| Number of paragraphs: |
5 |
| Average number of sentences per paragraph:: |
209.6 |
| Longest Sentence: |
'the perfect place out on the fringes far away from the troubles and past of a complicated universe, somewhere hidden beneath the surface, the star claw waits, half-alive; its mysteries arose and speak to those who have inhabited the planet far longer than' (47 words) |
| Shortest Sentence: |
'ivy out.”' (2 words) |
Readability according to Gunning-Fog Index (the higher, the harder to read): |
6.33 |
Readability according to Automated Readability Index (the higher, the harder to read): |
0.32 |
Readability according to Coleman-Liau Index (the higher, the harder to read): |
4.93 |
Average readability (the higher, the harder to read): |
3.86 |
| Ten most frequent two-word phrases: |
| michelle said |
11 |
| thatcher station |
9 |
| michelle smiled |
7 |
| last night |
7 |
| eastern government |
6 |
| don’t know |
5 |
| officer davis |
5 |
| we’re just |
4 |
| badly damaged |
4 |
| star claw |
4 |
|
| Ten most frequent three-word phrases: |
| two security officers |
2 |
| just make sure |
2 |
| brown haired one |
2 |
| main access corridor |
2 |
| just don’t crash |
2 |
| long curly black |
2 |
| we’re just freighters” |
2 |
| alpha omega corp |
2 |
| cvn-one zero seven |
2 |
| just wait till |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| of the |
57 |
| to the |
42 |
| on the |
34 |
| in the |
29 |
| out of |
24 |
| of her |
20 |
| from the |
19 |
| into the |
18 |
| at the |
17 |
| of a |
16 |
|
| Ten most frequent three-word phrases, including stop words: |
| out of the |
9 |
| in front of |
5 |
| of the station |
5 |
| the eastern government |
4 |
| some sort of |
4 |
| of the galaxy |
4 |
| out of her |
4 |
| said as he |
4 |
| back into the |
4 |
| next to him |
3 |
|
| Most frequent two-word phrases: |
| michelle said |
11 |
| thatcher station |
9 |
| michelle smiled |
7 |
| last night |
7 |
| eastern government |
6 |
| officer davis |
5 |
| don’t know |
5 |
| michelle asked |
4 |
| michelle walked |
4 |
| badly damaged |
4 |
| walked back |
4 |
| star claw |
4 |
| we’re just |
4 |
| captain davis |
4 |
| brown haired |
4 |
| looks like |
4 |
| space station |
3 |
| main access |
3 |
| “thatcher station |
3 |
| michelle looked |
3 |
| mechanized infantry |
3 |
| blonde haired |
3 |
| bill said |
3 |
| security safe |
3 |
| baron’s eyes |
3 |
| cold metal |
3 |
| make sure |
3 |
| one said |
3 |
| deep space |
3 |
| haired one |
3 |
| living quarters |
3 |
| two hundred |
3 |
| just don’t |
3 |
| get back |
3 |
| young woman |
3 |
| turned around |
3 |
| last night” |
3 |
| hundred meters |
3 |
| “no problem |
3 |
| michelle paused |
3 |
| chrycian prime |
3 |
| baron smiled |
3 |
| mining facility |
3 |
| i’m going |
3 |
| looked around |
3 |
| wounded marines |
2 |
| zero seven |
2 |
| metal wall |
2 |
| haired girl |
2 |
| they’re worried |
2 |
| little mixed |
2 |
| ponzo said |
2 |
| “oh yeah |
2 |
| baron asked |
2 |
| far wall |
2 |
| haired man |
2 |
| amongst humans |
2 |
| planet side |
2 |
| eric gonzales |
2 |
| can make |
2 |
| we’re stuck |
2 |
| pressure suits |
2 |
| federal ship |
2 |
| tears ran |
2 |
