| Number of paragraphs: |
9 |
| Average number of sentences per paragraph:: |
28.33 |
| Longest Sentence: |
'but, to my relief, it appears that the reaper has simply come out to collect the souls that have died this night, and to keep a watchful eye on the souls who are visiting the loved ones that they left behind, ensuring that they return safely to the land o' (58 words) |
| Shortest Sentence: |
'it moves.' (2 words) |
Readability according to Gunning-Fog Index (the higher, the harder to read): |
8.18 |
Readability according to Automated Readability Index (the higher, the harder to read): |
-0.34 |
Readability according to Coleman-Liau Index (the higher, the harder to read): |
0.28 |
Average readability (the higher, the harder to read): |
2.71 |
| Ten most frequent two-word phrases: |
| can see |
6 |
| cave room |
6 |
| feels like |
4 |
| old woman |
3 |
| walk back |
3 |
| finally reach |
3 |
| six feet |
2 |
| sacred mask |
2 |
| look around |
2 |
| great grandfather |
2 |
|
| Ten most frequent three-word phrases: |
| different light lights |
1 |
| mist travels along |
1 |
| unseen shoulder next |
1 |
| made last night |
1 |
| become something different |
1 |
| hecate looks deep |
1 |
| nearby old tree |
1 |
| wrinkled old hands |
1 |
| one last time |
1 |
| checkered design- black |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| of the |
55 |
| in the |
27 |
| and the |
23 |
| it is |
23 |
| to the |
20 |
| of a |
14 |
| that i |
14 |
| i am |
13 |
| i have |
13 |
| the cave |
10 |
|
| Ten most frequent three-word phrases, including stop words: |
| there is a |
6 |
| that i have |
5 |
| it is about |
5 |
| light of the |
5 |
| the light of |
4 |
| the center of |
4 |
| the land of |
4 |
| i can see |
4 |
| land of the |
4 |
| of the river |
4 |
|
| Most frequent two-word phrases: |
| cave room |
6 |
| can see |
6 |
| feels like |
4 |
| walk back |
3 |
| old woman |
3 |
| finally reach |
3 |
| six feet |
2 |
| old man |
2 |
| ground around |
2 |
| hecate looks |
2 |
| walk along |
2 |
| story tells |
2 |
| stained glass |
2 |
| every house |
2 |
| loved ones |
2 |
| one last |
2 |
| never seen |
2 |
| sacred mask |
2 |
| look around |
2 |
| lower part |
2 |
| deep breath |
2 |
| will join |
2 |
| stand beside |
2 |
| every year |
2 |
| will happen |
2 |
| group leads |
2 |
| great grandfather |
2 |
|
| Most frequent five-word phrases: |
| the land of the dead |
4 |
| this is what will happen |
2 |
| the lower part of my |
2 |
| is what will happen when |
2 |
| the center of the cave |
2 |
| the half of her that |
2 |
| half of her that is |
2 |
|
| Most frequent two-word phrases, including stop words: |
| of the |
55 |
| in the |
27 |
| it is |
23 |
| and the |
23 |
| to the |
20 |
| of a |
14 |
| that i |
14 |
| i have |
13 |
| i am |
13 |
| the cave |
10 |
| on the |
10 |
| there is |
10 |
| is a |
10 |
| into the |
9 |
| like the |
8 |
| the path |
8 |
| from the |
8 |
| they are |
8 |
| to be |
8 |
| i see |
7 |
| the world |
7 |
| light of |
7 |
| that is |
7 |
| this night |
7 |
| i can |
7 |
| the tunnel |
6 |
| with the |
6 |
| can see |
6 |
| the same |
6 |
| at the |
6 |
| the river |
6 |
| i will |
6 |
| cave room |
6 |
| the light |
6 |
