Thank you very much!
I’m still working on how much or how little action I should be “backseat directing” with in my scripts. I could just put that she sighs and the actress (if I ever have one) will sigh in whatever way she feels is best for the character.
I’m also working on introducing problems, at least more fluidly. In writing short stories and novels you can kind of build up to them, but in TV writing, since you only have between 30 and 45 minutes to work with, every scene has to progress the story. I might just be trying too hard to cut the fluff.








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