| pataki’s bay |
2 |
| we’re going |
2 |
| youthful teenager |
2 |
| unknown species |
2 |
| clara said |
2 |
| weapons case |
2 |
| distress beacon |
2 |
| black hair |
2 |
| hot coco |
2 |
| i’ll get |
2 |
| long curly |
2 |
| security officers |
2 |
| doc said |
2 |
| requesting dock |
2 |
| “so you’re |
2 |
| “it’s okay |
2 |
| back around |
2 |
| center cylinder |
2 |
| right now |
2 |
| ‘fire monsters’ |
2 |
| michelle sighed |
2 |
| heading back |
2 |
| collective body |
2 |
| star fields |
2 |
| “all right |
2 |
| far away |
2 |
| michelle kept |
2 |
| young one” |
2 |
| dark blood |
2 |
| handsome face |
2 |
| michelle kissed |
2 |
| chrycian special” |
2 |
| ticon deroga |
2 |
| hundred kilometers |
2 |
| mira asked |
2 |
| everyone else |
2 |
| ship bay |
2 |
| can’t believe |
2 |
| omega corp |
2 |
| skinny human |
2 |
| comes around |
2 |
| one last |
2 |
| michelle sat |
2 |
| davis looked |
2 |
| security gate |
2 |
| flight deck |
2 |
| long enough |
2 |
| michelle leaned |
2 |
| wouldn’t want |
2 |
| mine shafts |
2 |
| “thank you” |
2 |
| access code |
2 |
| ric smiled |
2 |
| miner asked |
2 |
| baron replied |
2 |
| bar last |
2 |
| there’s nothing |
2 |
| will come |
2 |
| corporal keller |
2 |
| two security |
2 |
| old man |
2 |
| bad you’re |
2 |
| baron said |
2 |
| six hundred |
2 |
| just make |
2 |
| black sail |
2 |
| michelle stopped |
2 |
| turned away |
2 |
| bill looked |
2 |
| white coat |
2 |
| eyes looked |
2 |
| four hundred |
2 |
| bill walked |
2 |
| monetary card |
2 |
| gr’rak’kon miner |
2 |
| just freighters” |
2 |
| clara campbell” |
2 |
| walked away |
2 |
| juwaga burrito” |
2 |
| “it will |
2 |
| alpha omega |
2 |
| just need |
2 |
| brown eyes |
2 |
| “i’m sorry |
2 |
| things got |
2 |
| united systems |
2 |
| don’t crash |
2 |
| curly black |
2 |
| brandon said |
2 |
| can never |
2 |
| i’ll take |
2 |
| “usns pataki |
2 |
| i’ll see |
2 |
| fire monsters” |
2 |
| woman’s voice |
2 |
| michelle closed |
2 |
| access corridor |
2 |
| cvn-one zero |
2 |
| fringe worlds |
2 |
| michelle headed |
2 |
|
| Most frequent three-word phrases: |
| two security officers |
2 |
| just make sure |
2 |
| brown haired one |
2 |
| main access corridor |
2 |
| just don’t crash |
2 |
| long curly black |
2 |
| we’re just freighters” |
2 |
| alpha omega corp |
2 |
| cvn-one zero seven |
2 |
|
| Most frequent five-word phrases: |
| walked back into the kitchen |
2 |
| got a little mixed up |
2 |
| need to get back to |
2 |
| her hands through her long |
2 |
| long enough for us to |
2 |
| she walked back into the |
2 |
| of light in the distance |
2 |
|
| Most frequent two-word phrases, including stop words: |
| of the |
57 |
| to the |
42 |
| on the |
34 |
| in the |
29 |
| out of |
24 |
| of her |
20 |
| from the |
19 |
| into the |
18 |
| at the |
17 |
| of a |
16 |
| in a |
16 |
| the station |
13 |
| a little |
13 |
| to her |
12 |
| to get |
12 |
| as he |
11 |
| michelle said |
11 |
| with a |
11 |
| back to |
10 |
| for a |
10 |
| over the |
9 |
| thatcher station |
9 |
| to a |
9 |
| to be |
9 |
| as the |
9 |
| through the |
9 |
| and a |
8 |
| as she |
8 |
| a few |
8 |
| was a |
8 |
| for the |
8 |
| the galaxy |