| by the |
6 |
| all of |
6 |
| of them |
6 |
| i know |
5 |
| reach the |
5 |
| of my |
5 |
| of her |
5 |
| is not |
5 |
| like a |
5 |
| that the |
5 |
| the mist |
5 |
| i walk |
5 |
| the helkappe |
5 |
| the night |
5 |
| for the |
5 |
| when the |
5 |
| as i |
5 |
| the story |
5 |
| the souls |
5 |
| each other |
5 |
| the entrance |
5 |
| as the |
5 |
| in a |
5 |
| is the |
5 |
| the reaper |
5 |
| part of |
5 |
| is about |
5 |
| the fire |
5 |
| and i |
4 |
| over the |
4 |
| of all |
4 |
| but i |
4 |
| points to |
4 |
| the dark |
4 |
| back to |
4 |
| and white |
4 |
| is very |
4 |
| the road |
4 |
| she touches |
4 |
| the group |
4 |
| the chanters |
4 |
| the sacred |
4 |
| and we |
4 |
| land of |
4 |
| the center |
4 |
| as a |
4 |
| me to |
4 |
| the others |
4 |
| that they |
4 |
| the dead |
4 |
| the land |
4 |
| center of |
4 |
| through the |
4 |
| around me |
4 |
| the sky |
4 |
| the ground |
4 |
| the old |
4 |
| for a |
4 |
| at last |
4 |
| down the |
4 |
| that there |
4 |
| feels like |
4 |
| is so |
4 |
| and one |
3 |
| of it |
3 |
| is no |
3 |
| i finally |
3 |
| and it |
3 |
| has been |
3 |
| as she |
3 |
| and now |
3 |
| made from |
3 |
| and to |
3 |
| have to |
3 |
| come to |
3 |
| end of |
3 |
| as he |
3 |
| her eyes |
3 |
| old woman |
3 |
| i feel |
3 |
| if i |
3 |
| and more |
3 |
| and so |
3 |
| that leads |
3 |
| does not |
3 |
| see that |
3 |
| the end |
3 |
| finally reach |
3 |
| do not |
3 |
| the soil |
3 |
| the living |
3 |
| no longer |
3 |
| on my |
3 |
| and his |
3 |
| the sun |
3 |
| of us |
3 |
| i cannot |
3 |
| his invisible |
3 |
| side of |
3 |
| a deep |
3 |
| walk back |
3 |
| the harvest |
3 |
| the water |
3 |
| cannot see |
3 |
| to my |
3 |
| at each |
3 |
| all around |
3 |
| in front |
3 |
| front of |
3 |
| my people |
3 |
| touches them |
3 |
| beside me |
3 |
| three of |
3 |
| will be |
3 |
| a long |
3 |
| look at |
3 |
| it seems |
3 |
| i hear |
3 |
| on this |
3 |
| she has |
3 |
| the moon |
3 |
| is what |
3 |
| and each |
3 |
| the voices |
3 |
| that has |
3 |
| six feet |
2 |
| along the |
2 |
| fur of |
2 |
| the boy’s |
2 |
| then i |
2 |
| world and |
2 |
| to join |
2 |
| the words |
2 |
| is over |
2 |
| what will |
2 |
| my own |
2 |
| is adorned |
2 |
| find that |
2 |
| sacred mask |
2 |
| great grandfather |
2 |
| soon as |
2 |
| that forms |
2 |
| the hair |
2 |
| left are |
2 |
| body that |
2 |
| used to |
2 |
| the part |
2 |
| the great |
2 |
| sense of |
2 |
| to a |
2 |
| when i |
2 |
| thousands and |
2 |
| where i |
2 |
| until they |
2 |
| i fear |
2 |
| of time |
2 |
| feel that |
2 |
| the other |
2 |
| the figure |
2 |
| the right |
2 |
| deep breath |
2 |
| the bonfire |
2 |
| becoming more |
2 |
| but it |
2 |
| half of |
2 |
| knees to |
2 |
| know that |
2 |
| go upward |
2 |
| me as |
2 |
| the walls |
2 |
| this is |
2 |
| he is |
2 |
| and into |
2 |
| hecate looks |
2 |
| the half |
2 |
| are all |
2 |
| and that |
2 |
| we look |
2 |
| we become |
2 |
| i look |
2 |
| the two |
2 |
| and lower |
2 |
| off my |
2 |
| are not |
2 |
| walk along |
2 |
| of his |
2 |
| from me |
2 |
| so i |
2 |
| have died |
2 |
| to do |
2 |
| two other |
2 |
| souls who |
