Stage Play / Sir Edwin and the Quest for Avalon Act I (Analysis)

England, Medieval times, summer  

Characters:

Edwin- Aspiring knight, Baron of Glastonbury
Bridgette- His sister
Robin – Thief
Thief 1- Tries to rob Edwin, Robin, and Bridgette
Thief 2- Thief 1’s partner
Herald- Announces when people come into the room
Philippa Chaucer- Geoffrey’s wife, author of the popular serial, “The Cantebury Tales”
Merlin- Old wizard
Guinevere- Arthur’s widow, Lancelot’s love
Lancelot- Arthur’s best friend, former champion of Camelot
Mordred- King of Britain, Arthur’s nephew
Sailor 1- Sailors on the Aquamarine
Sailor A
Two more sailors
William- Duke of Normandy
Mary- Keeper of the Holy Grail
Sarah- Keeper of the Holy Grail, Mary’s daughter

A Note on Setting

Acts I and III take place in a sitting room. These should have chairs and a fireplace, as well as assorted decor. Act II takes place outside. There should be a large tree in the center of the stage and a log to sit on.  

Act I
Scene One

Play opens with Edwin onstage. He is a young nobleman dressed in the very best medieval attire. Edwin is anxious, pacing, going though things, etc. There are several bags piled in the middle of the floor.

Edwin: Sister, sister! Where art thee sister?

Bridgette: (Offstage) Yes Edwin?

Edwin: Why are thee not ready yet?

Bridgette: I told you I am not going. You may go; seek your fame and glory. I will make the sacrifice of staying here and making sure that the manor doesn’t spontaneously combust whilst you are off.

Edwin: But sister-

Bridgette: Not going

Edwin: Sister, may you come here so I may at least talk to your face instead of yelling into space like an idiot?

Bridgette: (sarcastically) As you wish, my liege. (Enters right) You know, I do have a name.

Edwin: About you not wanting to go-

Bridgette: I’m not going, that is that; I have made up my mind.

Edwin: You’re a woman- since when do you get to make the decisions? Besides, when Father died I told him that I would see you married well. What better place to find you a perfect husband than the court at Camelot?

Bridgette: I don’t wish to be married well.

Edwin: Then you wish to be married to a poor man?

Bridgette: Of course not! Why would I ever want to do such a stupid thing as that?

Edwin: What are you going to do with your life if you do not get married- become a nun?

Bridgette: No, I just don’t want to be married right now, especially to a man I don’t know who is twenty years older than me.

Edwin: But Sister, it is every woman’s dream to be married to a knight of Camelot!

Bridgette: You would know that from personal experience, I assume.

Edwin: Yes, I would; (Bridgette shakes head) every knight of Camelot that I have talked to says so.

Bridgette: How would they know?

Edwin: Women are not very hard to figure out dear sister, for you are simple creatures; very simple indeed.

Bridgette: What I want is to not get married; that should be very simple for even you to figure out.

Edwin: Why?

Bridgette: I don’t want to be stuck in an arranged marriage of state like Mother and Father were. I want to love my husband, not be his humble servant. There should be excitement in my life. If I get married then all I will do is bear children and embroider all day. Where is the fulfillment in that?

Edwin: That’s why you should get married to a knight, exciting things happen in Camelot all of the time.

Bridgette: Such as…?

Edwin: Why just last week when I was talking to Lady Lucas-

Bridgette: When were you talking to Lady Lucas last week? I thought she was supposed to be in Bath on her honeymoon.

Edwin: No, Genevieve stayed home. Sir George decided at the last minute to go hunting instead of going to Bath.  Anyway, as I was saying before I was quite rudely interrupted, Genevieve told me last week that Duchess York was told by Sir Bors, who was told by Queen Isolde herself- that in Camelot there is this very old tower. The rumor was that there was a woman up there, a woman who had been cursed so that she could not look down. She devised a set of mirrors so that she could see Camelot and she immediately fell in love with Sir Lancelot. Apparently she went out of her tower, and then she died. But not before she could put herself in a boat full of flowers, and start to float down the river. Sir Lancelot is said to have thought that she was quite beautiful.  

Bridgette: That’s another of Lady Lucas’ preposterous rumors. You’re almost as bad as Lady Lucas’s embroidery circle. It seems that with every passing day the time that I will walk in and find you stitching a tapestry with those good for nothing gossips comes closer and closer. Listen, Edwin, to me, not to Lady Lucas. Queen Isolde lives in Cornwall; she has probably has never even been to Camelot. How would she have known that?

Edwin: Sir Tristan of course!

Bridgette: Sir Tristan?

Edwin: Haven’t you heard the rumors?

Bridgette: Oh, so there are rumors about poor Queen Isolde and Sir Tristan now too?

Edwin: I can’t believe you haven’t heard!

Bridgette: Well, could you elaborate then?

Edwin: I can’t tell you; it’s not right for maidenly ears.

Bridgette: Typical, typical, typical. You have a good trip to Camelot, brother. I will stay here, and tell your Genevieve and her flying monkeys where you are if they come a-calling. (Turns to leave)
        
Edwin: (Stops her) No, sister; you are not getting away that easy. I told Father you will get married, so I will see you married.

Bridgette: I promise you I will be ready to be married someday, just not now.

Edwin: If you wait any longer you will be an old maid.

Bridgette: Today I will become a nun and live in a cloister cell for the rest of my life before going off to carry some ignorant country lord’s children.

Edwin: How about I make you a deal-

Bridgette: A deal?

Edwin: A deal; you may pick any man you wish and you may turn down any man I wish. But, you must find someone who will agree to marry you in one month.

Bridgette: And if I don’t?

Edwin: Then I guess you have the choice of being a nun or doing embroidery for the rest of your life.

Bridgette: That’s not fair!

Edwin: It is not a free country. I am your lord, you do what I say.

Bridgette: It’s still not fair.

Edwin: The deal is better than nothing.

Bridgette: You said I may marry any man?

