Screenplay / Once Upon Scene 7

As TOM leaves the warehouse a short 16-year-old approaches him wearing marbled jeans and a Benneton jumper- CALLUM. He has a rucksack on both shoulders. CALLUM Are you Tom? In an instant, TOM whips out the Beretta and pins the guy to the wall by the neck. He puts the gun in the boy’s face. CALLUM won’t look TOM in the eye. He’s terrified. TOM examines him, trying to figure out if he knows him or if he’s dangerous. CALLUM has what looks like a woman’s stocking hanging out of his pocket. TOM eyes it suspiciously but doesn’t mention it. FLASHBACK- TOM handing over the package in McD’s. CALLUM was serving. TOM You work at McD’s? CALLUM I did, until you blew the fucking place up. TOM I didn’t know they were bombs, mate! They were in fucking laptop cases! Laptop Cases! Tom’s kind of pleading with him- he doesn’t want to rot in jail for this. CALLUM Doesn’t matter, Devant told me not to go in. Tom’s face slips from stress to almost understanding. This guy works for DEVANT too. TOM sticks the gun down his waistband. TOM Where is he? CALLUM He said you can meet him and he will… compensate you for your troubles but he said you’ll have to do something first. CALLUM speaks slowly. He behaves slightly autistic, slowly circling his wrists as he speaks, not making eye contact. TOM Like what, assassinate the Prime Minister? CALLUM No, Devant works for the Prime Minister. Pause. DAVE’S VOICE FROM INSIDE Get that black cunt. Don’t let him leave! Tom’s psycho face returns. He turns to go back in the warehouse but CALLUM puts his arms around Tom’s chest and drags him out of the porch towards a small car. He’s strong for his size. TOM I know where you live, you fucking dick! Next time I see you I’m going to smash your face into a fucking wall! INT. SMALL CAR- DAY CALLUM is driving. TOM What a cunt. Dave knew what was in those packages. Now the fucking government’s looking for- Pause. FLASH FRAME DEVANT handing the cheque over TOM What- did you say? Callum is thinking, casting his mind back. CALLUM Devant works for the Prime Minister. For the Government. TOM has to wind the window down. He looks ill. FLASHBACK TOM, at uni (from opening scene) standing on his duvet, stoned. The duvet is pulled from underneath him and he falls backwards. This is how TOM feels- everything has been pulled from underneath him. The British government attacks it’s own people. TOM is hyperventilating. TOM Oh. Oh fuck. This is bad… He’s fine though; they’ll protect him. They won’t do fuck all for me. They’ll deny he even exists… CALLUM You’re not going to the police mate. TOM Fucking right, I’m not. I’d done too much illegal shit before I found myself guilty of fucking genocide… and I’m on my last warning for kicking off. I’m sure as hell not going to the Police. CALLUM DEVANT will have confiscated the CCTV footage. TOM is suppressing panic. TOM Okay. Okay. Where are we going now? Wait a minute- what’s your name? I don’t think today’s the best day for getting into cars with strangers. CALLUM Me name’s Callum and I’d describe myself as a – a film and gym enthusiast and a freelance political activist. TOM Not one to be pigeonholed, then? Sounds like we’ll get on fine. CALLUM And to answer your first question- er- Devant just needs someone to provide me some assistance. I’ve got some issues to resolve. Pause. TOM Pull over. NOW. Do it. CALLUM McD’s isn’t the only place you know me from, Tom. TOM (bemused) What?! CALLUM Those bartenders are gonna get fucked up, you mark my words. FLASHBACK DOORMAN running into CALLUM and dragging him outside. CALLUM They like to boast. I hate people like that. I hate them. And Devant’s losing his patience too. They’re not the only people who can copy discs, and they’re not the only people who can concoct alcoholic beverages. They think too much of themselves. Manager of Bar Code wanted to sack ‘em, but Devant stopped him. Kept getting stuff printed in the paper about gangs taking over the bar. Manager went quiet after that. TOM I’ve gotta move out of that apartment. CALLUM You’ve probably only got approximately two more jobs left. Then if you want, you can, er, cease employment with Devant. TOM Thank fuck for that. How do you know? CALLUM I’ve been working for him since I left school. He said he hired me ‘cause I was- willing to do things that other people wouldn’t. Tom thinks. TOM You’re a film fan, yeah? Christ. My mind’s gone blank. Alright. HIGH ANGLE- CAR ON MOTORWAY TOM (Cont., American accent) How do I get out of this chickenshit outfit? CALLUM Hudson in Aliens, Nineteen-eighty-six. TOM Shit! CALLUM Appropriate, considering your situation, I suppose. TOM goes quiet. TOM We used to do this through the walls at uni. Used to stay up all night, testing our film knowledge. CALLUM No one on Earth loves films more than me. Which is why this next job is going to be particularly enjoyable. We’ll be there in about forty-six minutes. TOM As long as it gets me out. CALLUM Out of this Chickenshit outfit? TOM Yup. CALLUM Anyway, I wouldn’t feel too bad about this morning. TOM (Deadpan) Thanks. TOM They were all corrupt and- TOM Yes, I’ve heard this ridiculous story and I don’t buy it for a second. CALLUM No, really. Most companies are taking funds from places they shouldn’t. The government does the same. Why do you think the papers are always reporting holes in the budget, and then town mayors are spending money on er… luxuries. You can get more money being a bin man- that’s a council job, local government- than you can doing insurance claims, using about ten computer systems and needing knowledge and understanding and stuff. I wouldn’t mind being a bin man but I’d rather stay at McD’s than, uh, descend into white-collar hell. TOM Great, I’m sure. But Tom thinks… What if he’s right?