8 |
| it is |
8 |
| trying to |
8 |
| the security |
7 |
| the bar |
7 |
| they were |
7 |
| the other |
7 |
| had been |
7 |
| this is |
7 |
| have to |
7 |
| on her |
7 |
| said as |
7 |
| michelle smiled |
7 |
| the best |
7 |
| up to |
7 |
| want to |
7 |
| the door |
7 |
| you want |
7 |
| last night |
7 |
| the ship |
7 |
| is a |
7 |
| looked up |
7 |
| it was |
7 |
| me and |
6 |
| there was |
6 |
| next to |
6 |
| her eyes |
6 |
| the woman |
6 |
| his eyes |
6 |
| could be |
6 |
| he said |
6 |
| are you |
6 |
| her hands |
6 |
| going to |
6 |
| you are |
6 |
| eastern government |
6 |
| her hand |
6 |
| us to |
6 |
| in her |
6 |
| she had |
6 |
| said to |
6 |
| down the |
6 |
| out here |
6 |
| the table |
5 |
| against the |
5 |
| officer davis |
5 |
| “i don’t |
5 |
| the federation |
5 |
| seeing the |
5 |
| she looked |
5 |
| of his |
5 |
| a man |
5 |
| the hell |
5 |
| how to |
5 |
| a lot |
5 |
| the surface |
5 |
| with the |
5 |
| have a |
5 |
| do you |
5 |
| the wounded |
5 |
| for me |
5 |
| “are you |
5 |
| get a |
5 |
| surface of |
5 |
| like it |
5 |
| the corner |
5 |
| for you |
5 |
| i have |
5 |
| tried to |
5 |
| is the |
5 |
| i don’t |
5 |
| in front |
5 |
| front of |
5 |
| i can |
5 |
| all of |
5 |
| just a |
5 |
| a long |
5 |
| you a |
5 |
| across the |
5 |
| let me |
5 |
| like a |
5 |
| on his |
5 |
| away from |
5 |
| he looked |
5 |
| the man |
5 |
| don’t know |
5 |
| “i know |
5 |
| who was |
4 |
| and i |
4 |
| the last |
4 |
| he turned |
4 |
| the eastern |
4 |
| the pataki |
4 |
| the pataki’s |
4 |
| walked up |
4 |
| up and |
4 |
| star claw |
4 |
| she was |
4 |
| he was |
4 |
| from his |
4 |
| need to |
4 |
| we’re just |
4 |
| out a |
4 |
| i didn’t |
4 |
| for us |
4 |
| here to |
4 |
| if i |
4 |
| did you |
4 |
| badly damaged |
4 |
| back into |
4 |
| with her |
4 |
| up on |
4 |
| to go |
4 |
| as they |
4 |
| into her |
4 |
| her and |
4 |
| that the |
4 |
| the star |
4 |
| brown haired |
4 |
| as her |
4 |
| i mean |
4 |
| i think |
4 |
| talk to |
4 |
| that was |
4 |
| when the |
4 |
| her fingers |
4 |
| more than |
4 |
| into his |
4 |
| michelle walked |
4 |
| the planet |
4 |
| happened to |
4 |
| our own |
4 |
| at least |
4 |
| behind her |
4 |
| walked back |
4 |
| those who |
4 |
| this thing |
4 |
| crew and |
4 |
| face of |
4 |
| some sort |
4 |
| she could |
4 |
| the federal |
4 |
| all the |
4 |
| my crew |
4 |
| sort of |
4 |
| don’t have |
4 |
| when she |
4 |
| looks like |
4 |
| by the |
4 |
| michelle asked |
4 |
| of an |
4 |
| captain davis |
4 |
| the skip |
4 |
| to him |
4 |
| began to |
4 |
| to make |
4 |
| in an |
4 |
| the men |
4 |
| i guess |
4 |
| over his |
4 |
| the restaurant |
4 |
| where she |
4 |
| take a |
4 |
| of that |
4 |
| her forehead |
4 |
| and the |
4 |
| kissed her |
4 |
| the most |
3 |
| the floor |
3 |
| “thatcher station |
3 |
| the second |
3 |
| a moment |
3 |
| the water |
3 |
| after all |
3 |
| i know |
3 |
| noticing the |
3 |
| type of |
3 |
| the mining |
3 |
| in space |
3 |
| this station |
3 |
| the kitchen |
3 |
| one said |
3 |
| it’s a |
3 |
| up in |
3 |
| fills the |
3 |
| a way |
3 |
| the bridge |
3 |
