| Number of paragraphs: |
5 |
| Average number of sentences per paragraph:: |
405.0 |
| Longest Sentence: |
'seems like nothing can keep you apart from… how did she put it, ‘your horny little sex kitten’ now…ooh…the things she wants to do to you ( all laugh except connor) wonder what kate would make of it all if she knew, poor cow.' (44 words) |
| Shortest Sentence: |
'sorry mum.' (2 words) |
Readability according to Gunning-Fog Index (the higher, the harder to read): |
3.75 |
Readability according to Automated Readability Index (the higher, the harder to read): |
-4.08 |
Readability according to Coleman-Liau Index (the higher, the harder to read): |
3.11 |
Average readability (the higher, the harder to read): |
0.93 |
| Ten most frequent two-word phrases: |
| don’t know |
19 |
| i’m sorry |
9 |
| don’t want |
8 |
| can’t hear |
6 |
| i’m fine |
6 |
| gay boy |
6 |
| connor puts |
5 |
| i’ve got |
5 |
| got kids |
4 |
| (to connor) |
4 |
|
| Ten most frequent three-word phrases: |
| they’re coming back |
3 |
| said i’m fine |
2 |
| first aid biscuit |
2 |
| didn’t think you’d |
2 |
| aid biscuit tin |
2 |
| bit young yet |
2 |
| i’m really sorry |
2 |
| born three weeks |
1 |
| i’m just saying…she’s |
1 |
| little fingers best |
1 |
|
| Ten most frequent two-word phrases, including stop words |
| i don’t |
28 |
| do you |
20 |
| are you |
19 |
| don’t know |
19 |
| know what |
16 |
| shut up |
15 |
| you know |
14 |
| you think |
14 |
| what you |
13 |
| if you |
13 |
|
| Ten most frequent three-word phrases, including stop words: |
| i don’t know |
11 |
| don’t know what |
8 |
| i don’t want |
7 |
| a bit of |
6 |
| what do you |
6 |
| what are you |
6 |
| the kettle on |
5 |
| the two of |
5 |
| can’t hear you |
5 |
| you know what |
4 |
|
| Most frequent two-word phrases: |
| don’t know |
19 |
| i’m sorry |
9 |
| don’t want |
8 |
| can’t hear |
6 |
| i’m fine |
6 |
| gay boy |
6 |
| i’ve got |
5 |
| connor puts |
5 |
| got kids |
4 |
| you’re supposed |
4 |
| dead right |
4 |
| she’s ok |
4 |
| (to connor) |
4 |
| will ya |
3 |
| said shut |
3 |
| coming back |
3 |
| (to paul) |
3 |
| it’s just |
3 |
| boys playing |
3 |
| that’s better |
3 |
| karl signals |
3 |
| got nothing |
3 |
| you’ve got |
3 |
| first aid |
3 |
| like nothing |
3 |
| he’s got |
3 |
| they’re coming |
3 |
| i’ll give |
3 |
| terrified paul |
3 |
| don’t know… |
3 |
| didn’t mean |
3 |
| didn’t think |
3 |
| don’t look |
3 |
| big man |
3 |
| nice girl |
2 |
| come on… |
2 |
| you… paul |
2 |
| andy goes |
2 |
| old man |
2 |
| you’re getting |
2 |
| young yet |
2 |
| pause paul |
2 |
| think you’d |
2 |
| you’re full |
2 |
| you’re trying |
2 |
| you’ve killed |
2 |
| i’m really |
2 |
| answer machine |
2 |
| you’d like |
2 |
| please don’t |
2 |
| fine mum |
2 |
| sorry mum |
2 |
| killed him… |
2 |
| bad lad |
2 |
| it’s just… |
2 |
| bank details |
2 |
| something nice |
2 |
| he’s gone |
2 |
| right… connor |
2 |
| you’re really |
2 |
| you’re better |
2 |
| blindfold back |
2 |
| haven’t got |
2 |
| she’ll want |
2 |
| think coz |
2 |
| good things |
2 |
| blackout scene |
2 |
| good lad |
2 |
| well don’t |
2 |
| d’you hear |
2 |
| things like |
2 |
| biscuit tin |
2 |
| right one |
2 |
| we’re going |