Edwin: You may marry any man that will have you.

Bridgette: Is that the best deal I will get?

Edwin: It is.

Bridgette: I guess I do not have any choice but accept your offer.

Edwin: Then to Camelot! (Exits left. Bridgette sighs, picks up a bag, looks at it)

Bridgette: No good can come of this. (Exits left).

Scene Two
At the common room of an inn later that night, same setting. Bridgette is sitting in one of the chairs. She is very tired. Lights are dim.

Bridgette: (to self) I can’t believe it; I can’t believe it; of all the idiotic things to do. (Imitating Edwin) Oh we don’t need a carriage, God’s blessed us with legs we might as well use them. We don’t need a guard; I personally can guarantee you that Sherwood Forest is the safest place in the world for any noble to pass though. (Stands up) And then what happens? We get robbed. They took the horse, my extra dresses, everything! (Fingers necklace) well, at least they had the decency to leave me with a necklace to sell so we can get to Camelot; bloody robbers; bloody Edwin. I should have stayed home and watched the manor. (Edwin enters with Robin)

Edwin: See sister, I told you I would find someone to guard us the rest of the way.

Bridgette: Edwin, you moronic- you idiotic- you- you- you- your stupidity to too grandiose to even express in words! There is not a single word in all the tongues of Europe to articulate how inept and incompetent the decision making part of your brain is, if you even have one! That is the same man who robbed us in the first place.

Robin: (eloquently) Milady, if I may be so bold, I apologize very deeply. The people of the village of Nottingham are very poor, and the new taxes have made their circumstances deepen severely. You and your brother are rich. Me and me men only steal from the rich and give to the poor, and then we only take what can be spared without any noticeable difficulty. When Baron Edwin found me and told me what had happened to you at my hands I realized that what we had taken had in fact caused you great difficulty. So, I feel it is my truest responsibility to give back to you your horse and to escort you to Camelot.  (Bows)

Bridgette: (to Edwin) He’s lying though his teeth, you know that?

Robin: (smiling) And you, milady, are snarling though yours

Edwin: I trust him.

Bridgette: You are my lord protector and in charge of my safety. (Looks up) God help me please. (To Robin) You- what did you say your name was again?

Robin: I didn’t; my name is Robert of Locksley, I go by Robin. Some of those with vast abundance of wealth have even had the humor to call me Robin Hood from time to time. (Takes Bridgette’s hand and kisses it)

Bridgette: Lady Bridgette de Merieanne; enchante. So my wayward escort, how long shall it take us to get to Camelot and end this delightful trip?

Robin: Haven’t the faintest; never been out of Sherwood Forest, Nottingham, or Locksley before; except on the crusades (cringes) I shan’t talk of that shall I? But, never been to Camelot, Baron Edwin told me that he knows that way.

Bridgette: That would be a surprise to me.

Edwin: Hey! I know how to get to Camelot.

Bridgette: I thought that you knew how to get a guard too, but you seemed to have failed miserably at that one.

Robin: Here I was thinkin’ that all you nobles were nice and put on airs, even if it were for us poor folk.

Bridgette: I would presume that it is now safe to assume otherwise, Mister Hood.

Robin: You are such a joy to be around, you know that?

Edwin: Sister dear, may you please go get us some drinks?

Bridgette: (stands up) Anything to get away from this man who claims to have a noble cause but in all reality is nothing more than a common thief who is escorting us so he will not get his hand chopped off (mimes getting hand chopped off). (To Robin) You have probably never been on crusades either.

Robin: You have no manners to speak of, do you? No man will ever want to marry you of ‘is own free will, that’s for sure, especially not any knight of Camelot. So really it is completely superfluous for either of you to go anywhere. You will either end up in a nunnery or being a fat aunt, still living with your brother, I swear by St. Hedwig. (Pause) And I have been on the crusades!

Bridgette: I have only known you for a moment, good sir, but already I can see that you are a fiend and a rouge. You are grimy and will take every penny we have and cut our throats while we sleep!

Edwin: Sister, please the drinks?

Bridgette: Get them yourself; I am going to retire now, where it will be safe for tonight at least.

Robin: My ye sleep well, milady, and be in a better temper on the morrow.

Bridgette: hmph (raises nose in air, storms out left)

Robin: Is it just me or is that lass a wee piece of work?

Edwin: She’s not normally like that. She has just had a stressful day, first she didn’t want to go and then she got robbed. But yes, she is quite a piece of work.  Just this morning she was telling me that she did not want to get married, said she would rather have excitement in her life, quite strange I think.

Robin: I’ve never known a woman to say that, but it is perfectly understandable. What man wants to be shut up in a castle all day?

Edwin: But that’s what women do; that is what they are raised to do their whole lives. Men go out and fight, women raise children.

Robin: (puts his feet on a footstool) Lad, I’ve seen a lot in my short time on this earth. I’ve seen glutinous sheriffs stealing from starving children. I’ve seen men who wish to get high in the eyes of God by killing their fellow man merely because the way the worship Him is different.  I’ve seen enough cruelty and corruption in this world to even wonder if He exists. But, I have also known many a person. Between you and me (both lean closer together, Robin whispers) Eve may have eaten the apple first, but given the chance so would Adam. Men and women are both human, what we all feel and want is not truly different. A woman wanting excitement doesn’t fall outside the realms of normal human behavior, or not at least to me.

Edwin: What nobleman would want someone like her?

Robin: You would be surprised Edwin, ye’d be surprised; those knights are exceptionally off their rocker, completely and utterly insane- one of them will have her.  

Scene Three
At a different inn the next day

Robin, Edwin and Bridgette come running in right. Robin and Edwin have swords. All look frazzled.

Robin: Edwin, are you completely out of your mind?

Edwin: What did I do?

Robin: Think about it, you announced yourself as a lord in front of everyone. Shouldn’t the state of the inn and the fact that it was so cheap possibly say to thee that there might be outlaws afoot?

Edwin: I didn’t announce it in front of everyone!

