plots to succeed” Be careful about adding too many subplots.

“they hid a tome they’d” It’s not clear who they are.

“They hold a funeral for Gurandi,” something else you could cut out for a shorter version. In the grand scheme of things Gurandi’s funeral is not important.

“with a dangerous foe,” here I’d be more specific. Dangerous foe sounds like a human adversary.

“Nineteen year old Vansea Borneduce” This seems more like a subplot that doesn’t need to be mentioned.

“serious damage,” be more specific. What she about to kill him, maim him, what?

crimsonarchon avatar General Stranger

April 30, 2009

crimsonarchon

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
crimsonarchon reviewed Version 1 - Read 100% of the Item

This is too dense. It’s obviously important to touch on the major events that occur in the story, but I think there’s quite a bit more detail here than there needs to be. A lot of things, such as Kaia-mei’s dream of her mother, don’t necessarily do anything to move the story forward (at least, not enough to warrant a mention in the synopsis) and should be pared down or excised altogether.

The extreme amount of information you present is really the only problem I have with this. The story sounds like a good one, drawing parallels to Brooks and Goodkind (magical items are often of key importance in their stories as well), but with enough of an original voice to stand well on its own. I think fans of the Fantasy/Swords and Sorcery genres would enjoy this quite a bit.

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