2 |
| (connor brings |
2 |
| nice one |
2 |
| don’t worry |
2 |
| it’s amazing |
2 |
| (to nick) |
2 |
| what’s going |
2 |
| though don’t |
2 |
| shit man |
2 |
| connor holds |
2 |
| really sorry |
2 |
| pause connor |
2 |
| can’t prove |
2 |
| (eye contact |
2 |
| neck) paul |
2 |
| i’ll make |
2 |
| bit young |
2 |
| young lad |
2 |
| front door |
2 |
| aid biscuit |
2 |
| that’s right |
2 |
| coz it’s |
2 |
| said i’m |
2 |
| take care |
2 |
| one moved |
2 |
| don’t think |
2 |
| don’t give |
2 |
| never mind |
2 |
| connor paces |
2 |
| they’ve got |
2 |
| scene opens |
2 |
| really think |
2 |
| can manage |
2 |
| on… paul |
2 |
| it’s ok |
2 |
| bad enough |
2 |
| think i’m |
2 |
| can just |
2 |
| paul’s lips |
2 |
| national insurance |
2 |
| just shut |
2 |
| what’s stopping |
2 |
| doesn’t matter |
2 |
| looks like |
2 |
|
| Most frequent three-word phrases: |
| they’re coming back |
3 |
| said i’m fine |
2 |
| first aid biscuit |
2 |
| didn’t think you’d |
2 |
| aid biscuit tin |
2 |
| bit young yet |
2 |
| i’m really sorry |
2 |
|
| Most frequent five-word phrases: |
| you know what i mean |
3 |
| bottle to paul’s lips and |
2 |
| a bit young yet but |
2 |
| one moved in round here |
2 |
| are you going to do |
2 |
| what are you going to |
2 |
| what’s that supposed to mean |
2 |
| and put the kettle on |
2 |
| you’re supposed to be resting |
2 |
| what’s the matter with you |
2 |
| the first aid biscuit tin |
2 |
| the good things in life |
2 |
| i’m not telling you anything |
2 |
| have been a bad lad |
2 |
| don’t know what i’d do |
2 |
| the bottle to paul’s lips |
2 |
| i don’t know what you’re |
2 |
| signals to connor to clip |
2 |
| up and put the kettle |
2 |
| you have been a bad |
2 |
| know what you’re trying to |
2 |
| know what i’d do without |
2 |
|
| Most frequent two-word phrases, including stop words: |
| i don’t |
28 |
| do you |
20 |
| are you |
19 |
| don’t know |
19 |
| know what |
16 |
| shut up |
15 |
| you think |
14 |
| you know |
14 |
| it was |
13 |
| if you |
13 |
| i’m not |
13 |
| what you |
13 |
| you don’t |
12 |
| to the |
12 |
| you want |
12 |
| i said |
11 |
| to do |
11 |
| want to |
11 |
| a bit |
11 |
| don’t you |
10 |
| to be |
10 |
| of you |
9 |
| a good |
9 |
| trying to |
9 |
| of the |
9 |
| i’m sorry |
9 |
| out of |
9 |
| will you |
8 |
| i know |
8 |
| have you |
8 |
| you can |
8 |
| come on |
8 |
| on the |
8 |
| go on |
8 |
| don’t want |
8 |
| going to |
8 |
| bit of |
7 |
| supposed to |
7 |
| i mean |
7 |
| you can’t |
7 |
| in here |
7 |
| what we |
7 |
| what d’you |
7 |
| for you |
7 |
| is it |
7 |
| you are |
7 |
| it’s not |
7 |
| you got |
7 |
| in the |
7 |
| you a |
7 |
| you do |
7 |
| you like |
7 |
| can’t hear |
6 |
| and i |
6 |
| signals to |
6 |
| i do |
6 |
| the two |
6 |
| with her |
6 |
| not a |
6 |
| what do |
6 |
| you what |
6 |
| to get |
6 |
| what are |
6 |
| i’m fine |
6 |
| the kettle |
6 |
| can you |
6 |
| you and |
6 |
| you doing |
6 |
| get the |
6 |
| was it |
6 |
| you’re not |
6 |
| gay boy |
6 |
| do it |
6 |
| what i |
6 |
| he’s not |
6 |
| some water |
6 |
| your mum |
6 |
| we got |
5 |
| give you |
5 |
| but i |
5 |
| to connor) |
5 |
| up and |
5 |
| like that |
5 |