Bridgette: Usually when the room gets really quiet and everyone looks at you, you stop talking, not keep blabbering on so everyone can hear we have money.

Edwin: It’s not my fault!

Bridgette: Of course it’s not.  

Robin: and you, milady, did not make it any better by wearing that fancy dress and gems.

Bridgette: It just so happens that every other article of clothing I brought with me was stolen and distributed among the poor of the Nottingham, including my normal clothes and something to keep my necklace safe.

Edwin: Will you two shut up already? I have been listening to this all morning, all afternoon, and all evening. I hope that one of you will eventually give the other the silent treatment. (Running is heard)

Robin: Here they come again- Milady, go hide if ye know what’s good for ye. Are you ready to defend yourself, family, and honor, Baron Edwin? (Bridgette hides behind a chair.)

Edwin: (Fumbling with sword, unsteady, shaking) As ready as I’ll ever be.

Robin: (shrugs) If you say so. (Thieves rush in right. Both have swords in their hands)

Thief 1: Come here and give us ye jewels milord, it will be much easier than us havin’ to take them from ye

Thief 2: Yeah, much easier (snickers)

Edwin: Never (determined)

Thief 1: I be havin’ to take ‘em from ye. Ye leave me no choice. (Steps forward towards Edwin menacingly)

Thief 2: Yeah, no choice (does the same towards Robin)

Robin: Ye sure made my job a bloody lot harder. (They attack. Robin is really good with his sword. Edwin just plain sucks.)

Edwin:  Help! (Robin ignores him) Please? Mommy? (Man is about to overtake Edwin. Bridgette get up from her hiding spot, pulls a small knife out of her dress.)

Bridgette: Get out of the way! (She waves her knife around at the man. All stop and look at her) Well? (Edwin gives her his sword and flees left cowardly)

Thief 2: I ain’t gonna fight no lass

Thief 1: Just do it! (Fighting starts again. Bridgette is very good with sword.)

Robin: (still fighting, leans over to Bridgette, also fighting) Where did you learn to fight like that?

Bridgette: Lets just say that (duck) Edwin enjoyed skipping (block) his sword lessons and (duck) he never understood why his swordmaster (swing) never got mad at him for (back up) never showing (step forward, stab, man she’s fighting falls on face)

Robin: ah (the man he has been fighting falls. Puts sword to throat. All thieves, who are now on floor, crawl out right. Sits down. Bridgette also sits) Would this be the reason why you don’t want to get married?

Bridgette: What?

Robin: I was told by a little birdie that you did not want to get married because you wanted some excitement in your life. What I think is that you want to get married, but you do not want to give up your sword when your husband gets to play with his. You do not want to sit at home with the kiddies while he goes out on quests and adventures.

Bridgette: And how did you come to this conclusion?

Robin: Because I know, I am the same way.

Bridgette: Meaning you do not want to get married because Mrs. Hood would want you to give up thievery and take up a decent trade.

Robin: No, because I know that in more than normal doses excitement is like mead. You start and it makes you happy. You consume more and you are happy once again, but once you stop, you will have to take another drink to feel the same again.

Bridgette: So my want of excitement is the same as your alcoholism?

Robin: No, no; I was just using that as an example; hate the stuff me-self.

Bridgette: That means, Robert, that we might actually have something in common.

Robin: I’m called Robin, milady.

Bridgette: and I am called Bridgette.

Robin: (gently) You are still a spoiled brat.

Bridgette: You are still a grimy rogue. (They lean in closer to each other. Edwin runs in left. They pull back.)

Edwin: (frazzled) Are they gone, are they gone?

Bridgette: (sarcastically) No, a sorcerer turned them invisible and then they tied us to these chairs. They are still here, but you can’t see them.

Edwin: (picks up sword and waves it around in air) AHHH! (Runs out left)

Bridgette: (sighs) Sometimes I wonder if we are related at all. Things would have been much different if I was the boy and he was the girl, even better perhaps.

Robin: One wonders about why things are they are the way they are. It seems to me that there must be some rhyme or reason to how this world works.

Bridgette: That would make to much sense to actually be true.

Edwin: (wait a moment or two. enters running left, flinging sword.) Invisible thieves, you will be sorry after you mess with me! (Exits right, lights fade)

Scene Four

Court at Camelot. Same scenery minus chairs. Robin is in a monk’s habit, by himself in the corner. Philippa talks with him quietly.  

Herald:  (enters right. announcing to room, very stiffly) Baron Edwin and Lady Bridgette de Merieanne of Glastonbury (Bridgette and Edwin enter)

Edwin: So this is the court of Camelot?

Herald: It is milord. Right now it is empty, but soon the king will come.

Bridgette: Who is that person over there?

Herald: One of the Franciscans, they are here all the time, asking for things.

Edwin: What sort of things?

Herald: Not much- land, money, the Holy Grail.

Edwin: The Holy Grail is not much?

Herald: It is when you don’t have it.

Bridgette: And the woman? Is she a Franciscan?

Herald: No, just some writer, wife of an important controller of wool imports. (Bows) Good day milord (Exits right)

Edwin: I can’t believe it, we’re finally here. This is Camelot.

Bridgette: For some reason I expected it to be, I don’t know, bigger, better, shinier.

Edwin: Still, this is Camelot. This is the court where noblemen come before Arthur to be knighted; this is the center of the kingdom, the place where legends are made.

Bridgette: Pity Robin couldn’t come with us though.

Edwin: He’s a wanted man; even if he would have been let in with us someone might have recognized him. It’s all for the better that he stayed at the inn.