2 |
| mask is |
2 |
| higher and |
2 |
| light from |
2 |
| where the |
2 |
| touch of |
2 |
| that she |
2 |
| black and |
2 |
| chill of |
2 |
| to what |
2 |
| my shoulder |
2 |
| at once |
2 |
| begin to |
2 |
| behind me |
2 |
| two who |
2 |
| group leads |
2 |
| look around |
2 |
| warding off |
2 |
| adorned with |
2 |
| the king |
2 |
| see the |
2 |
| the truth |
2 |
| the girl |
2 |
| we have |
2 |
| that it |
2 |
| to go |
2 |
| have been |
2 |
| which is |
2 |
| i realize |
2 |
| so that |
2 |
| it appears |
2 |
| is her |
2 |
| as we |
2 |
| and their |
2 |
| carry a |
2 |
| of our |
2 |
| i take |
2 |
| loved ones |
2 |
| she is |
2 |
| lower part |
2 |
| appears that |
2 |
| a new |
2 |
| the lower |
2 |
| my village |
2 |
| the unwanted |
2 |
| the forest |
2 |
| hand on |
2 |
| join the |
2 |
| the woods |
2 |
| and then |
2 |
| happen when |
2 |
| with each |
2 |
| ready to |
2 |
| a circle |
2 |
| never seen |
2 |
| stand beside |
2 |
| watch as |
2 |
| join them |
2 |
| under the |
2 |
| who have |
2 |
| so long |
2 |
| i follow |
2 |
| every house |
2 |
| tunnel at |
2 |
| come out |
2 |
| a boy |
2 |
| right and |
2 |
| we can |
2 |
| half is |
2 |
| in it |
2 |
| my mind |
2 |
| off the |
2 |
| little of |
2 |
| the goddess |
2 |
| and yet |
2 |
| the girl’s |
2 |
| before it |
2 |
| the moonlight |
2 |
| the upper |
2 |
| the darkness |
2 |
| will join |
2 |
| oldest and |
2 |
| looks at |
2 |
| the dawn |
2 |
| and of |
2 |
| all the |
2 |
| ground around |
2 |
| river and |
2 |
| seems to |
2 |
| the trees |
2 |
| her soul |
2 |
| thousands of |
2 |
| stained glass |
2 |
| to me |
2 |
| but the |
2 |
| follow the |
2 |
| will happen |
2 |
| in his |
2 |
| are coming |
2 |
| the chill |
2 |
| her head |
2 |
| see her |
2 |
| my helkappe |
2 |
| the way |
2 |
| old man |
2 |
| walk through |
2 |
| one last |
2 |
| i find |
2 |
| her hand |
2 |
| hear the |
2 |
| every year |
2 |
| fire and |
2 |
| to see |
2 |
| her that |
2 |
| is my |
2 |
| time to |
2 |
| would be |
2 |
| one of |
2 |
| their candles |
2 |
| hair of |
2 |
| out to |
2 |
| glow of |
2 |
| the mask |
2 |
| long that |
2 |
| my great |
2 |
| to an |
2 |
| waiting for |
2 |
| than the |
2 |
| of every |
2 |
| of fire |
2 |
| go back |
2 |
| to this |
2 |
| who are |
2 |
| what to |
2 |
| until i |
2 |
| story tells |
2 |
| fear the |
2 |
| very long |
2 |
| they reach |
2 |
| the three |
2 |
| all three |
2 |
| bright and |
2 |
| my family |
2 |
| know what |
2 |
| the oldest |
2 |
| are the |
2 |
| where they |
2 |
| white as |
2 |
| leads to |
2 |
| the entire |
2 |
| away from |
2 |
| i reach |
2 |
| leads me |
2 |
| to one |
2 |
| she points |
2 |
| his master |
2 |
| we reach |
2 |
| the touch |
2 |
| it does |
2 |
| chant is |
2 |
| as soon |
2 |
| before we |
2 |
| join with |
2 |
| laid out |
2 |
| forms a |
2 |
| the earth |
2 |
| take off |
2 |
| and everything |
2 |
| to stop |
2 |
| is made |
2 |
| died this |
2 |
|
| Most frequent three-word phrases, including stop words: |
| there is a |
6 |
| that i have |
5 |
| light of the |
5 |
| it is about |
5 |
| the light of |
4 |
| the center of |
4 |
| of the dead |
4 |
| land of the |
4 |
| of the river |
4 |