| the others |
5 |
| this is |
5 |
| the fuck |
5 |
| did you |
5 |
| have a |
5 |
| you should |
5 |
| hear you |
5 |
| to go |
5 |
| or something |
5 |
| how you |
5 |
| up to |
5 |
| you to |
5 |
| we should |
5 |
| andy and |
5 |
| two of |
5 |
| back in |
5 |
| kettle on |
5 |
| i didn’t |
5 |
| i’ve got |
5 |
| connor puts |
5 |
| to me |
5 |
| i can’t |
5 |
| put the |
5 |
| one of |
5 |
| what you’re |
5 |
| of course |
5 |
| tell me |
5 |
| not like |
5 |
| the blindfold |
5 |
| know where |
5 |
| a brew |
4 |
| the kitchen |
4 |
| you paul |
4 |
| what’s the |
4 |
| fuck up |
4 |
| nothing to |
4 |
| that’s not |
4 |
| sorry but |
4 |
| you sure |
4 |
| she’s ok |
4 |
| had a |
4 |
| like i |
4 |
| you mean |
4 |
| tell you |
4 |
| stop it |
4 |
| see you |
4 |
| if i |
4 |
| told you |
4 |
| and connor |
4 |
| to see |
4 |
| a lot |
4 |
| got kids |
4 |
| up will |
4 |
| the group |
4 |
| when you |
4 |
| we know |
4 |
| andy to |
4 |
| of a |
4 |
| the rest |
4 |
| as karl |
4 |
| (to connor) |
4 |
| so what |
4 |
| to make |
4 |
| course you |
4 |
| connor to |
4 |
| the door |
4 |
| after you |
4 |
| nick and |
4 |
| all this |
4 |
| you’re supposed |
4 |
| was just |
4 |
| there is |
4 |
| a bad |
4 |
| you did |
4 |
| up a |
4 |
| in his |
4 |
| and nick |
4 |
| i can |
4 |
| like to |
4 |
| you going |
4 |
| connor and |
4 |
| dead right |
4 |
| you saying |
4 |
| it lad |
4 |
| i told |
4 |
| i am |
4 |
| meeting up |
4 |
| for a |
4 |
| you were |
4 |
| shut the |
4 |
| got a |
4 |
| i want |
4 |
| like you |
4 |
| haven’t you |
4 |
| of trouble |
4 |
| puts the |
4 |
| the good |
4 |
| to connor |
4 |
| with you |
4 |
| and andy |
4 |
| up with |
3 |
| hear that |
3 |
| course not |
3 |
| to come |
3 |
| to say |
3 |
| you said |
3 |
| i like |
3 |
| better than |
3 |
| mean it |
3 |
| what else |
3 |
| the room |
3 |
| they know |
3 |
| rest of |
3 |
| when i |
3 |
| is that |
3 |
| word is |
3 |
| they’re coming |
3 |
| just a |
3 |
| with me |
3 |
| ah come |
3 |
| don’t know… |
3 |
| the right |
3 |
| got your |
3 |
| thank you |
3 |
| with them |
3 |
| with shelley |
3 |
| big man |
3 |
| back to |
3 |
| do anything |
3 |
| got to |
3 |
| and you’re |
3 |
| will ya |
3 |
| for her |
3 |
| take it |
3 |
| round the |
3 |
| of his |
3 |
| talking about |
3 |
| the gang |
3 |
| (to paul) |
3 |
| it’s just |
3 |
| tries to |
3 |
| to you |
3 |
| where’s the |
3 |
| any of |
3 |
| look after |
3 |
| where are |
3 |
| i thought |
3 |
| hate them |
3 |
| must have |
3 |
| like nothing |
3 |
| what about |
3 |
| have been |
3 |
| think so |
3 |
| don’t do |
3 |
| i’ll give |
3 |
| with him |
3 |
| with his |
3 |
| was a |
3 |
| of your |
3 |
| get you |
3 |
| to take |
3 |
| have done |
3 |
| you’ve had |
3 |
| a little |
3 |
| as he |
3 |
| his arm |
3 |
| after all |
3 |
| did he |
3 |
| having a |
3 |
| give me |
3 |
| don’t look |
3 |
| leave it |
3 |
| look at |
3 |
| get off |
3 |
| isn’t it |
3 |
| more than |
3 |
| he won’t |
3 |
| you doin |
3 |
| it in |
3 |
| should have |
3 |
| or what |
3 |
| a terrified |
3 |
| it is |
3 |
| to know |
3 |
| from the |
3 |
| yet but |
3 |
| the matter |
3 |
| let him |
3 |
| aren’t you |
3 |
| that’s better |
3 |
| karl signals |