Bridgette: I guess it is all for the better

Herald: (enters right) Merlin (Merlin enters right, Herald exits right)

Merlin: Philippa, how lovely to see you again. You three, I have never met you before-

Edwin: Hello, I am-

Merlin: No, no don’t say it! Let me guess, I need some practice. (To Edwin) Hmmm… your name is Edwin de Merieanne, age 21, Baron of Glastonbury, cowardly, not the sharpest knife in the drawer, come here to find yourself glory, possibly a wife-

Edwin: You were right about my name and age, sir, but-

Merlin: I am right about all; I know all, I see all. Just because I need practice seeing doesn’t mean that I have lost my touch. (To Bridgette) Very interesting you are, very interesting indeed- Bridgette de Merieanne, age 18, independent, adventurous, fiery temper -

Bridgette: I do not have a temper!

Merlin: (crosses to Robin) ha ha ha. You, Brother, are what you appear to be and yet not at the same time. You have had a past, Robert Dudley of Locksley, age 23. Illegitimate son of Robert Dudley, Earl of Locksley and Leicester, mother died in childbirth. Went on crusades when you were 14, seen horrors, terrible horrors. Then you went became a monk for self-penance, but felt after awhile that life was not suited for you. You supposedly went to go start an abbey in the poor village of Nottingham, but really became an outlaw living in the nearby forest, robbing the rich and giving to the poor. You are sly and overly sarcastic, but all in all you have a soft heart.

Robin: (pulls off hood, seriously) How did you know that Merlin?

Merlin: I know all, son, I see all.

Bridgette: Robin? You are a monk?

Robin: Technically, I entered the abbey when I came back from the Holy Land, but have not lived a monistic life since I took my vows.

Philippa: How interesting. (Sticks out hand) Philippa Chaucer (Shakes hands with everyone).

Robin: Didn’t your husband write something?

Bridgette: Oh, that one serial, about the pilgrims. I love that series! It is past time that someone wrote something in English.

Philippa: No, my husband did not write them, I did. However, no monk will ever consider copying something that is written by a woman, especially something of, questionable moral content. My stupid, dull husband (mockingly) Il ne parle pas anglais, il parle seulement Normand.

Bridgette: I’m so sorry. So do you know what the next tale is going to be?

Philippa: I don’t know. I’ve been having a bad episode of writer’s block lately. So I came to Camelot to try to pick up something new.

Edwin: And what does Geoffrey think of that?

Philippa: He couldn’t care less. All he cares about is his wool. I doubt that he even notices that I am gone.

Edwin: Merlin, I have a question for you.

Merlin: I know the question; I know the answer but ask because it will make you feel surer of yourself.  

Edwin: On the way to Camelot I battled with a band of invisible bandits and the sorcerer that made them invisible. Do you think I will be knighted for this?

Bridgette: For the last time I was joking when I said that, there were no invisible bandits!

Philippa: Invisible bandits, interesting.

Merlin: The king would hear your story and consider it very brave, you are to be knighted.

Edwin: (to Bridgette) See, I told you they were real!

Merlin: I said the king would knight you, not that you deserve to be knighted.

Bridgette: Ha!

Herald: (enters right) Lady Guinevere and Sir Lancelot (Lancelot and Guinevere enter right, and talk between themselves. Herald exits right.)

Edwin: (excited) is that-?

Tuck: Yes, that is Sir Lancelot

Bridgette: Never mind that, did they just say Lady instead of Queen?

Edwin: Never mind titles; Sir Lancelot, the Lancelot, is in the same room as us.

Merlin: (ignoring Edwin) Have you not heard?

Robin: Heard?        

Merlin: About the battle?

Bridgette: No, I haven’t heard anything. Does that mean that-?

Robin: that Arthur is- ?

Bridgette and Robin: Dead?

Lancelot: Unfortunately so, Arthur is dead, and I am sorry to say that if I had been more loyal to him then he may still be with us.

Edwin: You’re… you’re…

Guinevere: Lance, be reasonable. You had nothing to do with it; things happened. If it was anybody’s fault the blame goes to Mordred.  

Edwin: You’re… you’re…

Lancelot: (to Guinevere) Yes, honey.

Edwin: You’re… you’re…

Guinevere: Who is he? Who are all of you?

Edwin: You’re Sir Lancelot!

Lancelot: Yes, thank you for telling me, I had in fact recently forgotten my name.

Bridgette: (curtsy) I apologize for my brother’s behavior. I am Bridgette de Merieanne; this is my brother Baron Edwin, and our traveling acquaintance Brother Robert.

Philippa: Philippa.

Robin: Hello, my queen (kisses hand, bows)

Guinevere: And hello to you Brother Robert.

Bridgette: So you mean the king is really dead?

Merlin: No, he is not really dead, but he has been mortally injured. I saw it myself, that day on the battlefield. Three nymph queens wept over him and took his body away from the battlefield and laid it in a boat which took him to the Isle of Avalon. There he is still sleeping in a cave, waiting, until Britain is in dire need of him, and then he and his knights will all rise again for Britain, and it shall become a good and whole nation once again.  

Guinevere: That is just nonsense. Likely someone took his body and buried it in secret so King Mordred could do no more disgrace to him.

Philippa: Actually, I’ve heard some people talking about something like that… I think that it sounds vaguely familiar.

Robin: So it has come to that- Mordred is king?

Lancelot: Yes, but many wish it were not so.

Guinevere: Don’t say such things!

Lancelot: Yes, Gwen; whatever you say, Gwen.

Edwin: How might one find this Isle of Avalon?

Merlin: It is an island that cannot be found

Philippa: Except for those who already know where it is.

Bridgette: Only an idiot of the highest tier would even consider searching for such a nonsensical thing!

Edwin: I am going to search for it. To me it sounds like Britain still needs Arthur, and Arthur needs someone to find him and bring him back from Avalon.  

Bridgette: We came to Camelot because you wanted me to get married, not for you to go gallivanting over a piece of fallaciousness!

Robin: (quietly, to Bridgette) Never look a gift horse in the mouth, milady.

Herald: (enters right) His Majesty Mordred, by the grace of God King of all Britannia (exits right, Mordred enters right)

Mordred: (sits on throne, all bow or curtsy, very bored and monotone) I guess that court for today is now in session. To start this fun adventure, are there any introductions or business of something like that?

