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thisisnotanexit's profile
AGE:
24
LOC: United Kingdom
GEN: Male
LAST LOGIN: August 20
LOC: United Kingdom
GEN: Male
LAST LOGIN: August 20
does not understand.
Items
Version 1
1 Review
1 Comment
Five-thirty: the floor staff; the flawed show. The plate-spinners and patient players of the waiting game are lined up like a curtain call rehearsal. Resplendent in regulation black, they provide an ironic, coloured counterpoint to Black’s crew, on the other side of the pass. The family, the front-of-house, – waiters, runners, waitresses, busboys – look rested and bright-eyed: even the one or two who rode out the lunchtime slam are still _presentable_, still fit for public consumption. Not so...
Version 2
0 Reviews
0 Comments
those few, golden years when you thought heidegger would save your life. you stayed up at night, all ideas and hope – and still couldn’t write. you took photographs of all your fucking boring friends, who went to art-house cinemas and smoked cigars and tried to speak french. flushed with last night success, you slept drunk in last night’s dress, plotting dreadful poetry that doesn’t rhyme and doesn’t make sense. the moon climbs sad steps up the sky; you don’t know what it is you want – and if...
Version 1
4 Reviews
7 Comments
Allie Park. Crowds part. Empires sway. Rooms stop – and then start again, and shape themselves to fit. She has always had this conspicuity. It’s not beauty – no, not quite. It’s not the reverse. But she has this ability to _stop_ things – conversations, traffic, hearts – and it is difficult to know what to do with it, so she just carries it around. Other people have their stuff to haul about: their rings and their tats and their scars, which say marriage, masculinity, love, loss, fighting, fu...
Version 1
3 Reviews
14 Comments
At Saint Sepulchre’s the bells say, ‘When will you pay me?’ but Dice, feeling twice the price, sticks simply to his sidewalk sidle, scorns the sheepish Shoreditch shrug-off, and thinks about time and money, and money and time, and how nicely they are tied up in the rhyme. Eleven o’clock. Eleven: yeah, that’s good, thinks Dice. That’s a good deal. Double down. Can’t lose. But let’s not take that train of thought. No: let’s follow Dice as he hies and hoofs, wends and winds and weaves his way, w...
Version 4
1 Review
0 Comments
Wednesday morning was, by turns, peculiar and painful. The first event, clearly, was that Allie woke up and got up, although this didn’t become apparent until much later. I lay still and kept hidden, swathed in many windings of duvet and down, thinking: I’m fucked if I’m going out there. It got worse, though: she opened the curtains and I fought back with a sideswipe of horror and nearly got hot tea all over myself. The mug went round a full two revolutions on its base, while I watched, stric...
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Reviews
this is nicely written - a reasonably characterful, engaging narrative with pleasing twists and turns and capably-managed jumping around in time. i think you _could_ tweak it down to under a thousand words: there are one or two sentences/phrases that seem slightly superfluous. 'that is when the doorbell rang' and a phrase about 'the distinct click of heels...' - these seem ungainly, and yet there are points when you describe details or invest your narration with a distinct turn of phrase in a...
joycean is, i think, the word: this has that dream-told-in-puns feel. i imagine it's the play on 'scale' that holds the whole thing together. so 'minnow' and 'shreckstoff' evoke a slightly fishy sense of fear or realisation, and then that 'ebb tide' is picked up nicely by the 'sea change'. however, because this is so dense and so cryptic, i find myself restricted to vague intimations, hints, allusions, etc. that trio of thanks, followed by 'la, la and la' could hint at la-la land, a kind of d...
first, then: voice. this italicised interior monologue is _curious_ - it could, without too much work, be assimilated into a conventional first-person narrative. that you choose not to raises an interesting notion - something like bakhtinian double-voicing, wherein elements or attributes are conveyed in a subtly different light: reframed, if you like. i suppose this counts as 'experimental', but there is still substance to it: it gives you another layer to work with, effectively. considered t...
100.0% Review Quality (2 Votes)
god, i hate 'experimental' poetry. this is _fantastic_, though. really oddly charming. i think i must say that it is definitely for the eye, not the ear. normally, this would make me very cross, but the verve and agility of your deployment of device in the poem is utterly engaging - fascinating, indeed. it generally seems to be an aggressive act, as a poet, to force the reader to engage with the surface so closely - but there is a reward here, and the process is satisfying. the reader perpetu...
this is fine stuff. i have had a cursory glance at other sections, but not enough to _inform_ my opinions. the prose is nicely done, engaging but never obnoxiously so. it is strung through with tiny little jokes - 'as he kept his grin at its strongest setting' - but the overall tone is not of something striving for humour, or for too much surface gloss. the careful detail and deft choice of vocabulary, as when shilton 'pushes' a chuckle out, cohere into something pleasingly readable, but neve...
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