3 |
| tell him |
3 |
| i promised |
3 |
| like it |
3 |
| your head |
3 |
| first aid |
3 |
| your feet |
3 |
| think about |
3 |
| you have |
3 |
| terrified paul |
3 |
| than that |
3 |
| no way |
3 |
| in a |
3 |
| i’d be |
3 |
| couple of |
3 |
| didn’t mean |
3 |
| i have |
3 |
| all the |
3 |
| full of |
3 |
| been a |
3 |
| didn’t think |
3 |
| just as |
3 |
| you anything |
3 |
| a few |
3 |
| me off |
3 |
| be a |
3 |
| said shut |
3 |
| can’t do |
3 |
| be ok |
3 |
| to andy |
3 |
| your life |
3 |
| kind of |
3 |
| coming back |
3 |
| to him |
3 |
| is a |
3 |
| boys playing |
3 |
| of them |
3 |
| the pincers |
3 |
| will be |
3 |
| laughing at |
3 |
| i hear |
3 |
| you’ve got |
3 |
| to paul’s |
3 |
| he’s got |
3 |
| you lot |
3 |
| it easy |
3 |
| her up |
3 |
| we all |
3 |
| all that |
3 |
| goes to |
3 |
| you hear |
3 |
| the gag |
3 |
| music and |
3 |
| through the |
3 |
| was good |
3 |
| got nothing |
3 |
| she likes |
3 |
| he can’t |
3 |
| go on… |
3 |
| it to |
3 |
| it off |
3 |
| bet you |
3 |
| the man |
3 |
| any more |
3 |
| i haven’t |
2 |
| you… paul |
2 |
| andy goes |
2 |
| nice girl |
2 |
| the floor |
2 |
| a nice |
2 |
| you see |
2 |
| to put |
2 |
| and a |
2 |
| then what |
2 |
| talk about |
2 |
| you mad |
2 |
| you’re trying |
2 |
| you’ve killed |
2 |
| you’re doing |
2 |
| wasn’t there |
2 |
| maybe we |
2 |
| sorry mum |
2 |
| ask you |
2 |
| want you |
2 |
| me and |
2 |
| a question |
2 |
| gonna be |
2 |
| your own |
2 |
| a dad |
2 |
| like they |
2 |
| hear me |
2 |
| off now |
2 |
| than i |
2 |
| something nice |
2 |
| something about |
2 |
| the bottle |
2 |
| off your |
2 |
| of tea |
2 |
| saying you |
2 |
| right… connor |
2 |
| who laughing |
2 |
| and boys |
2 |
| going on |
2 |
| he was |
2 |
| they don’t |
2 |
| ok to |
2 |
| that supposed |
2 |
| have it |
2 |
| you deaf |
2 |
| good things |
2 |
| paul) you |
2 |
| his hands |
2 |
| my life |
2 |
| and it |
2 |
| this place |
2 |
| place for |
2 |
| one moved |
2 |
| there was |
2 |
| to a |
2 |
| things like |
2 |
| i’m being |
2 |
| you’re full |
2 |
| on and |
2 |
| front door |
2 |
| left you |
2 |
| am i |
2 |
| like the |
2 |
| on… paul |
2 |
| gave me |
2 |
| or mum |
2 |
| was all |
2 |
| give over |
2 |
| hold of |
2 |
| it’s amazing |
2 |
| of my |
2 |
| lights up |
2 |
| for him |
2 |
| blindfold back |
2 |
| water and |
2 |
| to her |
2 |
| telling you |
2 |
| (eye contact |
2 |
| a girl |
2 |
| neck) paul |
2 |
| but it |
2 |
| oi gay |
2 |
| connor is |
2 |
| a kid |
2 |
| the back |
2 |
| i just |
2 |
| how is |
2 |
| do that |
2 |
| know that |
2 |
| wasn’t it |
2 |
| it’s no |
2 |
| the first |
2 |
| you killed |
2 |
| she was |
2 |
| fine mum |
2 |
| him to |
2 |
| like her |
2 |
| next to |
2 |
| would have |
2 |
| all i’ve |
2 |
| you must |
2 |
| pissing me |
2 |
| bank details |
2 |
| the chair |
2 |
| and to |
2 |
| a laugh |
2 |
| bottle to |
2 |
| wants to |
2 |
| to leave |
2 |
| for god’s |
2 |
| to punch |
2 |
| a very |
2 |
| he is |
2 |
| what happened |
2 |
| be in |
2 |
| and me |
2 |
| hands and |
2 |
| scene opens |
2 |
| able to |
2 |
| loved each |
2 |
| you let |
2 |
| asking after |
2 |
| find out |
2 |
| they’ve got |
2 |