Edwin: (steps forward. Bridgette and Robin follow) There is, your majesty.

Mordred: Introductions, or business or what?

Edwin: Introductions your majesty.

Mordred: Fine then, what are your names?

Edwin: I am Baron Edwin de Merieanne of Glastonbury, your majesty. This is my sister Lady Bridgette.

Robin: And I am their escort, Brother Robert of Locksley.

Mordred: Welcome to my court, Baron Edwin, Lady Bridgette, Brother Robert. What is your business here?

Edwin: I wish to be knighted, your majesty.

Mordred: Under what grounds?

Edwin: On our way to Camelot we came to an inn. There, seeing that we had money, some horrible thieves attacked us. Brother Robert and I tried to defend ourselves, but we could not. I went to get help, and when I came back alone Brother Robert and my sister were tied to chairs. A sorcerer had turned the thieves invisible. I attacked the thieves and killed their invisible sorcerer, so that no innocent soul may be robbed and not see who is robbing them.

Mordred: Very impressive, I must say. (stands up) Kneel, Edwin de Merieanne, Baron of Glastonbury. (Edwin kneels) Do swear your fealty to me and only me and my successors?

Edwin: Yes, your majesty!

Mordred: Do you pledge to protect the weak and downtrodden, and to always come to those in need?  

Edwin: Yes, your majesty!

Mordred: Do you promise to do what is best for Britain at all times, even if it conflicts with private interests?

Edwin: Yes, your majesty!

Mordred: Do you promise to always be pious and follow the way of God and His divine providence?

Edwin: Yes, your majesty!

Mordred: (pulls out sword, taps both shoulders with sword) arise, Sir Edwin (he rises. All clap, Mordred sits)

Edwin: I thank you, your majesty!

Mordred: Do not thank me, Sir Edwin. Not every man in my court could go against a foe they could not see. You more than deserve to become a member of the Holy Order of the Knights of Mordred’s Round Table, in my mind and certainly in the minds of your countrymen.

Edwin: Thank you, your majesty

Mordred: Very well then, is there anymore court business? (a pause) No? Good. I have no business either other than to state that as of yesterday it is illegal to have a name with an odd number of syllables. Anyone found to be living with an odd syllable name as of yesterday will be punished and tortured until they renounce such name, and as usual I feel I must go so I no longer have to be around you despicable lot.

Bridgette: Edwin, are you insane? I told you that I was joking, there were no invisible thieves.

Edwin: I can’t believe it, I’m a knight.

Lancelot: Do you realize you just swore fealty to Mordred, the evil king who killed Arthur?

Edwin: A knight, I’m Sir Edwin.

Lancelot: None of us knights have sworn yet, and I don’t think any will. You are Mordred’s first knight. You are his champion. Do you comprehend the implications of your actions?

Edwin: I’m champion- but that’s- that’s-

Lancelot: That was my title, yes, but for Arthur- never for Mordred.

Guinevere: Lancie-lot, shall we go?

Lancelot: Actually, Guinevere, I would like to talk a bit more with these people, particularly our new Sir Edwin.

Guinevere: I need an escort sir knight; I thought it was your duty to protect the weak.

Lancelot: But Edwin was talking about going on a quest to get Arthur back!

Guinevere: Why would you want to get Arthur back? With him gone we don’t have to hide anymore. Besides, Arthur was boring. I never would have married him if I wasn’t forced to by Daddy. If he comes back, then how I can be with you Lancie? (Bats eyelashes, big puppy dog eyes, etc)

Lancelot: Yes Gwen, you are right. You are always right, my love. (Both exit right)

Merlin: So will you go on this quest that is so desperately needed by our noble land?

Edwin: I will, but I do not know the way to Avalon.

Merlin: And you Brother? Will you be a traveling companion for the knight?

Robin: I will.

Philippa: And I shall join you and chronicle your quest.

Lancelot: Are you really sure? A woman might slow down the pace.

Philippa: I can guarantee you, good sir, that I will do no such thing. Instead, it shall be a challenge to keep up with me.

Bridgette: What will happen to me?

Edwin: You could stay at court.

Robin: You could go home.

Philippa: Come with us.

Edwin: No!

Merlin: I know what you truly want to do, stay at court. (Wink)

Bridgette: I don’t want to be stuck at court.

Merlin: Yes, you do (wink).

Bridgette: Why would I want to do that?

Merlin: Just trust me, you do. I can help you get settled. (WINK, WINK)

Bridgette: Ah. Yes, I want to stay here at court.

Robin: But we can’t wander the country hoping that by chance we run into Avalon.

Merlin: Ask Galahad about that, he seems good with that sort of thing.

Robin: When do we plan to leave?        

Edwin: Tomorrow morning.

Robin: Then we best be making preparations, shan’t we? (Robin and Edwin exit left)

Bridgette: (makes sure they are gone) Merlin, how did you know what I wanted?

Merlin: I know all. I see all. I see that you are not like most ladies. I know you would not be content at court, so that is why I want to help you.

Bridgette: Thank you! Thank you!

Merlin: No need to be thanking me. We best make some preparations of our own (Both exit right, lights fade).

Scene Five
Later that night, in a sitting room. Robin and Bridgette are talking in front of the fire, drinking out of mugs.

Bridgette: Of all things, why did you decide to be a monk?

Robin: I don’t really know.

Bridgette: There has to be some reason, that isn’t something you do just because you can.

Robin: I guess that I saw so many horrible, horrible things happening in the Holy Land that I felt I ought to cleanse myself, to pay penance for all of those who will not.

Bridgette: And then you went off and became a thief. You paid your penance and went off to commit more sins.  

Robin: I wouldn’t call it thievery. We, what was the word we used, ah; we aggressively solicited the financially blessed members of the community. It was all in the name of a noble cause.

Bridgette: That noble cause is robbing nobles.
        
