| Number of paragraphs: |
10 |
| Average number of sentences per paragraph:: |
38.8 |
| Longest Sentence: |
'[ralph is within reaching distance of julie, and leans over and starts to shake her, gently enough so it doesn’t hurt her, but hard enough that it moves her, and she lifts her head up.' (35 words) |
| Shortest Sentence: |
'jesse, (distressed):' (2 words) |
Readability according to Gunning-Fog Index (the higher, the harder to read): |
3.77 |
Readability according to Automated Readability Index (the higher, the harder to read): |
-3.64 |
Readability according to Coleman-Liau Index (the higher, the harder to read): |
2.22 |
Average readability (the higher, the harder to read): |
0.78 |
| Ten most frequent two-word phrases: |
| sam (looking |
4 |
| everyone looks |
4 |
| jesse (looking |
4 |
| land among |
4 |
| looks around |
4 |
| check-out counter |
3 |
| lights dim] |
3 |
| you’ll land |
3 |
| back half |
3 |
| ralph (looking |
3 |
|
| Ten most frequent three-word phrases: |
| you’ll land among |
3 |
| everyone looks around |
3 |
| dan (smile fading) |
1 |
| believe i’m stuck |
1 |
| turns sharply around] |
1 |
| sam (yelling loudly) |
1 |
| can’t always keep |
1 |
| [sam quietly opens |
1 |
| looks like there’s |
1 |
| matter whose life |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| the door |
15 |
| in the |
15 |
| do you |
10 |
| of the |
8 |
| i know |
8 |
| on the |
8 |
| to the |
8 |
| (looking at |
7 |
| you can |
7 |
| have to |
6 |
|
| Ten most frequent three-word phrases, including stop words: |
| for the moon |
5 |
| do you think |
4 |
| just have to |
4 |
| standing by the |
3 |
| is sitting in |
3 |
| but what if |
3 |
| you’ll land among |
3 |
| everyone looks around |
3 |
| near the door |
3 |
| among the stars” |
3 |
|
| Most frequent two-word phrases: |
| sam (looking |
4 |
| everyone looks |
4 |
| looks around |
4 |
| jesse (looking |
4 |
| land among |
4 |
| you’ll land |
3 |
| back half |
3 |
| ralph (looking |
3 |
| check-out counter |
3 |
| lights dim] |
3 |
| around uncomfortably |
2 |
| last scene |
2 |
| former position |
2 |
| don’t worry |
2 |
| i’m sorry |
2 |
| well obviously |
2 |
| pace around |
2 |
| really think |
2 |
| feel like |
2 |
| bright side |
2 |
| positive attitude |
2 |
| always say |
2 |
| front half |
2 |
| don’t know |
2 |
| let’s go |
2 |
| jesse (rolling |
2 |
| can hear |
2 |
| can tell |
2 |
|
| Most frequent three-word phrases: |
| you’ll land among |
3 |
| everyone looks around |
3 |
|
| Most frequent five-word phrases: |
| you’ll land among the stars” |
3 |
| who is standing by the |
3 |
| up and walks over to |
2 |
| look on the bright side |
2 |
| the back half of the |
2 |
| back half of the store |
2 |
| shelves in the front half |
2 |
| and walks over to where |
2 |
| we’ll be out of here |
2 |
| in the back half of |
2 |
| gets up and walks over |
2 |
| one of the shelves and |
2 |
| julie is sitting in the |
2 |
| the worst that could happen |
2 |
| think we should go out |
2 |
| you think we should go |
2 |
| what’s the worst that could |
2 |
| jesse (looking at sam in |
2 |
| do you think we should |
2 |
|
| Most frequent two-word phrases, including stop words: |
| the door |
15 |
| in the |
15 |
| do you |
10 |
| of the |
8 |
| i know |
8 |
| to the |
8 |
| on the |
8 |
| (looking at |
7 |
| you can |
7 |
| at the |
6 |
| who is |
6 |
| over to |
6 |
| have to |
6 |
| the store |
6 |
| to look |
5 |
| think we |
5 |
| and you |
5 |
| to be |
5 |
| the moon |
5 |
| up and |
5 |
| you think |
5 |
| for the |
5 |
| and sam |
5 |
| in here |
5 |
| by the |
4 |
| if you |
4 |
| do it |
4 |
| i don’t |
4 |
| sam and |
4 |
| at dan |
4 |
| starts to |
4 |
| and ralph |
4 |
| and jesse |
4 |
| the ground |
4 |
| at least |
4 |
| against the |
4 |
| just have |
4 |
| and dan |
4 |
| but i |
4 |
| jesse (looking |
4 |
| there are |
4 |
| sitting in |