| have to |
2 |
| think i |
2 |
| bad enough |
2 |
| think i’m |
2 |
| you hate |
2 |
| i hate |
2 |
| is what |
2 |
| looks like |
2 |
| national insurance |
2 |
| so what’s |
2 |
| do hey |
2 |
| know about |
2 |
| gets the |
2 |
| what’s that |
2 |
| you saw |
2 |
| out for |
2 |
| my own |
2 |
| his feet |
2 |
| know the |
2 |
| come on… |
2 |
| d’you do |
2 |
| so help |
2 |
| bad lad |
2 |
| you something |
2 |
| you’re getting |
2 |
| likes you |
2 |
| leave him |
2 |
| he has |
2 |
| good to |
2 |
| not telling |
2 |
| lips and |
2 |
| answer machine |
2 |
| your message |
2 |
| you’d like |
2 |
| down and |
2 |
| want him |
2 |
| ‘no’ you’re |
2 |
| killed him… |
2 |
| over here |
2 |
| that right |
2 |
| you fucking |
2 |
| to paul) |
2 |
| back on |
2 |
| been up |
2 |
| he’s gone |
2 |
| it does |
2 |
| not my |
2 |
| you really |
2 |
| so why |
2 |
| up or |
2 |
| and he |
2 |
| is he |
2 |
| a go |
2 |
| have had |
2 |
| a chair |
2 |
| things in |
2 |
| want it |
2 |
| you will |
2 |
| it’s your |
2 |
| who says |
2 |
| could be |
2 |
| your turn |
2 |
| good lad |
2 |
| give it |
2 |
| had her |
2 |
| playing with |
2 |
| and starts |
2 |
| round his |
2 |
| was asking |
2 |
| you need |
2 |
| be resting |
2 |
| remember how |
2 |
| we’re going |
2 |
| aid biscuit |
2 |
| out there |
2 |
| on me |
2 |
| (to nick) |
2 |
| to tell |
2 |
| with the |
2 |
| i say |
2 |
| them too |
2 |
| which is |
2 |
| think this |
2 |
| in your |
2 |
| very sensitive |
2 |
| i… maggie |
2 |
| me in |
2 |
| how nice |
2 |
| bags down |
2 |
| to clip |
2 |
| that’s right |
2 |
| killed him |
2 |
| good that |
2 |
| pair of |
2 |
| the settee |
2 |
| i’ll make |
2 |
| never mind |
2 |
| the same |
2 |
| to remove |
2 |
| something to |
2 |
| i think |
2 |
| a chat |
2 |
| talk to |
2 |
| where you |
2 |
| is going |
2 |
| it’s ok |
2 |
| what’s this |
2 |
| because i’m |
2 |
| wanted to |
2 |
| can just |
2 |
| don’t have |
2 |
| for me |
2 |
| on you |
2 |
| hand on |
2 |
| had to |
2 |
| than you |
2 |
| his hand |
2 |
| think coz |
2 |
| else you |
2 |
| at the |
2 |
| oh you |
2 |
| maybe you |
2 |
| and all |
2 |
| ready to |
2 |
| but he’s |
2 |
| puts her |
2 |
| keep it |
2 |
| looking at |
2 |
| look ok |
2 |
| it like |
2 |
| a knife |
2 |
| me feel |
2 |
| it a |
2 |
| i’m only |
2 |
| old man |
2 |
| have come |
2 |
| go to |
2 |
| happened to |
2 |
| where everything |
2 |
| it’s just… |
2 |
| you that |
2 |
| don’t think |
2 |
| got you |
2 |
| round here |
2 |
| you here |
2 |
| make it |
2 |
| don’t give |
2 |
| calling me |
2 |
| you heard |
2 |
| paul with |
2 |
| i’m your |
2 |
| looking after |
2 |
| at him |
2 |
| what we’re |
2 |
| not your |
2 |
| to look |
2 |
| take that |
2 |
| with a |
2 |
| got here |
2 |
| blackout scene |
2 |
| tied to |
2 |
| right one |
2 |
| pause paul |
2 |
| well don’t |
2 |
| bit young |
2 |
| of it |
2 |
| i get |
2 |
| what’ve you |
2 |
| telling me |
2 |
| her out |
2 |
| turned your |
2 |
| in it |
2 |
| in front |
2 |
| who’s this |
2 |
| of us |
2 |
| just the |
2 |
| don’t worry |
2 |
| you’re really |
2 |
| you had |
2 |
| to help |
2 |
| you may |
2 |
| liam is |
2 |
| shit man |
2 |
| about me |
2 |
| if she |
2 |
| really sorry |
