| Number of paragraphs: |
3 |
| Average number of sentences per paragraph:: |
107.67 |
| Longest Sentence: |
'chapter six – after reliving the execution of his parents for unlawful use of magic in a nightmare, the master goes to a small room in his lair and stares at a portrait of a strange woman.' (37 words) |
| Shortest Sentence: |
'damn her.' (2 words) |
Readability according to Gunning-Fog Index (the higher, the harder to read): |
5.81 |
Readability according to Automated Readability Index (the higher, the harder to read): |
-2.2 |
Readability according to Coleman-Liau Index (the higher, the harder to read): |
1.75 |
Average readability (the higher, the harder to read): |
1.79 |
| Ten most frequent two-word phrases: |
| make sure |
3 |
| grimy man |
3 |
| dream world |
3 |
| elven healer |
3 |
| twenty part |
2 |
| kesar’s men |
2 |
| lauriana decides |
2 |
| lauriana waits |
2 |
| chapter twenty |
2 |
| arm started |
2 |
|
| Ten most frequent three-word phrases: |
| master’s dream world |
2 |
| chapter twenty part |
2 |
| third man’s chest |
1 |
| sickening crunch filled |
1 |
| elven village hates |
1 |
| (an elven village) |
1 |
| zeke healed me” |
1 |
| twenty five years |
1 |
| chapter ten –marcus |
1 |
| fight remains fair” |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| the master |
18 |
| in the |
11 |
| at the |
10 |
| of the |
9 |
| on the |
9 |
| her sword |
9 |
| the |
9 |
| – lauriana |
8 |
| in her |
8 |
| his sword |
8 |
|
| Ten most frequent three-word phrases, including stop words: |
| out of the |
4 |
| to the floor |
3 |
| dropped to his |
3 |
| let out a |
3 |
| to make sure |
3 |
| only here to |
3 |
| to his knees |
3 |
| the other men |
3 |
| the grimy man |
3 |
| the room and |
3 |
|
| Most frequent two-word phrases: |
| grimy man |
3 |
| make sure |
3 |
| dream world |
3 |
| elven healer |
3 |
| didn’t think |
2 |
| can take |
2 |
| lauriana takes |
2 |
| mikell’s head |
2 |
| chapter twenty |
2 |
| arm started |
2 |
| master’s dream |
2 |
| kesar’s men |
2 |
| lauriana decides |
2 |
| third man |
2 |
| didn’t know |
2 |
| twenty part |
2 |
| men followed |
2 |
| elven village |
2 |
| lauriana waits |
2 |
| twenty five |
2 |
| lauriana meets |
2 |
| take care |
2 |
| three men |
2 |
|
| Most frequent three-word phrases: |
| master’s dream world |
2 |
| chapter twenty part |
2 |
|
| Most frequent five-word phrases: |
| only here to make sure |
3 |
| let out a sigh of |
2 |
| you’re only here to make |
2 |
| do you have any idea |
2 |
| out a sigh of relief |
2 |
| the master in her dreams |
2 |
|
| Most frequent two-word phrases, including stop words: |
| the master |
18 |
| in the |
11 |
| at the |
10 |
| of the |
9 |
| the |
9 |
| on the |
9 |
| her sword |
9 |
| of his |
8 |
| – lauriana |
8 |
| to his |
8 |
| in her |
8 |
| his sword |
8 |
| to the |
8 |
| by the |
7 |
| the room |
7 |
| and the |
7 |
| looked at |
6 |
| he was |
6 |
| – the |
6 |
| she |
6 |
| out of |
6 |
| the floor |
5 |
| from the |
5 |
| her cousins |
5 |
| with her |
5 |
| the party |
5 |
| mikell and |
5 |
| the other |
5 |
| that the |
5 |
| the knife |
5 |
| he had |
4 |
| at his |
4 |
| the elven |
4 |
| they were |
4 |
| and mikell |
4 |
| he could |
4 |
| her arm |
4 |
| mikell |
4 |
| to be |
4 |
| she looked |
4 |
| “i |
4 |
| she was |
4 |
| lauriana |
4 |
| him and |
4 |
| at her |
4 |
| of a |
4 |
| at him |
4 |
| in his |
4 |
| kesar |
4 |
| her to |
4 |
| the man |
