| Number of paragraphs: |
3 |
| Average number of sentences per paragraph:: |
102.33 |
| Longest Sentence: |
'he stuck out his hand, and i grabbed it, knowing that he wouldn’t break it, but wondering exactly what would happen to us if we actually traveled together all the way overland to brazil, if bean would end up breaking any bones, if i would end up doing s' (51 words) |
| Shortest Sentence: |
'“what script?”' (2 words) |
Readability according to Gunning-Fog Index (the higher, the harder to read): |
6.68 |
Readability according to Automated Readability Index (the higher, the harder to read): |
-0.76 |
Readability according to Coleman-Liau Index (the higher, the harder to read): |
3.4 |
Average readability (the higher, the harder to read): |
3.11 |
| Ten most frequent two-word phrases: |
| don’t want |
4 |
| it’s locked” |
3 |
| new year’s |
3 |
| new york |
3 |
| came back |
3 |
| bean jumped |
3 |
| first drink |
2 |
| bean looked |
2 |
| central america |
2 |
| whole point |
2 |
|
| Ten most frequent three-word phrases: |
| don’t shit talk |
1 |
| “we’ll take girls |
1 |
| agape mouths let |
1 |
| last six months |
1 |
| hardly anyone traveling |
1 |
| it’s right next |
1 |
| though bean’s idea |
1 |
| sure they’re 58s |
1 |
| fraternity brothers gone |
1 |
| even wax philosophical |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| of a |
14 |
| to brazil |
12 |
| of the |
11 |
| and i |
11 |
| in the |
11 |
| going to |
8 |
| to get |
7 |
| i would |
7 |
| a bender |
7 |
| out of |
7 |
|
| Ten most frequent three-word phrases, including stop words: |
| don’t want to |
4 |
| all the way |
4 |
| of a bender |
4 |
| as soon as |
4 |
| bean and i |
4 |
| from the bar |
3 |
| i could feel |
3 |
| a few moments |
3 |
| on a bender |
2 |
| we get to |
2 |
|
| Most frequent two-word phrases: |
| don’t want |
4 |
| it’s locked” |
3 |
| new year’s |
3 |
| new york |
3 |
| came back |
3 |
| bean jumped |
3 |
| dive bar |
2 |
| first drink |
2 |
| wasn’t sure |
2 |
| yankee seducers |
2 |
| bean looked |
2 |
| hottest girls |
2 |
| “you know |
2 |
| central america |
2 |
| whole point |
2 |
| say anything |
2 |
| just don’t |
2 |
| bean said |
2 |
| wall behind |
2 |
| gone wild” |
2 |
| better looking |
2 |
|
| Most frequent five-word phrases: |
| don’t want to talk to |
2 |
| to turn his script into |
2 |
| turn his script into a |
2 |
| his script into a movie |
2 |
|
| Most frequent two-word phrases, including stop words: |
| of a |
14 |
| to brazil |
12 |
| and i |
11 |
| of the |
11 |
| in the |
11 |
| going to |
8 |
| from the |
7 |
| i was |
7 |
| to get |
7 |
| a bender |
7 |
| out of |
7 |
| i would |
7 |
| a few |
6 |
| into a |
6 |
| on the |
6 |
| all the |
6 |
| back to |
6 |
| got to |
6 |
| by the |
5 |
| the morning |
5 |
| the way |
5 |
| to us |
5 |
| on a |
5 |
| i could |
5 |
| want to |
5 |
| in a |
5 |
| the first |
5 |
| to the |
5 |
| in my |
5 |
| if i |
4 |
| the bar |
4 |
| to my |
4 |
| at least |
4 |
| soon as |
4 |
| would be |
4 |
| on my |
4 |
| his hand |
4 |
| have a |
4 |
| my life |
4 |
| i thought |
4 |
| don’t want |
4 |
| bean and |
4 |
| to me |
4 |
| up to |
4 |
| as soon |
4 |
| have to |
4 |
| in rio |
3 |
| ready to |
3 |
| we got |
3 |
| with a |
3 |
| new year’s |
3 |
| at me |
3 |
| turned to |
3 |
| we were |
3 |
| the wall |
3 |
| get to |
3 |
| in mexico |
3 |
| bean jumped |
3 |
| to a |
3 |
| like a |
3 |
| way down |
3 |
| off the |
3 |
| it’s locked” |
3 |
| you guys |
3 |
| as bean |
3 |
| came back |
3 |
| a little |
3 |
| was the |
3 |
| that bean |
3 |
| would have |
3 |
| could feel |
3 |
| it was |
3 |
| her teeth |
3 |
| few moments |
3 |
| at the |
3 |
| new york |
3 |
| the border |
3 |
| the whole |
3 |
| of us |
3 |
| a long |
2 |
| bean looked |
2 |
| had been |
2 |
| and the |
2 |
| it would |
2 |
| you see |
2 |
| of his |
2 |
| a movie |
2 |
| in front |
2 |
| “i don’t |
2 |
| turn his |
2 |
| talk to |
2 |
| front of |
2 |
| i felt |
2 |
| wasn’t sure |
2 |
| to leave |
2 |