| is that |
3 |
| i was |
3 |
| their own |
3 |
| he saw |
3 |
| it out |
3 |
| she tried |
3 |
| turning the |
3 |
| the distance |
3 |
| michelle paused |
3 |
| was no |
3 |
| chrycian prime |
3 |
| baron smiled |
3 |
| a good |
3 |
| mining facility |
3 |
| came to |
3 |
| see you |
3 |
| i’m going |
3 |
| two hundred |
3 |
| her to |
3 |
| “no problem |
3 |
| the bed |
3 |
| read the |
3 |
| back at |
3 |
| space station |
3 |
| main access |
3 |
| she walked |
3 |
| of him |
3 |
| most of |
3 |
| a smile |
3 |
| i got |
3 |
| station and |
3 |
| stopped at |
3 |
| the young |
3 |
| back on |
3 |
| to you |
3 |
| that she |
3 |
| on this |
3 |
| make me |
3 |
| the situation |
3 |
| know how |
3 |
| baron’s eyes |
3 |
| the face |
3 |
| ended up |
3 |
| had a |
3 |
| the large |
3 |
| the night |
3 |
| when you |
3 |
| i’m not |
3 |
| piece of |
3 |
| security safe |
3 |
| have been |
3 |
| the brown |
3 |
| with his |
3 |
| turned around |
3 |
| to take |
3 |
| long as |
3 |
| hundred meters |
3 |
| you’re not |
3 |
| the cold |
3 |
| supposed to |
3 |
| you get |
3 |
| the picture |
3 |
| to himself |
3 |
| the system |
3 |
| the captain |
3 |
| she is |
3 |
| looked over |
3 |
| far from |
3 |
| wanted to |
3 |
| you to |
3 |
| me to |
3 |
| or something” |
3 |
| and refueling |
3 |
| we are |
3 |
| try to |
3 |
| if you |
3 |
| up at |
3 |
| to investigate |
3 |
| is your |
3 |
| down on |
3 |
| his head |
3 |
| to leave |
3 |
| make sure |
3 |
| looked at |
3 |
| pulled out |
3 |
| under the |
3 |
| michelle looked |
3 |
| a white |
3 |
| mechanized infantry |
3 |
| “i think |
3 |
| you and |
3 |
| bill said |
3 |
| at his |
3 |
| from earth” |
3 |
| “there is |
3 |
| onto the |
3 |
| to look |
3 |
| cold metal |
3 |
| blonde haired |
3 |
| side of |
3 |
| around the |
3 |
| back in |
3 |
| there is |
3 |
| the window |
3 |
| get the |
3 |
| turned to |
3 |
| just don’t |
3 |
| the computer |
3 |
| get back |
3 |
| to michelle |
3 |
| her long |
3 |
| from her |
3 |
| the back |
3 |
| that we |
3 |
| a red |
3 |
| to my |
3 |
| to me |
3 |
| pointed to |
3 |
| told him |
3 |
| the third |
3 |
| off the |
3 |
| be a |
3 |
| her head |
3 |
| kissing her |
3 |
| her in |
3 |
| the ground |
3 |
| she turned |
3 |
| that’s what |
3 |
| of them |
3 |
| lot of |
3 |
| not to |
3 |
| happen to |
3 |
| the gr’rak’kon |
3 |
| go back |
3 |
| deep space |
3 |
| the far |
3 |
| haired one |
3 |
| for some |
3 |
| in his |
3 |
| young woman |
3 |
| one of |
3 |
| you were |
3 |
| last night” |
3 |
| the vc |
3 |
| got a |
3 |
| asked his |
3 |
| walked to |
3 |
| looked around |
3 |
| the entire |
3 |
| a gray |
3 |
| i want |
3 |
| “this is |
3 |
| man with |
3 |
| the air |
3 |
| to alexx |
3 |
| but she |
3 |
| out the |
3 |
| living quarters |
3 |
| walked into |
3 |
| she would |
3 |
| name is |
3 |
| should just |
2 |
| zero seven |
2 |
| of chrycian |
2 |
| the side |
2 |
| had grown |
2 |
| their doors |
2 |
| as if |
2 |
| to escape |
2 |
| to put |
2 |
| walls and |
2 |
| none of |
2 |
| the field |
2 |
| up with |
2 |
| it on |
2 |
| are dead |
2 |
| i wouldn’t |
2 |
| is no |
2 |
| haired man |
2 |
| our distress |
2 |
| rubbed his |