4 |
| back to |
4 |
| as he |
4 |
| the way |
4 |
| had to |
4 |
| he knew |
3 |
| that mikell |
3 |
| only here |
3 |
| deflected the |
3 |
| make sure |
3 |
| going to |
3 |
| the wizard |
3 |
| if he |
3 |
| dream world |
3 |
| the man’s |
3 |
| a few |
3 |
| his wife |
3 |
| lauriana and |
3 |
| a small |
3 |
| no one |
3 |
| she didn’t |
3 |
| that she |
3 |
| he |
3 |
| with the |
3 |
| his knees |
3 |
| his hand |
3 |
| the five |
3 |
| the warehouse |
3 |
| the largest |
3 |
| elven healer |
3 |
| the men |
3 |
| let out |
3 |
| the window |
3 |
| grimy man |
3 |
| to stay |
3 |
| to go |
3 |
| to help |
3 |
| and then |
3 |
| started to |
3 |
| if she |
3 |
| sword in |
3 |
| he can |
3 |
| the three |
3 |
| to get |
3 |
| up and |
3 |
| in a |
3 |
| try to |
3 |
| for the |
3 |
| the quest |
3 |
| the grimy |
3 |
| room and |
3 |
| into the |
3 |
| “you |
3 |
| he looked |
3 |
| other men |
3 |
| it was |
3 |
| knew he |
3 |
| to keep |
3 |
| but she |
3 |
| out a |
3 |
| here to |
3 |
| to him |
3 |
| dropped to |
3 |
| the third |
3 |
| his side |
3 |
| to make |
3 |
| to return |
3 |
| has a |
3 |
| on her |
2 |
| he wanted |
2 |
| with mikell |
2 |
| to fake |
2 |
| way and |
2 |
| a fight |
2 |
| kept her |
2 |
| of relief |
2 |
| his eyes |
2 |
| the door |
2 |
| and drove |
2 |
| we meet |
2 |
| arm started |
2 |
| the last |
2 |
| to move |
2 |
| waved her |
2 |
| master’s dream |
2 |
| the next |
2 |
| keep the |
2 |
| could get |
2 |
| and quickly |
2 |
| be able |
2 |
| the others |
2 |
| men to |
2 |
| his friends |
2 |
| didn’t know |
2 |
| because she |
2 |
| finds out |
2 |
| go to |
2 |
| the hallway |
2 |
| him for |
2 |
| she waved |
2 |
| have any |
2 |
| she turned |
2 |
| him out |
2 |
| you and |
2 |
| behind her |
2 |
| to you |
2 |
| you were |
2 |
| discovers the |
2 |
| one – |
2 |
| twenty five |
2 |
| can take |
2 |
| in town |
2 |
| were still |
2 |
| at a |
2 |
| because of |
2 |
| chapter twenty |
2 |
| you have |
2 |
| and he |
2 |
| were in |
2 |
| “let’s |
2 |
| to martika |
2 |
| take care |
2 |
| grip on |
2 |
| in and |
2 |
| a woman |
2 |
| he would |
2 |
| the girl |
2 |
| to an |
2 |
| threw his |
2 |
| the large |
2 |
| sword on |
2 |
| and is |
2 |
| to heal |
2 |
| and didn’t |
2 |
| do you |
2 |
| stares at |
2 |
| look at |
2 |
| to a |
2 |
| lauriana waits |
2 |
| was going |
2 |
| hand and |
2 |
| rest of |
2 |
| as they |
2 |
| and was |
2 |
| was so |
2 |
| in front |
2 |
| martika and |
2 |
| a way |
2 |
| portrait of |
2 |
| the healing |
2 |
| this world |
2 |
| elven village |
2 |
| and that |
2 |
| from her |
2 |
| way to |
2 |
| betrothed to |
2 |
| of us |
2 |
| out blood |
2 |
| friends are |
2 |
| when you |
2 |
| before the |
2 |
| “i’m |
2 |
| drove his |
2 |
| leave the |
2 |
| spat out |
2 |
| lauriana takes |
2 |
| lauriana is |
2 |
| third man |
2 |
| and no |
2 |
| to zeke |
2 |
| few days |
2 |
| front of |
2 |
| that he |
2 |
| fake him |
2 |
| her brothers |
2 |
| you’re only |
2 |
| to her |
2 |
| she could |
2 |
| one of |
2 |
| to take |
2 |
| two – |
2 |
| the ranger |
2 |
| the rest |
2 |
| wouldn’t it |
2 |
| of her |
2 |
| was in |
2 |
| trying to |
2 |
| mikell has |
2 |
| sigh of |
2 |
| his feet |
2 |
| was only |
2 |
| know how |
2 |
| was the |
2 |
| lauriana meets |
2 |
| she knew |
2 |
| and zeke |
2 |
| away from |
2 |
| decide to |
2 |
| to have |
2 |
| a sigh |
2 |
| a long |
2 |
| he stroked |