Robin: The cause is not wealth but to help the poor of Nottingham. All we took was given way to those that needed it. People would have starved and died from not having anything to eat if we had not helped them. Not of penny of it went to us; me and me band lived like nice little poor in the forest. Everything we needed we hunted for. It was hard work, ye must understand that, but at the end of the day, we were a crew of merry men.

Bridgette: If your life was so happy, why are you leaving your beloved poor that needed you so much?

Robin: Because of what I told ye earlier- I crave excitement- it is my drug, it is my drink. I left my men in the forest. They are more than capable of taking care of Nottingham whilst I’m away.

Bridgette: So you must sacrifice your noble idolatry to quench your lust for adventure?

Robin: ‘fraid so, missy. I was dragged into this, when I left my dear Sherwood Forest, I thought this would be nothin’, now though, I’m leavin’ me home once again. One can only pray to Lord Almighty that this exploit turns out better than me last. But why are we talking about little old Robin? Ye yourself are an interesting creature, milady.

Bridgette: You are the one that has led an interesting life- crusader, monk, thief; that is why we are talking about you.  

Robin: But what about you? You are like no female I have ever met, barely a woman and you are better with a sword than any man I have ever seen. How does that not count as interesting? Is that nor an accomplishment?

Bridgette: Most would not see it as such; a man wants a woman who has skin as white as snow, hair as red as wine, who sews like magic is flowing though her fingertips, and is as patient as an ancient pine. A man wants to be dominant. Strong women are burned at the stake as witches. An accomplished woman is quiet, married, and has an heir by the time she is my age.

Robin: I am sure there are those who think that such a thing is preposterous.

Bridgette: Not among the nobility.

Robin: Why do you give a care as to what those stuffed pigeons think of you?

Bridgette: I was born one of those ‘stuffed pigeons’, that’s why. I cannot defy the world of god and seek my own future. To do what is expected of nobility- that is my future, all of it will be before the eyes of my peers and I would prefer that they approve of it.  

Robin: If you are lacking in their eyes then why put up with not being the revered figurehead God made you to be? Why put up with unhappiness and always being wrong?

Bridgette: I know what you are suggesting; I want you to know that I will never lower myself to such. Never, Robert, never; not even for you. (Stands)

Robin: If you won’t for me, would you for yourself?

Bridgette: I must marry according to my stature as to not disgrace the de Merieanne name. We have been associated with the paramount of society and power since Charlemagne’s ancestors were heathens. Hundreds of generations of de Merieannes are what I have to live up to.

Robin: (Stands) Maybe you are one of them then!

Bridgette: Have you not been listening? I am of noble birth; that will never change.

Robin: I did not mean that you weren’t of noble birth. What I meant was that I thought you were different. What law says that one can’t lead a life like mine and still be a noble?

Bridgette: It could never work.

Robin: Then I do not want it to work. I quite think, Lady de Merieanne, that I could never be with someone whose ego is bigger than they are.

Bridgette: and I could never be with someone who thinks that the order of things and the very world itself will turn upside down for his fancy. (Wipes eyes)

Robin: I think the world will turn itself upside down for me? You say you must marry according to your rank and yet you say you do not want to be married just to bear children? You want adventure but you cannot even have the adventure of considering something out of your circle of comfort?

Bridgette: I… I… (Turns to leave)

Robin: Bridgette, wait- (she stops and faces him)

Bridgette: What did you call me?

Robin: Bridgette?

Bridgette: I need to talk to Merlin. (Runs out right)

Robin: (sits back down, takes a drink) God blamed woman. Who does she thinks she is? First she tells me that she doesn’t like where she is, but then she tells me that she is unwilling to change. She’ll know eventually that what she said was a mistake. It might not be tomorrow, she might be married and have children by then, but she’ll look back she will know that she should have listened to me. She’ll know that she would have been much happier if she would have listened to dear old Robin Hood. (Slouches in chair, takes another drink)

Edwin: (enters. He is wearing armor and very happy) Look who I found!

Robin: (doesn’t look) Congratulations, I hope that you two will be happy together.

Edwin: No, no. I found Madame Chaucer again.

Philippa: I looked through my notebooks and found where Avalon is mentioned. It is in a very old poem, telling about all the ways to become immortal.  

Robin: That’s nice, did he tell you where to go? Or does finding an island that cannot be found except for those who already know where it is still an exercise in superfluous stupidity and frivolousness?

Philippa: No, the poem actually tells how to find it. (Pulls out paper and reads) To find what England is in need of most/ you shall go south unto the coast/ cross the water, if you dare/ you shall to the land of apple and pear/ west you go along the pilgrim road/ but it is not St. James’ abode/ that you seek/ Go west and find the citadel of the duke of Normandy/ it is he who grants the wish of harmony/ ask for Mary and Sarah/ it is they who keep/ the secret that is ever so deep/ but do not fret of returning with it/ for to merely see it makes you fit with glory

Robin: Wonderful. We only need to go to pear land to find Avalon. This is going to b a simple trip indeed. (Philippa exits)

Lancelot: (enters) What? What are you two doing here?

Edwin: These are the rooms that we were given.

Lancelot: Oh, I was looking for Guinevere, must have taken a left instead of a right.

Edwin: Would you like to join us on our quest?

Lancelot: I shall consider it, good sir. Guinevere would be very angry with me, but perhaps I shall, but for now, plan only on Robert accompanying you.

Edwin: Come on, Lancelot! Glory! Adventure! Riches! Think about it, if we succeed then peace will return to the kingdom.

Lancelot: There shall be no peace in the kingdom if Guinevere does not get her way.

Edwin: Yes, but think of the glory!

Lancelot: Glory I have, quiet is what I want now.

Edwin: And anyway, thank you again, even though you can’t come with us! I should get some sleep, big day tomorrow. (Exits left)

End Act I

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ldeniseb avatar General Stranger

April 10, 2008

ldeniseb

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
ldeniseb reviewed Version 7 - Read 100% of the Item

It has a nice plot. But the first act or so is.. well you don’t have any of the characters actions.Are you leaving that all up to the actor to decide? I mean you have a picture of it in your head… things Bridget tilts her head to the right as she considers his statement. You did get better about that as you moved on through it but it still felt stiff because it is mostly their words and no actions to show the emotions or any script direction to tell them what emotion to use.