2 |
| and maureen |
2 |
| he knows |
2 |
| to let |
2 |
| you ok |
2 |
| how much |
2 |
| of him |
2 |
| the others) |
2 |
| our liam |
2 |
| could have |
2 |
| in life |
2 |
| were you |
2 |
| good at |
2 |
| paul has |
2 |
| and signals |
2 |
| you love |
2 |
| his pocket |
2 |
| be the |
2 |
| it’s the |
2 |
| me what |
2 |
| everything is |
2 |
| definitely the |
2 |
| you’re here |
2 |
| watch your |
2 |
| make you |
2 |
| you haven’t |
2 |
| him alone |
2 |
| a hobby |
2 |
| drink it |
2 |
| his mum |
2 |
| for who |
2 |
| like a |
2 |
| his neck) |
2 |
| after the |
2 |
| a couple |
2 |
| you or |
2 |
| me you |
2 |
| how do |
2 |
| what’s stopping |
2 |
| (holds up |
2 |
| (pause) what |
2 |
| you fuckin |
2 |
| up you |
2 |
| i wouldn’t |
2 |
| me like |
2 |
| could do |
2 |
| she’ll want |
2 |
| paul’s lips |
2 |
| take the |
2 |
| just shut |
2 |
| meet you |
2 |
| amazing what |
2 |
| i’d have |
2 |
| we were |
2 |
| from behind |
2 |
| the big |
2 |
| all your |
2 |
| coz it’s |
2 |
| he gets |
2 |
| (connor brings |
2 |
| nice one |
2 |
| no place |
2 |
| do if |
2 |
| want me |
2 |
| young yet |
2 |
| they walk |
2 |
| and puts |
2 |
| think you’d |
2 |
| at me |
2 |
| can’t prove |
2 |
| touch me |
2 |
| nice we |
2 |
| but yes |
2 |
| front of |
2 |
| i’m really |
2 |
| please don’t |
2 |
| they left |
2 |
| of me |
2 |
| and you |
2 |
| why don’t |
2 |
| better for |
2 |
| really think |
2 |
| sit in |
2 |
| but what |
2 |
| she turned |
2 |
| with your |
2 |
| me the |
2 |
| can manage |
2 |
| go out |
2 |
| on a |
2 |
| though don’t |
2 |
| i could |
2 |
| to paul |
2 |
| something before |
2 |
| you’re better |
2 |
| too much |
2 |
| haven’t got |
2 |
| of you… |
2 |
| she’s not |
2 |
| i appreciate |
2 |
| me go |
2 |
| her too |
2 |
| and put |
2 |
| d’you hear |
2 |
| what kind |
2 |
| to hear |
2 |
| biscuit tin |
2 |
| a broken |
2 |
| she had |
2 |
| to mean |
2 |
| pause connor |
2 |
| only if |
2 |
| you write |
2 |
| about it |
2 |
| to think |
2 |
| you laughing |
2 |
| connor a |
2 |
| as though |
2 |
| what’s going |
2 |
| you too |
2 |
| you sick |
2 |
| connor holds |
2 |
| ok love |
2 |
| i was |
2 |
| you little |
2 |
| either you |
2 |
| hear ya |
2 |
| a family |
2 |
| do they |
2 |
| oh come |
2 |
| doing it |
2 |
| what’s it |
2 |
| your age |
2 |
| mess with |
2 |
| do a |
2 |
| like this |
2 |
| in round |
2 |
| after her |
2 |
| all laugh |
2 |
| said i’m |
2 |
| take care |
2 |
| up on |
2 |
| they are |
2 |
| them lad |
2 |
| about you |
2 |
| help me |
2 |
| you all |
2 |
| you get |
2 |
| boys and |
2 |
| want some |
2 |
| and the |
2 |
| looks as |
2 |
| something you |
2 |
| young lad |
2 |
| me or |
2 |
| you tell |
2 |
| matter with |
2 |
| this way |
2 |
| that’s it |
2 |
| she’s a |
2 |
| in silence |
2 |
| share a |
2 |
| connor paces |
2 |
| do without |
2 |
| what i’d |
2 |
| stopping him |
2 |
| a criminal |
2 |
| moved in |
2 |
| doesn’t matter |
2 |
| i’d do |
2 |
|
| Most frequent three-word phrases, including stop words: |
| i don’t know |
11 |
| don’t know what |
8 |
| i don’t want |
7 |
| a bit of |
6 |
| what do you |
6 |
| what are you |
6 |
| the two of |
5 |
| can’t hear you |
5 |
| the kettle on |
5 |
| what i mean |