2 |
| turned to |
2 |
| care of |
2 |
| in time |
2 |
| didn’t think |
2 |
| from his |
2 |
| and they |
2 |
| just as |
2 |
| the air |
2 |
| through the |
2 |
| and into |
2 |
| mikell’s head |
2 |
| her dreams |
2 |
| can you |
2 |
| an understanding |
2 |
| able to |
2 |
| a nightmare |
2 |
| they complete |
2 |
| twenty part |
2 |
| her heart |
2 |
| the hall |
2 |
| “i’m fine |
2 |
| takes a |
2 |
| burned into |
2 |
| to marry |
2 |
| lauriana decides |
2 |
| at mikell’s |
2 |
| men followed |
2 |
| my friends |
2 |
| three men |
2 |
| my fight |
2 |
| master in |
2 |
| for a |
2 |
| have to |
2 |
| any idea |
2 |
| come to |
2 |
| wanted you |
2 |
| out the |
2 |
| encounter with |
2 |
| “is |
2 |
| you to |
2 |
| me to |
2 |
| decides to |
2 |
| master is |
2 |
| the villain |
2 |
| when she |
2 |
| her eyes |
2 |
| the middle |
2 |
| offers to |
2 |
| the master’s |
2 |
| kesar’s men |
2 |
| your wife |
2 |
| sword and |
2 |
| she couldn’t |
2 |
| the wall |
2 |
|
| Most frequent three-word phrases, including stop words: |
| out of the |
4 |
| only here to |
3 |
| here to make |
3 |
| to the floor |
3 |
| to make sure |
3 |
| dropped to his |
3 |
| he had to |
3 |
| the grimy man |
3 |
| the room and |
3 |
| let out a |
3 |
| the other men |
3 |
| to his knees |
3 |
| looked at his |
2 |
| the third man |
2 |
| you have any |
2 |
| was going to |
2 |
| when you were |
2 |
| the three men |
2 |
| fake him out |
2 |
| a sigh of |
2 |
| come to an |
2 |
| take care of |
2 |
| lauriana and mikell |
2 |
| lauriana takes a |
2 |
| her sword in |
2 |
| be able to |
2 |
| deflected the knife |
2 |
| to an understanding |
2 |
| in her dreams |
2 |
| – the five |
2 |
| at his friends |
2 |
| arm started to |
2 |
| she looked at |
2 |
| out a sigh |
2 |
| and the other |
2 |
| drove his sword |
2 |
| at mikell’s head |
2 |
| he looked at |
2 |
| her sword on |
2 |
| you’re only here |
2 |
| she waved her |
2 |
| of the way |
2 |
| at the three |
2 |
| she knew he |
2 |
| – the master |
2 |
| my friends are |
2 |
| the rest of |
2 |
| have any idea |
2 |
| in front of |
2 |
| to his feet |
2 |
| the master in |
2 |
| portrait of a |
2 |
| to keep the |
2 |
| he wanted you |
2 |
| knew he was |
2 |
| looked at her |
2 |
| stares at a |
2 |
| do you have |
2 |
| in the hallway |
2 |
| you were in |
2 |
| to fake him |
2 |
| the master is |
2 |
| and drove his |
2 |
| a few days |
2 |
| the elven healer |
2 |
| sigh of relief |
2 |
| one – the |
2 |
| he could get |
2 |
| lauriana decides to |
2 |
| waved her sword |
2 |
| master in her |
2 |
| in the middle |
2 |
| spat out blood |
2 |
| master’s dream world |
2 |
| the elven village |
2 |
| chapter twenty part |
2 |
| sword on the |
2 |
| the master’s dream |
2 |
| and no one |
2 |
| looked at the |
2 |
|
| Most frequent four-word phrases, including stop words: |
| only here to make |
3 |
| here to make sure |
3 |
| dropped to his knees |
3 |
| you’re only here to |
2 |
| do you have any |
2 |
| and drove his sword |
2 |
| master in her dreams |
2 |
| let out a sigh |
2 |
| at the three men |
2 |
| to fake him out |
2 |
| a sigh of relief |
2 |
| she waved her sword |
2 |
| looked at his friends |
2 |
| the master’s dream world |
2 |
| the master in her |
2 |
| you have any idea |
2 |
| and the other men |
2 |
| out a sigh of |
2 |
| she knew he was |
2 |
| her sword on the |
2 |
| come to an understanding |
2 |
| when you were in |
2 |
|