If you are writing it for a specific group of actors you know well that can work but if you don’t know who’ll perform it they’ll need more. And to sellit you’ll probably need more. But it’s a great start it just needs polishing that’s all.

Deadsage avatar General Stranger

April 02, 2008

Deadsage

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
Deadsage reviewed Version 7 - Read 100% of the Item

On the whole it wasn’t very funny to me.  I guess it’s just not my sense of humor.  Some of the characters and situations were funny-ish, but nothing that made me fall out of my chair.  The “knighting” scene was the best part, and generally I found Edwin to be the funniest character.  The eye-rolling sarcastic humor of Bridgette felt off-target to me, as she showed very little wit.  The mix of various mythological and historical references was confusing to me, they didn’t carry much consistency, and often didn’t fit.  King Arthur and his Court is from 500 A.D. time frame and the crusades don’t occur until around 1100 AD, and Chaucer wasn’t born until the 1300’s.  I know I’m over analyzing, but that is what I do.  

Here are a few spelling/grammar corrections:

“going though things” – should be going through things.

“Sister, sister! Where art thee sister?” – should be thou most typically, as I read on, you scarcely use Middle English and usually use the wrong tense.   You shouldn’t switch between “ye, thou, thee, art” and “I, you, your, are” perhaps make it all modern language, or have certain characters use Middle English consistently and others use Modern, since this is for comedic effect I think.

“Genevieve and her flying monkeys” Pop culture references seems somewhat out of place in a medieval play…

“My ye sleep well, milady” – should be May ye.

“would make to much sense” – should be too

Scene Four is a bit confusing, especially with Robin being “in the corner” yet within the same breathe of Merlin.  I think this is somewhat unclear why Edwin and Bridgette even bother to mention his absence when within the same minute he is unhooded.

Scene five is a bit chatty, people don’t tend to reveal themselves to each other in casual conversation, not that this doesn’t happen regularly in plays, but I don’t review many plays.  Still a bit boring to read.  There is very little movement or action throughout the rest of the play.

I hope you find this review helpful.

wesguptill avatar General Stranger

March 30, 2008

wesguptill

REVIEW QUALITY: 100.0%(2 votes ) personal info reviewer stats
wesguptill reviewed Version 7 - Read 100% of the Item

First, I wish to thank you for your request to review this piece. I do enjoy aiding young writers, particularly ones possessed of talent who are willing to listen to heart-felt, well-meaning criticism.

On to the review…

I would like to address the negatives of the play first. When I say negatoves, I am simply referring to the portions of the work that need shoring up, revision, or out-and-out striking. This is meant as a guide and should not be taken as command. After all, critiques are all about subjectivity, and ultimately the author should retain absolute control over their work. To do anything less would expose the work to dilution.

So here we have a comedic work that encompasses periods in British history. While this works on some levels, I believe that the blending of the various periods does not do much for the work. Unless you were willing to label this piece as an work of absurdist humor, the piece starts out a bit anemically. I tried to focus on the content and context, but with the continual introductions of new historical figures, I kept getting distracted. Look, you have Isolde, Robin Hood, Lancelot, Chaucer’s wife, Merlin, even allusions to figures from the Crusades. While I appreciate that these characters can blend to gether to create an entertaining cast, the average reader who has a moderate degree of knowledge about British history and folklore will themselves get bogged down in anachronism. Clean up the character presentation easily by placing something in the title that would let a reader or play-goer know that this is an absurdist piece. It worked well for Mel Brooks in history histoy spoofs, it can work well for you. Just let the reader know what they are getting into.

The next thing that needs to be addressed is the language. You are trying to be a little too cute with the language, and unfortunately have ventured down a treacherous path that has claimed oh so many writers who have come before. Dialect and variant language is something that does not generally come easy or flow well in most work. That is the case here. My suggestion is to dispense with the thee’s, thou’s, and thy’s, as they do little for the work. If anything that make the work a bit too campy, the embarrassing hallmark of rookie writers. Make your work sing by adopting standard language. It will appeal to a greater audience, will improve readability, and will make for an easier production. Directors don’t want to have the actors become tongue-tied and clumsy in the speech portions of the play, as this will make most throw their hands up in disgust and the play suffer. Find something comfortable for all, amd let things ride on their own. your work will improve dramatically.

Next on the menu of corrections is the mechanical stuff. Spell-check and a solid review prior to posting can clear up most of these niggling little things. Do yourself and the reader a favor and check on punctuation and word placement. I ran into a few hiccups (like the word glutinous which I am sure you meant to read as gluttonous- unless of course the Sheriff of Nottingham was indeed composed of a sticky, wet wheat component, which may have been the cause for dismay of the inhabitants of Nottingham. After all, we now know that an allergy to gluten does afflict millions of people today.), and these, while small and seemingly insignificant, can disrupt a good story flow.

Continuity is the next stop on this critique tour. Keep things in line for characters and subplot. For example, you have Mordred spelling out the tenets of expectation for a new knight, such as fealty and piety. Are these really things that such an evil character as Mordred would spell out to a candidate for knighthood? I don’t think so. While it does fit the pattern for other character’s confusion at Edwin’s wishy-washy tack, it does not help the reader keep things straight. While most play readers take on a written work in the style of ludic reading (reading for pure, slow enjoyment), it does not sit well with most people if they have to retrace their steps to get a grip on what ‘just happened’ to the story. Sort things out, try out a few alternatives to what you have currently written, and when you find something that seems to work, slide it in. At worst you have had to put a little more time in the work, and at best, your story has taken on a fresh direction. And that will readers on track and coming back for more.