4 |
| you’re supposed to |
4 |
| connor puts the |
4 |
| put the kettle |
4 |
| you know what |
4 |
| supposed to be |
4 |
| know what i |
4 |
| the fuck up |
4 |
| andy and nick |
4 |
| you want to |
4 |
| i told you |
4 |
| shut the fuck |
4 |
| signals to connor |
3 |
| what’s the matter |
3 |
| know what you’re |
3 |
| i didn’t mean |
3 |
| and i am |
3 |
| do you know |
3 |
| going to do |
3 |
| are you going |
3 |
| i said shut |
3 |
| nick and andy |
3 |
| meeting up with |
3 |
| what we got |
3 |
| do you want |
3 |
| to connor to |
3 |
| to andy to |
3 |
| are you doing |
3 |
| shut up will |
3 |
| they’re coming back |
3 |
| up will ya |
3 |
| you’re not like |
3 |
| the rest of |
3 |
| course you do |
3 |
| do you think |
3 |
| was just a |
3 |
| you going to |
3 |
| a terrified paul |
3 |
| have you had |
2 |
| take it easy |
2 |
| not a bad |
2 |
| up with shelley |
2 |
| the good things |
2 |
| how do you |
2 |
| how nice we |
2 |
| said i’m fine |
2 |
| not a kid |
2 |
| to get the |
2 |
| i’d do without |
2 |
| you should have |
2 |
| you know the |
2 |
| don’t know where |
2 |
| maybe we should |
2 |
| up and put |
2 |
| where’s the rest |
2 |
| one moved in |
2 |
| and signals to |
2 |
| to be resting |
2 |
| oh come on |
2 |
| give it a |
2 |
| things in life |
2 |
| was good that |
2 |
| what else you |
2 |
| a bad lad |
2 |
| and to andy |
2 |
| just as karl |
2 |
| i want you |
2 |
| amazing what you |
2 |
| been up to |
2 |
| what you’re trying |
2 |
| where you are |
2 |
| i can manage |
2 |
| you laughing at |
2 |
| moved in round |
2 |
| you do it |
2 |
| it was good |
2 |
| trying to do |
2 |
| and all that |
2 |
| the right one |
2 |
| you will be |
2 |
| you got a |
2 |
| look after you |
2 |
| to the door |
2 |
| pissing me off |
2 |
| of the group |
2 |
| only if you |
2 |
| you don’t know |
2 |
| really sorry but |
2 |
| it was just |
2 |
| got nothing to |
2 |
| sit in silence |
2 |
| you got kids |
2 |
| but i don’t |
2 |
| than you think |
2 |
| turned your life |
2 |
| a couple of |
2 |
| me off now |
2 |
| telling you anything |
2 |
| go on… paul |
2 |
| said shut up |
2 |
| you’re trying to |
2 |
| aid biscuit tin |
2 |
| bottle to paul’s |
2 |
| the matter with |
2 |
| been a bad |
2 |
| you and me |
2 |
| one of the |
2 |
| tell me what |
2 |
| the first aid |
2 |
| know what you |
2 |
| don’t want him |
2 |
| just the two |
2 |
| blindfold back on |
2 |
| don’t do it |
2 |
| boys playing with |
2 |
| where everything is |
2 |
| look ok to |
2 |
| want you to |
2 |
| was asking after |
2 |
| what you doing |
2 |
| paul’s lips and |
2 |
| what’s that supposed |
2 |
| the bottle to |
2 |
| young yet but |
2 |
| connor to clip |
2 |
| don’t want to |
2 |
| a bit young |
2 |
| trying to make |
2 |
| so help me |
2 |
| we got here |
2 |
| lights up on |
2 |
| is going to |
2 |
| think this is |
2 |
| there is a |
2 |
| to paul) you |
2 |
| have a brew |
2 |
| out of your |
2 |
| round the room |
2 |
| know where everything |
2 |
| asking after you |
2 |
| that supposed to |
2 |
| in round here |
2 |
| so what’s stopping |
2 |
| it’s no place |
2 |
| to paul’s lips |
2 |
| what’s going on |
2 |
| they left you |
2 |
| you must have |
2 |
| good things in |