2 |
| eric gonzales |
2 |
| an old |
2 |
| man she |
2 |
| michelle headed |
2 |
| this ship |
2 |
| in hand |
2 |
| a chrycian |
2 |
| you have |
2 |
| what is |
2 |
| youthful teenager |
2 |
| enough for |
2 |
| they walked |
2 |
| cover off |
2 |
| shook his |
2 |
| you remember |
2 |
| get into |
2 |
| give you |
2 |
| i remember |
2 |
| are a |
2 |
| of you |
2 |
| to see |
2 |
| to smile |
2 |
| requesting dock |
2 |
| bill walked |
2 |
| woman in |
2 |
| to it |
2 |
| closed her |
2 |
| the code |
2 |
| back around |
2 |
| center cylinder |
2 |
| passed by |
2 |
| few more |
2 |
| for two |
2 |
| right now |
2 |
| over their |
2 |
| is it |
2 |
| all over |
2 |
| have it |
2 |
| he smiled |
2 |
| us all |
2 |
| was quiet |
2 |
| handsome face |
2 |
| dark blood |
2 |
| on that |
2 |
| we’re here |
2 |
| be some |
2 |
| rest of |
2 |
| hundred kilometers |
2 |
| for an |
2 |
| her apartment |
2 |
| hundreds of |
2 |
| efforts are |
2 |
| past the |
2 |
| brown eyes |
2 |
| the cover |
2 |
| baron said |
2 |
| of me |
2 |
| “thank you” |
2 |
| “i can |
2 |
| he sat |
2 |
| “it’s a |
2 |
| is not |
2 |
| the edge |
2 |
| her shoulder |
2 |
| michelle stopped |
2 |
| i’m the |
2 |
| did not |
2 |
| michelle sat |
2 |
| coming into |
2 |
| ticon deroga |
2 |
| thank you |
2 |
| that fills |
2 |
| is for |
2 |
| down there |
2 |
| the barrel |
2 |
| much for |
2 |
| the life |
2 |
| like that |
2 |
| i just |
2 |
| damaged and |
2 |
| corporal keller |
2 |
| know that |
2 |
| to impress |
2 |
| the pataki” |
2 |
| the first |
2 |
| a black |
2 |
| the naval |
2 |
| stolen from |
2 |
| him to |
2 |
| a pistol |
2 |
| her arm |
2 |
| worried about |
2 |
| light in |
2 |
| and my |
2 |
| sure you |
2 |
| then their |
2 |
| would happen |
2 |
| she smiled |
2 |
| turned away |
2 |
| wants to |
2 |
| the walls |
2 |
| looked out |
2 |
| the collective |
2 |
| white coat |
2 |
| transit id |
2 |
| a badly |
2 |
| and me |
2 |
| at her |
2 |
| station to |
2 |
| before it |
2 |
| a marine |
2 |
| way to |
2 |
| would be |
2 |
| as old |
2 |
| baron asked |
2 |
| the fringe |
2 |
| i thought |
2 |
| the black |
2 |
| juwaga burrito” |
2 |
| are all |
2 |
| a simple |
2 |
| out there |
2 |
| his side |
2 |
| her father |
2 |
| you can |
2 |
| as well |
2 |
| his vision |
2 |
| the two |
2 |
| no longer |
2 |
| about it |
2 |
| man in |
2 |
| a corporate |
2 |
| planet side |
2 |
| put her |
2 |
| heading down |
2 |
| for her |
2 |
| after the |
2 |
| you okay |
2 |
| i disappeared |
2 |
| # “you’re |
2 |
| of thatcher |
2 |
| little mixed |
2 |
| both of |
2 |
| the next |
2 |
| me a |
2 |
| so i |
2 |
| “oh yeah |
2 |
| amongst humans |
2 |
| up behind |
2 |
| looked down |
2 |
| her shirt |
2 |
| we’re stuck |
2 |
| before he |
2 |
| listen to |
2 |
| his team |
2 |
| davis looked |
2 |
| walked away |
2 |
| name again |
2 |
| ended the |
2 |
| get to |
2 |
| “it was |
2 |
| edge of |
2 |
| punched in |
2 |
| body of |
2 |
| get your |
2 |
| her by |
2 |
| “so you’re |
2 |
| for your |
2 |
| for watching |
2 |
| is he |
2 |
| through a |
2 |
| is thatcher |
2 |
| “good to |
2 |
| michelle sighed |
2 |
| her back |
2 |
| far away |
2 |
| michelle kept |