The last bone I have to pick is your parenthetical work, the stage directions and descriptions of action and setting. Keep these simple. Note, I said keep things simple. These parentheses are meant to direct the stage crew and actors. they are not for side commentary. If you treat them any differently than that you run the risk of distracting the reader. That happened to me several times when you were describing thieves in swordplay and after their defeat at the hands of Robin and Bridgette (and nice last name here- Maid Marian, eh?). Then there was your description of Edwin’s swordplay: ‘just plain sucks’? This is not a stage direction or guide for an actor. This is just editorializing. This places you solidly in your story, and unless you (the write) are serving as narrator (like Lemony Snicket), you want to stay out of your story as a character. Again, this causes confusion or presents your work as that of an amateur. Neither is desirable. Clean up the stage directions and keep your commetary to yourself. The readers, the actors, and the director will thank you for it.

Okay, to give you some balance, here are the parts I thought were strong. They may not seem as detailed as the negative, but if you think about it, good things don’t need a lot of commentary. You just need to keep them alive and move on to the rough steps.

1. Funny stuff here: You have a great sense of humor. And you wield it well, for someone as young as yourself. The literary and historical references, as well as your social commentary blend well together to make this an enjoyable piece. Follow through with what you have started and this will truly be a comedic pleasure.

2. Your sense of plot: You have a strong plot, that of taking several central themes and placing them in strong conduit. The blending of historical references will work here, but only if you follow the advice forwarded in the critical section above. I do have to say that when you lay down plot, you don’t forget about it. Just remember to keep things reined in and you’ll do well.

3.Your sense of subplot: You have several subthemes working here, and that is hard to keep running for any work, let alone a ply. In a play, characters have a tendency to grow beyond a writer’s capacity and run the story into the ground. too often, the subplots get lost halfway through, and the reader is left wondering what happened. But not here. You are on the right track, and I hope you can keep this trend up throughout the last two acts of the play. Just remember that there a bunch of little things going on, and you have no idea which will be the one that ties your other plots together. So pay attention to them.

4. Your gift for rhetoric: While this is not the soul of any work, here in a play it does make for a strong element. Social commentary often requires that it be presented in drab, bland formats, but your sense of character rhetoric presents it freshly, crisply. That shows that you can write good dialog. Not an easy thing for any writer of any age or level of experience.

Okay, that’s all I have for you now. Please let me know when the next part is ready for critical analysis. I will enjoy seeing how things progress for all. Thanks for a good job so far.
Good luck, and keep writing.

manoj avatar General Stranger

March 30, 2008

manoj

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manoj reviewed Version 7 - Read 100% of the Item

I must honestly say that I thought to skip reading. But after two pages… I had to read the full act as the detailing is excellent.

I am not at all competent to criticize or comment.

It’s superb.

I find Shakespearian touch here.

I congratulate you for writing this.

My only suggestion… if you can add more humor in between.

This is not a play to make people laugh out loud… rather it would make people to enjoy engrossed.

Cheers!!

thefierywrath avatar General Friend

February 19, 2008

thefierywrath

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thefierywrath reviewed Version 7 - Read 4% of the Item

I’ve only read the first act so far, but I like it. It seems like a good play for our drama club. It’s funny, but it would take some serious acting. You need to revise some typos, but other than that your persistant revisions have found most of the errors. It is very funny. I will read the rest when I have time.

Midwest_Writer avatar General Stranger

February 10, 2008

Midwest_Writer

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
Midwest_Writer reviewed Version 7 - Read 100% of the Item

I really liked how you captured the Shakespearean language into the play and how you also incorporated contemporary voice as well. This would be a nice play to bee seen on the high school level. Espcially if part of it was done for a school speech team for group interpreatation. I hope this goes well for you in the near future.

pariah avatar General Stranger

January 11, 2008

pariah

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
pariah reviewed Version 7 - Read 100% of the Item

i gave you a 10 for make people laugh out loud
because i did

i loved the beginning part with Bridgette and Edwin
especially the very sexist lines

i’m not sexist at all but m currently producing a comedy centered around those types of things

“Lancie-lot” is another favorite

i also like how you added Robin hood in
i was expecting a Robin similar to Python’s

it was very entrtaining indeed
id love to see this performed on stage

id also like to see how everything plays out as well

break a leg

regards
-kyle-

pariah avatar General Stranger

December 02, 2007

pariah

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
pariah reviewed Version 6 - Read 100%% of the Item

i like this alot

i love this type of humor

one thing though in the begining scene with bridgette and edwin there needs to be some blocking in the scene to keep the audience interested

i think the blocking can be either really expected or very random maybe some form of a silly version of the waltz or tango i dunno

i’d like to see the rest of this play but one main thing throughout this piece is the blocking to keep the audience interested

you have the type of witty python humorous lines from the characters that could make them laugh but along with that there needs to be the same random witty
blocking

edwin kind of reminds me of a don quixote form of a character
i dunno
maybe that’s just me but i like it

regards
-kyle-
i like the story line there are some minor holes that could only be fixed on the stage i believe but otherwise i think this is well done and obviously funny

stu88 avatar General Stranger

September 10, 2007

stu88

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
stu88 reviewed Version 6 - Read 100%% of the Item

wow i must say, i dont really read a lot of stage-plays as they can tend to be quite vast, iread every single word and loved it! just would like to say, if you ever need an actor, ill be happy to audition! i would be rather proud to be in this play! well done!!

tomlinson23 avatar General Stranger

August 16, 2007

tomlinson23

REVIEW QUALITY: 100.0%(1 vote ) personal info reviewer stats
tomlinson23 reviewed Version 6 - Read 100%% of the Item

This is fantastic.  Slightly strange seeing a new Robin Hood adventure out there, especially after reading many of them myself.  This is very well written, only a few spelling errors.  The language fits the time period nicely and Characters show depth.  The Shakespeare at the end bothers me a little only because it seems out of place coming from the mouth of a thief.  Overall, a very nice play with a strong and a character that reminds me of “Don Quixote”

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Jessica42

Age: 18
Loc: Castle Rock, WA
Gen: F
Last Login: September 15
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