4 |
| sam (looking |
4 |
| near the |
4 |
| looks around |
4 |
| is standing |
4 |
| among the |
4 |
| got a |
4 |
| the back |
4 |
| land among |
4 |
| i think |
4 |
| everyone looks |
4 |
| go out |
4 |
| out of |
4 |
| out the |
4 |
| the check-out |
4 |
| (starting to |
4 |
| we should |
3 |
| even if |
3 |
| push it |
3 |
| and the |
3 |
| i can’t |
3 |
| of it |
3 |
| from the |
3 |
| “shoot for |
3 |
| up against |
3 |
| ralph (looking |
3 |
| the shelves |
3 |
| a few |
3 |
| shelf and |
3 |
| ralph and |
3 |
| no one |
3 |
| but what |
3 |
| my god |
3 |
| check-out counter |
3 |
| and at |
3 |
| excuse me |
3 |
| the wall |
3 |
| to you |
3 |
| what if |
3 |
| ralph are |
3 |
| and i |
3 |
| julie is |
3 |
| each other |
3 |
| jesse and |
3 |
| oh my |
3 |
| why don’t |
3 |
| this point |
3 |
| back half |
3 |
| what do |
3 |
| lights dim] |
3 |
| come on |
3 |
| around at |
3 |
| the worst |
3 |
| to go |
3 |
| gets up |
3 |
| the stars” |
3 |
| you’ll land |
3 |
| don’t you |
3 |
| you miss |
3 |
| of here |
3 |
| of course |
3 |
| are you |
3 |
| we all |
3 |
| next to |
3 |
| get out |
3 |
| you mean |
3 |
| off of |
3 |
| to keep |
3 |
| the lights |
3 |
| out there |
3 |
| standing by |
3 |
| her head |
3 |
| is sitting |
3 |
| and we’ll |
2 |
| you got |
2 |
| i feel |
2 |
| walk in |
2 |
| last scene |
2 |
| at jesse |
2 |
| off me |
2 |
| should go |
2 |
| it is |
2 |
| be fine |
2 |
| the last |
2 |
| look for |
2 |
| the ambulance |
2 |
| his head |
2 |
| go over |
2 |
| dan is |
2 |
| positive attitude |
2 |
| to do |
2 |
| into its |
2 |
| we wait |
2 |
| a man |
2 |
| the mall |
2 |
| she is |
2 |
| clothing and |
2 |
| we just |
2 |
| what’s the |
2 |
| you really |
2 |
| puts his |
2 |
| you and |
2 |
| i am |
2 |
| are standing |
2 |
| you hear |
2 |
| in this |
2 |
| stuck here |
2 |
| at dan) |
2 |
| her eyes) |
2 |
| look on |
2 |
| there’s no |
2 |
| its former |
2 |
| face to |
2 |
| to where |
2 |
| well obviously |
2 |
| continues to |
2 |
| and puts |
2 |
| former position |
2 |
| want to |
2 |
| a positive |
2 |
| look at |
2 |
| and it |
2 |
| [there is |
2 |
| we can |
2 |
| the bright |
2 |
| turns to |
2 |
| are going |
2 |
| walks over |
2 |
| the front |
2 |
| as they |
2 |
| around the |
2 |
| they’re not |
2 |
| can tell |
2 |
| i try |
2 |
| like i |
2 |
| out and |
2 |
| jesse is |
2 |
| that you’re |
2 |
| at this |
2 |
| be out |
2 |
| see them |
2 |
| few minutes |
2 |
| could happen |
2 |
| that is |
2 |
| if we |
2 |
| this guy |
2 |
| to help |
2 |
| the others |
2 |
| to block |
2 |
| see that |
2 |
| off the |
2 |
| you two |
2 |
| dan are |
2 |
| to face |
2 |
| i’m sorry |
2 |
| as everyone |
2 |
| really think |
2 |
| one of |
2 |
| i always |
2 |
| bright side |
2 |
| in a |
2 |
| you know |
2 |
| think i |
2 |
| sam in |
2 |
| why do |
2 |
| half of |
2 |
| looks at |
2 |
| such as |
2 |
| is this |
2 |
| front half |
2 |
| a chair |
2 |
| know that |
2 |
| worst that |
2 |
| to get |
2 |
| going to |
2 |
| need to |
2 |
| [dan and |
2 |
| feel like |
2 |
| to sam |
2 |
| door and |
2 |
| jesse (rolling |
2 |
| the place |
2 |
| and julie |
2 |
| around uncomfortably |
2 |
| the chair |
2 |
| we’ll be |
2 |
| back in |
2 |
| shelves and |
2 |
| to wait |
2 |
| talking to |
2 |
| the middle |
2 |
| know i |
2 |
| wall and |
2 |
| racks in |
2 |
| his chest |
2 |
| shelves in |
2 |
| don’t worry |
2 |
| the audience |
2 |
| block the |
2 |
| and walks |
2 |
| is the |
2 |
| that could |
2 |
| can do |
2 |
| at each |
2 |
| pace around |
2 |
| sits down |
2 |
| i didn’t |
2 |
| the wall] |
2 |
| can hear |
2 |
| those guys |
2 |
| here with |
2 |
| always say |
2 |
| out for |
2 |
| for a |
2 |
| it doesn’t |
2 |
| in there |
2 |
| i was |
2 |
| get off |
2 |
| i just |
2 |
| for about |
2 |
| to talk |
2 |
| back to |
2 |
| do anything |
2 |
| don’t know |
2 |