| i can see |
4 |
| of the cave |
4 |
| the cave room |
4 |
| the land of |
4 |
| all of the |
3 |
| i finally reach |
3 |
| look at each |
3 |
| points to the |
3 |
| center of the |
3 |
| she touches them |
3 |
| it is the |
3 |
| it is not |
3 |
| down the path |
3 |
| i have to |
3 |
| that there is |
3 |
| in front of |
3 |
| the end of |
3 |
| the fire and |
2 |
| is adorned with |
2 |
| i know that |
2 |
| in the moonlight |
2 |
| we can see |
2 |
| part of my |
2 |
| come to a |
2 |
| the hair of |
2 |
| is what will |
2 |
| in the sacred |
2 |
| and i am |
2 |
| fur of a |
2 |
| the group leads |
2 |
| i walk back |
2 |
| through the fire |
2 |
| back to the |
2 |
| her that is |
2 |
| and the mist |
2 |
| that i cannot |
2 |
| all around me |
2 |
| will happen when |
2 |
| all three of |
2 |
| take off my |
2 |
| that the reaper |
2 |
| i find that |
2 |
| on the ground |
2 |
| of her that |
2 |
| it is a |
2 |
| long that i |
2 |
| side of the |
2 |
| that i feel |
2 |
| what to do |
2 |
| tunnel at the |
2 |
| the half of |
2 |
| the souls who |
2 |
| the old man |
2 |
| front of her |
2 |
| i will join |
2 |
| i hear the |
2 |
| it does not |
2 |
| as soon as |
2 |
| black and white |
2 |
| the river and |
2 |
| watch as the |
2 |
| of the harvest |
2 |
| i cannot see |
2 |
| so long that |
2 |
| hair of the |
2 |
| of the world |
2 |
| in the night |
2 |
| the oldest and |
2 |
| sense of time |
2 |
| lower part of |
2 |
| little of the |
2 |
| there is no |
2 |
| we look at |
2 |
| until they reach |
2 |
| of the moon |
2 |
| over the river |
2 |
| the chill of |
2 |
| it appears that |
2 |
| into the center |
2 |
| i have been |
2 |
| and into the |
2 |
| three of us |
2 |
| come out to |
2 |
| this is what |
2 |
| she points to |
2 |
| of my family |
2 |
| the sacred mask |
2 |
| warding off the |
2 |
| it is my |
2 |
| finally reach the |
2 |
| that leads to |
2 |
| walk along the |
2 |
| i fear the |
2 |
| and the dark |
2 |
| what will happen |
2 |
| stand beside me |
2 |
| the touch of |
2 |
| off my helkappe |
2 |
| the ground around |
2 |
| and it is |
2 |
| the story tells |
2 |
| like the light |
2 |
| than the others |
2 |
| half of her |
2 |
| they reach the |
2 |
| a deep breath |
2 |
| group leads me |
2 |
| go back to |
2 |
| and his master |
2 |
| but it is |
2 |
| the lower part |
2 |
| on my shoulder |
2 |
| of the sun |
2 |
| at each other |
2 |
|
| Most frequent four-word phrases, including stop words: |
| land of the dead |
4 |
| the land of the |
4 |
| the light of the |
3 |
| the center of the |
3 |
| we look at each |
2 |
| take off my helkappe |
2 |
| so long that i |
2 |
| is what will happen |
2 |
| into the center of |
2 |
| this is what will |
2 |
| that there is no |
2 |
| look at each other |
2 |
| the half of her |
2 |
| of her that is |
2 |
| the group leads me |
2 |
| the hair of the |
2 |
| of the cave room |
2 |
| in front of her |
2 |
| the lower part of |
2 |
| that i have been |
2 |
| light of the sun |
2 |
| she points to the |
2 |
| until they reach the |
2 |
| that i have to |
2 |
| center of the cave |
2 |
| i finally reach the |
2 |
| lower part of my |
2 |
| half of her that |
2 |
| what will happen when |
2 |
|