2 |
| supposed to mean |
2 |
| next to paul) |
2 |
| have been a |
2 |
| so what d’you |
2 |
| i said i’m |
2 |
| it’s amazing what |
2 |
| think i don’t |
2 |
| if you like |
2 |
| out of trouble |
2 |
| you have been |
2 |
| what kind of |
2 |
| two of them |
2 |
| not telling you |
2 |
| on the kitchen |
2 |
| no place for |
2 |
| must have had |
2 |
| if i hear |
2 |
| it was a |
2 |
| better than that |
2 |
| oi gay boy |
2 |
| his neck) paul |
2 |
| you think i’m |
2 |
| how you doin |
2 |
| in front of |
2 |
| what d’you do |
2 |
| look at him |
2 |
| it was all |
2 |
| like i said |
2 |
| so why don’t |
2 |
| looks as though |
2 |
| you’re better than |
2 |
| hear you paul |
2 |
| you or mum |
2 |
| i’ll give you |
2 |
| you don’t look |
2 |
| what i’d do |
2 |
| bit young yet |
2 |
| a good lad |
2 |
| you hate them |
2 |
| what’s stopping him |
2 |
| first aid biscuit |
2 |
| like you and |
2 |
| didn’t think you’d |
2 |
| did you get |
2 |
| more than i |
2 |
| i’m not telling |
2 |
| and put the |
2 |
| know what i’d |
2 |
| ‘no’ you’re not |
2 |
| to be a |
2 |
| want to see |
2 |
| the blindfold back |
2 |
| karl signals to |
2 |
| we’re going to |
2 |
| drink it lad |
2 |
| is that right |
2 |
| make you a |
2 |
| leave him alone |
2 |
| matter with you |
2 |
| want some water |
2 |
| you’re full of |
2 |
| to be the |
2 |
| i’m really sorry |
2 |
|
| Most frequent four-word phrases, including stop words: |
| shut the fuck up |
4 |
| you’re supposed to be |
4 |
| signals to connor to |
3 |
| you going to do |
3 |
| i don’t know what |
3 |
| you know what i |
3 |
| what are you doing |
3 |
| know what i mean |
3 |
| put the kettle on |
3 |
| shut up will ya |
2 |
| i don’t want him |
2 |
| one moved in round |
2 |
| moved in round here |
2 |
| up and put the |
2 |
| the two of them |
2 |
| the bottle to paul’s |
2 |
| bit young yet but |
2 |
| the blindfold back on |
2 |
| first aid biscuit tin |
2 |
| to connor to clip |
2 |
| don’t know what i’d |
2 |
| and to andy to |
2 |
| know what you’re trying |
2 |
| i want you to |
2 |
| i said shut up |
2 |
| what do you think |
2 |
| know what i’d do |
2 |
| been a bad lad |
2 |
| you must have had |
2 |
| i don’t know where |
2 |
| don’t know what you |
2 |
| a bit young yet |
2 |
| so what’s stopping him |
2 |
| that supposed to mean |
2 |
| good things in life |
2 |
| have been a bad |
2 |
| how do you know |
2 |
| what’s that supposed to |
2 |
| are you going to |
2 |
| what do you want |
2 |
| supposed to be resting |
2 |
| what you’re trying to |
2 |
| and put the kettle |
2 |
| what are you going |
2 |
| can’t hear you paul |
2 |
| the good things in |
2 |
| to paul’s lips and |
2 |
| not telling you anything |
2 |
| it’s amazing what you |
2 |
| but i don’t know |
2 |
| was asking after you |
2 |
| don’t know what you’re |
2 |
| i said i’m fine |
2 |
| just the two of |
2 |
| what i’d do without |
2 |
| meeting up with shelley |
2 |
| the matter with you |
2 |
| you have been a |
2 |
| i’m not telling you |
2 |
| i’m really sorry but |
2 |
| next to paul) you |
2 |
| what’s the matter with |
2 |
| it’s no place for |
2 |
| bottle to paul’s lips |
2 |
| the first aid biscuit |
2 |
| know where everything is |
2 |
|