2 |
| collective body |
2 |
| they’re worried |
2 |
| fell to |
2 |
| glass of |
2 |
| i’m out |
2 |
| with an |
2 |
| and two |
2 |
| eyes are |
2 |
| love you |
2 |
| wish to |
2 |
| weapons case |
2 |
| mixed up |
2 |
| a woman’s |
2 |
| we have |
2 |
| for this |
2 |
| ship bay |
2 |
| fill out |
2 |
| omega corp |
2 |
| from here |
2 |
| that it |
2 |
| before the |
2 |
| the small |
2 |
| saw a |
2 |
| a juwaga |
2 |
| you’re the |
2 |
| their captain |
2 |
| put that |
2 |
| i say |
2 |
| be so |
2 |
| of your |
2 |
| her family |
2 |
| raised his |
2 |
| access code |
2 |
| ric smiled |
2 |
| and we |
2 |
| the rest |
2 |
| through their |
2 |
| there were |
2 |
| was at |
2 |
| held her |
2 |
| will come |
2 |
| facility in |
2 |
| they could |
2 |
| “you’re the |
2 |
| was the |
2 |
| dead and |
2 |
| thing is |
2 |
| six hundred |
2 |
| headed down |
2 |
| a single |
2 |
| pair of |
2 |
| and holding |
2 |
| black sail |
2 |
| their table |
2 |
| we’re not |
2 |
| a young |
2 |
| she pointed |
2 |
| you know |
2 |
| the processing |
2 |
| the same |
2 |
| eyes looked |
2 |
| you again |
2 |
| my brother |
2 |
| the end |
2 |
| and get |
2 |
| not aware |
2 |
| the living |
2 |
| gr’rak’kon miner |
2 |
| the doctor |
2 |
| the bitch |
2 |
| was an |
2 |
| before i |
2 |
| somewhere in |
2 |
| of light |
2 |
| hands through |
2 |
| look at |
2 |
| alpha omega |
2 |
| “i’m sorry |
2 |
| things got |
2 |
| the distant |
2 |
| don’t crash |
2 |
| curly black |
2 |
| a child |
2 |
| opening the |
2 |
| i’ll take |
2 |
| doc said |
2 |
| woman’s voice |
2 |
| pulled the |
2 |
| i really |
2 |
| the transmitter |
2 |
| it in |
2 |
| ponzo said |
2 |
| eyes of |
2 |
| ‘fire monsters’ |
2 |
| wounded marines |
2 |
| we don’t |
2 |
| a debriefing |
2 |
| metal wall |
2 |
| to know |
2 |
| “in the |
2 |
| what the |
2 |
| of some |
2 |
| the body |
2 |
| world for |
2 |
| his glass |
2 |
| old man |
2 |
| the mechanized |
2 |
| filling the |
2 |
| to explain |
2 |
| a federal |
2 |
| end up |
2 |
| in corporate |
2 |
| no one |
2 |
| it all |
2 |
| has the |
2 |
| “what the |
2 |
| your last |
2 |
| told me |
2 |
| into a |
2 |
| “what is |
2 |
| lining the |
2 |
| hell out |
2 |
| to believe |
2 |
| “give me |
2 |
| black hair |
2 |
| hot coco |
2 |
| wall of |
2 |
| have no |
2 |
| the operator |
2 |
| line of |
2 |
| security officers |
2 |
| up our |
2 |
| you’ll be |
2 |
| it used |
2 |
| on my |
2 |
| that to |
2 |
| is an |
2 |
| “all right |
2 |
| paid the |
2 |
| “i suppose |
2 |
| return to |
2 |
| to that |
2 |
| heading back |
2 |
| myrmidon is |
2 |
| young one” |
2 |
| runs her |
2 |
| in their |
2 |
| we can |
2 |
| looked to |
2 |
| and walked |
2 |
| to remember |
2 |
| he’s been |
2 |
| chrycian special” |
2 |
| “usns pataki |
2 |
| putting her |
2 |
| mira asked |
2 |
| is out |
2 |
| on earth |
2 |
| maybe they |
2 |
| “what do |
2 |
| can’t believe |
2 |
| her face |
2 |
| comes around |
2 |
| “i swear |
2 |
| distress beacon |
2 |
| voice of |
2 |
| be too |
2 |
| the mirror |
2 |
| her stomach |
2 |
| flight deck |
2 |
| davis and |
2 |
| could have |
2 |
| were closed |
2 |
| she remembered |
2 |
| sat down |
2 |