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spiritualdeciple avatar General Stranger

November 21, 2009

spiritualdeciple

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spiritualdeciple reviewed Version 2 - Read 25% of the Item

This was very good, where is it going though, as I was unsure as to the root of this piece ??

Ajax_Skreitzche avatar General Stranger

November 15, 2009

Ajax_Skreitzche

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Ajax_Skreitzche reviewed Version 2 - Read 100% of the Item

directors immediately throw out most all scene direction. they want to see it their way, no emcumberments.
and blessed be, you have almost none, which means if handed the piece, the director will be free of preconceived ideas and be at liberty to create his vision from yours. brilliant, ultimately that helps you a lot.

on here however, it would be a boon if you gave a bit, as what is transpiring, where and what are they passing, does anything in the locality lend itself to memory, association, props, jestures and or personal habits of the characters.

aside from some potentially good dialogue, and i say “potentially” because as is, its not cohesive, theres no personality comming thru, the semi autistic thing is lost completely and some of the terms used are either ‘story specific’ and yet to given, already given or simply not to be given and youre assuming we (the readers, movie goers) will understand.
for one, what is hudson-alien and what does the specific date have to do with anything?
for another, the dialects can and should be even more defined, as it reads im at a quandry if were talking to scousers, or gordies, or some aussies from the north. the regional dialects go a long way to defining the characters, presuming their just used to enhance and dont take over the character.

is tom a protagonist or an anti-hero. so far im not sure, which makes it hard for me to either empathise or hold him in contempt.

the pace seems slowed, assuming the usual minute-a-page-rule is enforced, however, this has room to move, changing of tempo and beats, with periferals, looks from other people, other actions, the scene outside, kids in the area? dogs barking? water running down the gutter? anything else foreshadowing this guy’s downfall?

as for… “FLASHBACK TOM, at uni (from opening scene) standing on his duvet, stoned. The duvet is pulled from underneath him and he falls backwards. This is how TOM feels- everything has been pulled from underneath him. The British government attacks it’s own people. TOM is hyperventilating.”....... i would throw in jump cuts, sharp ones, sequential stills, not a time lapse flash-back in full motion. add an associated song or word or something to show the moment of realization. Gun shots or something of the loud snappy order would do it. preferably in black and white, with the object of focus being the only thing colorized, if even that.

truth is, you seem undecided, not quite committed to who the characters are and or what the scene is.
mind you….
none of what ive said is meant to be taken as negative, just questions and suggestions.

peace

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Matthewtuckey

Age: 27
Loc: United Kingdom
Gen: M
Last Login: November 22
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