| all have |
2 |
| let’s go |
2 |
| we are |
2 |
| a try |
2 |
| at sam |
2 |
| there is |
2 |
| (rolling her |
2 |
|
| Most frequent three-word phrases, including stop words: |
| for the moon |
5 |
| just have to |
4 |
| do you think |
4 |
| and ralph are |
3 |
| oh my god |
3 |
| even if you |
3 |
| “shoot for the |
3 |
| near the door |
3 |
| standing by the |
3 |
| if you miss |
3 |
| is standing by |
3 |
| you’ll land among |
3 |
| you think we |
3 |
| land among the |
3 |
| think we should |
3 |
| but what if |
3 |
| the lights dim] |
3 |
| up against the |
3 |
| among the stars” |
3 |
| everyone looks around |
3 |
| is sitting in |
3 |
| out of here |
3 |
| out the door |
3 |
| who is standing |
3 |
| why don’t you |
3 |
| and you can |
3 |
| on the bright |
2 |
| at sam in |
2 |
| look on the |
2 |
| half of the |
2 |
| what do you |
2 |
| worst that could |
2 |
| julie is sitting |
2 |
| and dan are |
2 |
| over to where |
2 |
| we all have |
2 |
| of the store |
2 |
| at this point |
2 |
| the bright side |
2 |
| why do you |
2 |
| and walks over |
2 |
| to block the |
2 |
| do you mean |
2 |
| get off me |
2 |
| the last scene |
2 |
| like i always |
2 |
| a positive attitude |
2 |
| sam and dan |
2 |
| in the front |
2 |
| the wall and |
2 |
| up and walks |
2 |
| face to face |
2 |
| around at each |
2 |
| shelves in the |
2 |
| the worst that |
2 |
| you can do |
2 |
| over to the |
2 |
| the front half |
2 |
| you got a |
2 |
| in the middle |
2 |
| as everyone looks |
2 |
| jesse (rolling her |
2 |
| for a few |
2 |
| in the mall |
2 |
| (looking at sam |
2 |
| against the wall |
2 |
| i don’t know |
2 |
| to look for |
2 |
| one of the |
2 |
| gets up and |
2 |
| we should go |
2 |
| you can hear |
2 |
| walks over to |
2 |
| looks around at |
2 |
| is this guy |
2 |
| be out of |
2 |
| jesse (looking at |
2 |
| go out and |
2 |
| by the check-out |
2 |
| i think we |
2 |
| we’ll be out |
2 |
| you really think |
2 |
| sitting in the |
2 |
| into its former |
2 |
| i know i |
2 |
| that could happen |
2 |
| off of it |
2 |
| the back half |
2 |
| jesse and ralph |
2 |
| should go out |
2 |
| around the store |
2 |
| we just have |
2 |
| (rolling her eyes) |
2 |
| block the door |
2 |
| i feel like |
2 |
| in the back |
2 |
| on the ground |
2 |
| the shelves and |
2 |
| of the shelves |
2 |
| a few minutes |
2 |
| the check-out counter |
2 |
| have to wait |
2 |
| up and puts |
2 |
| [dan and sam |
2 |
| what’s the worst |
2 |
| the door and |
2 |
| i always say |
2 |
| its former position |
2 |
| ralph (looking at |
2 |
| back half of |
2 |
| sam (looking at |
2 |
|
| Most frequent four-word phrases, including stop words: |
| even if you miss |
3 |
| you’ll land among the |
3 |
| who is standing by |
3 |
| do you think we |
3 |
| land among the stars” |
3 |
| “shoot for the moon |
3 |
| is standing by the |
3 |
| back half of the |
2 |
| just have to wait |
2 |
| is sitting in the |
2 |
| of the shelves and |
2 |
| julie is sitting in |
2 |
| walks over to where |
2 |
| why do you think |
2 |
| in the front half |
2 |
| the worst that could |
2 |
| worst that could happen |
2 |
| what do you mean |
2 |
| in the back half |
2 |
| look on the bright |
2 |
| looks around at each |
2 |
| gets up and walks |
2 |
| to block the door |
2 |
| half of the store |
2 |
| and walks over to |
2 |
| up and walks over |
2 |
| up against the wall |
2 |
| we should go out |
2 |
| jesse (rolling her eyes) |
2 |
| one of the shelves |
2 |
| we’ll be out of |
2 |
| (looking at sam in |
2 |
| like i always say |
2 |
| we just have to |
2 |
| you think we should |
2 |
| think we should go |
2 |
| into its former position |
2 |
| jesse (looking at sam |
2 |
| as everyone looks around |
2 |
| be out of here |
2 |
| on the bright side |
2 |
| the back half of |
2 |
| what’s the worst that |
2 |
| shelves in the front |
2 |
|