| the previous |
2 |
| the troubles |
2 |
| baron replied |
2 |
| best of |
2 |
| way for |
2 |
| they looked |
2 |
| federation is |
2 |
| “thank you |
2 |
| two security |
2 |
| the miners |
2 |
| the only |
2 |
| his pocket |
2 |
| “i have |
2 |
| everything is |
2 |
| full of |
2 |
| away and |
2 |
| thought to |
2 |
| we ended |
2 |
| been a |
2 |
| the white |
2 |
| picture of |
2 |
| by eric |
2 |
| just as |
2 |
| “where are |
2 |
| want us |
2 |
| his mug |
2 |
| tap into |
2 |
| able to |
2 |
| she found |
2 |
| just freighters” |
2 |
| marines and |
2 |
| can i |
2 |
| to do |
2 |
| down his |
2 |
| been there |
2 |
| to forget |
2 |
| vc off |
2 |
| and read |
2 |
| eyes as |
2 |
| would like |
2 |
| “it will |
2 |
| dialed in |
2 |
| around to |
2 |
| the light |
2 |
| know when |
2 |
| it and |
2 |
| i love |
2 |
| that he |
2 |
| revealing the |
2 |
| brandon said |
2 |
| i’ll see |
2 |
| fire monsters” |
2 |
| could only |
2 |
| the center |
2 |
| to dock |
2 |
| with you” |
2 |
| can make |
2 |
| michelle and |
2 |
| everyone else |
2 |
| all night |
2 |
| she runs |
2 |
| haired girl |
2 |
| how they |
2 |
| and alexx |
2 |
| closed the |
2 |
| you look |
2 |
| that a |
2 |
| she looks |
2 |
| one last |
2 |
| over her |
2 |
| far wall |
2 |
| a picture |
2 |
| and try |
2 |
| the ship’s |
2 |
| pressure suits |
2 |
| was still |
2 |
| create their |
2 |
| the long |
2 |
| narrowed his |
2 |
| to his |
2 |
| and you’ll |
2 |
| old as |
2 |
| like to |
2 |
| “that is |
2 |
| federal ship |
2 |
| tears ran |
2 |
| the wall |
2 |
| pataki’s bay |
2 |
| we’re going |
2 |
| unknown species |
2 |
| her mind |
2 |
| clara said |
2 |
| ever had |
2 |
| him in |
2 |
| i could |
2 |
| see it |
2 |
| ran into |
2 |
| in this |
2 |
| a table |
2 |
| long curly |
2 |
| i’ll get |
2 |
| out to |
2 |
| security gate |
2 |
| it looks |
2 |
| entered the |
2 |
| will be |
2 |
| and her |
2 |
| “did you |
2 |
| find a |
2 |
| she deserves |
2 |
| asked the |
2 |
| get on |
2 |
| pick up |
2 |
| to where |
2 |
| grown up |
2 |
| is my |
2 |
| you want” |
2 |
| you end |
2 |
| michelle closed |
2 |
| waiting for |
2 |
| star fields |
2 |
| the station” |
2 |
| the primary |
2 |
| what would |
2 |
| so much |
2 |
| michelle kissed |
2 |
| he found |
2 |
| the counter |
2 |
| back of |
2 |
| searching for |
2 |
| a miner |
2 |
| by a |
2 |
| said from |
2 |
| on a |
2 |
| her arms |
2 |
| a freighter |
2 |
| as a |
2 |
| long enough |
2 |
| it had |
2 |
| few people |
2 |
| down to |
2 |
| pointed the |
2 |
| it has |
2 |
| to eat |
2 |
| sent to |
2 |
| and no |
2 |
| put it |
2 |
| through her |
2 |
| passed her |
2 |
| swear i |
2 |
| skinny human |
2 |
| wouldn’t want |
2 |
| the old |
2 |
| the hotel |
2 |
| down a |
2 |
| mine shafts |
2 |
| as long |
2 |
| walked out |
2 |
| # chapter |
2 |
| he says |
2 |
| now and |
2 |
| sighed and |
2 |
| bar last |
2 |
| an eastern |
2 |
| the company |
2 |
| had always |
2 |
| to talk |
2 |
| you requesting |
2 |
| to build |
2 |
| her screen |
2 |
| like this |
2 |
| her down |
2 |
| bad you’re |
2 |
| is as |
2 |
| was stolen |
2 |
| to their |
2 |
| just make |
2 |
| to fill |
2 |
| what you |
2 |
|