| “you know |
2 |
| is a |
2 |
| to pull |
2 |
| to go |
2 |
| as the |
2 |
| flurry of |
2 |
| better looking |
2 |
| we just |
2 |
| the hell |
2 |
| you and |
2 |
| less than |
2 |
| over the |
2 |
| central america |
2 |
| were the |
2 |
| spot on |
2 |
| idea of |
2 |
| their respective |
2 |
| i had |
2 |
| “don’t you |
2 |
| with the |
2 |
| his script |
2 |
| just don’t |
2 |
| his cheeks |
2 |
| the hangover |
2 |
| the hottest |
2 |
| that lay |
2 |
| will be |
2 |
| it is |
2 |
| finger on |
2 |
| into the |
2 |
| bean said |
2 |
| to drink |
2 |
| back with |
2 |
| after a |
2 |
| but i |
2 |
| the last |
2 |
| as we |
2 |
| and i’d |
2 |
| through mexico |
2 |
| bean was |
2 |
| my script |
2 |
| wall behind |
2 |
| start in |
2 |
| bean to |
2 |
| broke into |
2 |
| starting to |
2 |
| out and |
2 |
| and bean |
2 |
| gone were |
2 |
| the girl |
2 |
| time in |
2 |
| script into |
2 |
| his chair |
2 |
| gone wild” |
2 |
| for some |
2 |
| whole point |
2 |
| he came |
2 |
| if we |
2 |
| a group |
2 |
| walked up |
2 |
| me to |
2 |
| get there |
2 |
| of my |
2 |
| and then |
2 |
| have been |
2 |
| his voice |
2 |
| get out |
2 |
| the tallest |
2 |
| for a |
2 |
| first drink |
2 |
| the three |
2 |
| i started |
2 |
| with his |
2 |
| one of |
2 |
| version of |
2 |
| the tab |
2 |
| you know |
2 |
| bus to |
2 |
| dive bar |
2 |
| had taken |
2 |
| at a |
2 |
| and your |
2 |
| of myself |
2 |
| what would |
2 |
| of here |
2 |
| to talk |
2 |
| are you |
2 |
| the gulf |
2 |
| on to |
2 |
| i wasn’t |
2 |
| be the |
2 |
| next to |
2 |
| though it |
2 |
| to have |
2 |
| yankee seducers |
2 |
| be my |
2 |
| the girls |
2 |
| “this is |
2 |
| with bean |
2 |
| and waited |
2 |
| mexico and |
2 |
| girls in |
2 |
| hottest girls |
2 |
| through the |
2 |
| bean would |
2 |
| the same |
2 |
| no problem |
2 |
| his finger |
2 |
| seemed as |
2 |
| tried to |
2 |
| and i’ve |
2 |
| had already |
2 |
| we get |
2 |
| these girls |
2 |
| my hand |
2 |
| from a |
2 |
| don’t have |
2 |
| group of |
2 |
| meet in |
2 |
| end up |
2 |
| that was |
2 |
| i didn’t |
2 |
| was on |
2 |
| bunch of |
2 |
| of mexico |
2 |
| is going |
2 |
| of here” |
2 |
| to turn |
2 |
| a good |
2 |
| bean had |
2 |
| say anything |
2 |
| a dive |
2 |
| as though |
2 |
| would end |
2 |
| you don’t |
2 |
| were on |
2 |
| a flurry |
2 |
| a bunch |
2 |
| should be |
2 |
| your buddy |
2 |
| had a |
2 |
| the map |
2 |
| “i know |
2 |
|
| Most frequent three-word phrases, including stop words: |
| as soon as |
4 |
| bean and i |
4 |
| of a bender |
4 |
| don’t want to |
4 |
| all the way |
4 |
| from the bar |
3 |
| i could feel |
3 |
| a few moments |
3 |
| on a bender |
2 |
| the wall behind |
2 |
| “i don’t want |
2 |
| the whole point |
2 |
| turned to us |
2 |
| you don’t have |
2 |
| a bunch of |
2 |
| his finger on |
2 |
| script into a |
2 |
| get out of |
2 |
| want to talk |
2 |
| came back with |
2 |
| of the three |
2 |
| hottest girls in |
2 |
| in front of |
2 |
| in my life |
2 |
| a dive bar |
2 |
| one of the |
2 |
| the hottest girls |
2 |
| for a few |
2 |
| turn his script |
2 |
| out of here” |
2 |
| bus to brazil |
2 |
| get to brazil |
2 |
| i wasn’t sure |
2 |
| out of here |
2 |
| to get out |
2 |
| in the morning |
2 |
| of a dive |
2 |
| into a movie |
2 |
| broke into a |
2 |
| we get to |
2 |
| his script into |
2 |
| would end up |
2 |
| to have to |
2 |
| on the wall |
2 |
| walked up to |
2 |
| a flurry of |
2 |
| and your buddy |
2 |
| to talk to |
2 |
| you and your |
2 |
| a group of |
2 |
| to turn his |
2 |
| we got to |
2 |
| the first drink |
2 |
|
| Most frequent four-word phrases, including stop words: |
| turn his script into |
2 |
| script into a movie |
2 |
| of a dive bar |
2 |
| his script into a |
2 |
| to get out of |
2 |
| “i don’t want to |
2 |
| you and your buddy |
2 |
| to turn his script |
2 |
| don’t want to talk |
2 |
| for a few moments |
2 |
| want to talk to |
2 |
| the hottest girls in |
2 |
|